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Katie Palmer - Behind the Curtain: Directing 'The Nobodies Who Were Everybody' | STM #187
Manage episode 407205072 series 3558825
コンテンツは Alen Ulman, Leon Garber, Alen D. Ulman, and Leon Garber によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Alen Ulman, Leon Garber, Alen D. Ulman, and Leon Garber またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
On episode 187, we welcome Katie Palmer to discuss the lack of social funding for the arts, theater as philosophy and how it teaches us to become better thinkers, how the visceral theater experience cultivates empathy and a sense of belonging, theater as a necessity for a flourishing democracy, the Federal Theatre Project and how it’s national director Hallie Flanagan shaped it, why governments should support art, the Matthew Effect and how it stifles untapped talent, the message of the play ‘The Nobodies Who Were Everybody’, the red scare of the 1930s and whether suppressing art was actually about Communism, and theater as a representation of the aspects of our lives we normally choose to avoid.
Katie Palmer is the co-director of the Theater in Asylum production, The Nobodies Who Were Everybody. She is a graduate of NYU's NYU’s Tisch School of the Arts with a BFA in Drama. She is the founding co-Artistic Director of Theater in Asylum. Theater in Asylum joyfully pursues a rigorously researched and ensemble-driven approach to theater-making. They create performances to investigate our past, interpret our present, and imagine our future. They prize space to process, space to question—asylum. Katie has co-created all 13 of their original 13 productions, which have been presented across New York City and the East Coast and internationally in London and mainland Europe.
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