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TechSurge: Deep Tech VC Podcast


1 Understanding the Elegant Math Behind Modern Machine Learning 1:14:43
1:14:43
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Artificial intelligence is evolving at an unprecedented pace—what does that mean for the future of technology, venture capital, business, and even our understanding of ourselves? Award-winning journalist and writer Anil Ananthaswamy joins us for our latest episode to discuss his latest book Why Machines Learn: The Elegant Math Behind Modern AI . Anil helps us explore the journey and many breakthroughs that have propelled machine learning from simple perceptrons to the sophisticated algorithms shaping today’s AI revolution, powering GPT and other models. The discussion aims to demystify some of the underlying math that powers modern machine learning to help everyone grasp this technology impacting our lives, even if your last math class was in high school. Anil walks us through the power of scaling laws, the shift from training to inference optimization, and the debate among AI’s pioneers about the road to AGI—should we be concerned, or are we still missing key pieces of the puzzle? The conversation also delves into AI’s philosophical implications—could understanding how machines learn help us better understand ourselves? And what challenges remain before AI systems can truly operate with agency? If you enjoy this episode, please subscribe and leave us a review on your favorite podcast platform. Sign up for our newsletter at techsurgepodcast.com for exclusive insights and updates on upcoming TechSurge Live Summits. Links: Read Why Machines Learn, Anil’s latest book on the math behind AI https://www.amazon.com/Why-Machines-Learn-Elegant-Behind/dp/0593185749 Learn more about Anil Ananthaswamy’s work and writing https://anilananthaswamy.com/ Watch Anil Ananthaswamy’s TED Talk on AI and intelligence https://www.ted.com/speakers/anil_ananthaswamy Discover the MIT Knight Science Journalism Fellowship that shaped Anil’s AI research https://ksj.mit.edu/ Understand the Perceptron, the foundation of neural networks https://en.wikipedia.org/wiki/Perceptron Read about the Perceptron Convergence Theorem and its significance https://www.nature.com/articles/323533a0…
168. All of Phillip Seymour Hoffman's Scenes in 'Charlie Wilson's War'
Manage episode 378866069 series 2577667
コンテンツは Jason Cilo and Meetinghouse Productions によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Jason Cilo and Meetinghouse Productions またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
An appreciation of Phillip Seymour Hoffman and his brilliant portrayal of real-life CIA Most Interesting Man Gust Avrokotos in Mike Nichols' final film 'Charlie Wilson's War'.
227 つのエピソード
Manage episode 378866069 series 2577667
コンテンツは Jason Cilo and Meetinghouse Productions によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Jason Cilo and Meetinghouse Productions またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
An appreciation of Phillip Seymour Hoffman and his brilliant portrayal of real-life CIA Most Interesting Man Gust Avrokotos in Mike Nichols' final film 'Charlie Wilson's War'.
227 つのエピソード
すべてのエピソード
×HERE IT IS! Your most-anticipated episode of the year.

1 220. OSCAR SPECIAL: Ranking The Best Picture Nominees w/ @vhsrevolution 1:22:56
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I'm joined by David Schumann of the IG and YouTube accounts @vhsrevolution as we each offer up our Top Five out of the 10 Best Picture Nominees ahead of Sunday night's Academy Awards telecast. And yes, I will be doing my Postmortem Recap episode following the broadcast. Follow David on Instagram here. Check out David's YouTube Channel here.…
Here's the third of my episodic trilogy about George Roy Hill's films 'Butch Cassidy & The Sundance Kid', 'The Sting', and, now: 1977's 'Slap Shot'.

1 218. 'Butch Cassidy & The Sundance Kid' (1969) 1:38:54
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My deep dive into the films of Director George Roy Hill continues with the most iconic Western ever made: "Butch Cassidy & The Sundance Kid".
George Roy Hill's 1973 masterpiece 'The Sting' (released December 1974) grossed in 1974 what would be over 900 million dollars today. It's a deceptively simple, stealthily subversive and counter-cultural film wrapped in the meticulous trappings of a 1930's Warner Bros gangster picture, and re-teaming Butch Cassidy & The Sundance Kid with that film's director. In this episode: How Peter Boyle, Jack Nicholson, Richard Boone, and Warren Beatty almost got cast in 'The Sting', the brilliant Marvin Hamlisch Scott Joplin songs used on the soundtrack, the fantastic supporting cast of instantaneous-read character actors like Jack Kehoe, Dana Elcar, and MORE!…

