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Painting Mr. Pitt
Manage episode 367555198 series 3442900
コンテンツは Stratford Hall Historic Preserve, Dr. Gordon Blaine Steffey, Director of Research, Stratford Hall Historic Preserve, Dr. Gordon Blaine Steffey, and Director of Research によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Stratford Hall Historic Preserve, Dr. Gordon Blaine Steffey, Director of Research, Stratford Hall Historic Preserve, Dr. Gordon Blaine Steffey, and Director of Research またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
If you’ve visited Stratford Hall since 2016, you likely noticed the looming full-length portrait of British statesman WIlliam Pitt the elder in our parlor. Standing at 8 feet by 5 feet, it’s difficult to miss! That painting reproduces the original now hanging in the Westmoreland County Museum. From the hand of Maryland painter Charles Willson Peale, the original shipped from London and arrived at Chantilly, the home of Richard Henry Lee, on April 7, 1769. When Americans still had confidence in the normal political process of the British empire, they commemorated the efforts of British politicos who steered that process in ways sympathetic to the colonies. A painting, a statue, a town named or renamed–-these are among the ways colonists expressed gratitude and aligned themselves politically with power and influence being exercised overseas in Parliament. The Pitt portrait is a by-product of commemorative efforts in the late 1760s before Americans began to despair of substantive change. Ironically, Charles Willson Peale and William Pitt were neither the preferred artist nor the preferred subject for commemorative efforts by Westmoreland County movers and shakers. Tune in to Stratford Mail Episode 6: Painting Mr. Pitt to learn about what might have been, what was, and to learn about an exciting event coming to Stratford Hall on September 9, 2023!
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