1 216. 'An American Werewolf In London' (1981) 1:42:06
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In Hollywood, the story beats of werewolf movies were codified in 1941 by a German-Jewish emigrant to Hollywood via London named Curt Siodmak, who wrote the seminal film 'The Wolf Man', starring Lon Chaney, Jr. 40 years later, John Landis made the most important and enduring and influential werewolf film ever made in 'An American Werewolf in London'. It was his follow-up to the one-two punch of 'Animal House' and 'The Blues Brothers'. He could make any film he wanted, with anyone he wanted. So he made a script he'd begun when he was 18 years old. A script he'd first discussed with an aspiring special effects and creature-design guy named Rick Baker in 1971. 10 years later, he'd found two unknown leads, hired basically the entire cast of an acclaimed touring production of 'Nicholas Nickleby', and called Baker on the set of another werewolf movie ('The Howling') and convinced him to decamp to England to work on 'An American Werewolf in London'. For his groundbreaking innovations on the film, Baker won the ver first Academy Award ever given for makeup special effects. Featuring a snappy, smart script, Landis' virtuosic comedy/horror chops, and an unexpected soundtrack of moon songs, 'An American Werewolf in London' is in a class by itself and is one of the most important films ever made. Other werewolf films of note and worthy of your time: 'Ginger Snaps' 'Wolfen' 'Wolf' 'Dog Soldiers' 'The Howling' 'The Wolf Man' (1941) 'Werewolf of London' (1935) "Werewolf of London' inspired Zevon's song 'Werewolves of London' . Phil Everly of the Everly Brothers had watched the film and told Zevon jokingly that he should write a song with that title and start a dance craze. And as far as listicles go, this one is well-reasoned by someone who knows their werewolf films: The 25 Best Werewolf Movies…
Sparse. Laconic. Expansive. Languid. Wry. The Coen Brother's 2007 Neo-Noir Western 'No Country For Old Men' moves to the fatefully ticking beat of it's own Grandfather Clock. It's a film that rewards close viewing and is astoundingly faithful to Cormac McCarthy's novel while also being so completely a "Coen Brothers film" even as it's their (only?) adaptation of an existing book. Featuring an iconic performance by Javier Bardem as the philosophical killer Anton Chigur, brilliant cinematography from frequent Coen collaborator Roger Deakins, and perfectly wrought twangily-Texas turns by Josh Brolin and Tommy Lee Jones. A number of signature Coens scenes of the lead characters interacting with a variety of shop clerks, receptionists, store owners, and authority figures abound.…
'Liquid Sky' was a $500,000 largely experimental film by the Russian expat director Slava Tsukerman that sprung from a group of friends and colleagues surrounding School of Visual Arts acting teacher Bob Brady. What's it about? Heroin, Cocaine, Aliens, Art, Fashion, Dancing, Nightclubs, Science, Sex, Lesbian Knife Fights, Androgyny, Shrimp, Berlin...and that's just the first 45 minutes. Much more than just a so-bad-it's-good b-movie, 'Liquid Sky' has endured and is best appreciated for its fantastic design, cinemotography, and score and the period specificity of it's troupe of amateur actors. It has to be seen to be believed, and it's worth checking out! Join me! Get the very cool 4K restoration DVD of Liquid Sky here. Listen to the groundbreaking Fairlight CMI synthesizer soundtrack.…
'Raising Arizona' was the 2nd film written and directed by The Coen Brothers, and it's one of my most foundational movies; a movie that spoke to who I was at 18, when I first saw it in 1987 and continues to be one of my favorites today. In this episode I revisit the film, tell some anecdotes about the making-of, and revel in the wonderful, nuanced performances, Carter Burwell's brilliantly distinctive and pitch-perfect score, and more! I must not tarry. Some of My Foundational Movies: My Blade Runner 2049 Episode My Once Upon a Time In Hollywood Episode My Blade Runner Episode Pink Floyd Live At Pompeii All The President's Men Close Encounters Being There Brazil Chameleon Street…
Our episodic roll of the Scorceseverse dice comes up a winner here with a look at 'Casino', Marty's unofficial "sequel" to 'Goodfellas' and a treatise on the inevitable end of mob controlled Vegas casinos. If you're interested in how we got here, check out my episodes about Goodfellas and 'Mean Streets': Goodfellas Part 1 Goodfellas Part 2 Goodfellas Part 3 Goodfellas Part 4 Mean Streets…
The Full Cast and Crew MartyVerse run continues with the first of Scorcese's unofficial trilogy of gangster films, 'Mean Streets'. In this episode: Marty's Little Italy, Family, High School, NYU, Los Angeles, and early directorial experiences and how they influence and inspired 'Mean Streets'. How 'Mean Streets' was very nearly a blaxploitation film funded by Roger Corman. John Cassavetes seeing 'Boxcar Bertha', an exploitation film Scorcese directed for Corman, and telling Marty "You just spent a year of your life making a piece of shit. Don't you have something more personal to do?" Films mentioned by Scorcese as inspirational/informational to 'Mean Streets' ‘Gilda’ ‘The Shanghai Gesture' 'Shadows' 'Who's That Knocking At My Door' 'Boxcar Bertha' 'Open City' 'Paisa' 'Shoeshine' 'Bicycle Thieves' 'Cool Breeze' 'Buck Privates' 'Scorpio Rising' 'Saturday Night, Sunday Morning' 'The Road to Singapore' 'Marty' 'Fatso' 'Accatone' 'How Green Was My Valley' 'The Informer' 'The Searchers' 'On The Waterfront' 'East of Eden' 'His Girl Friday' 'The Big Sky' 'The Thing' 'Two Rode Together'…

1 210. 'Goodfellas' Part 4: All of DeNiro's Scenes 1:52:08
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OK, so I wasn't quite done with Goodfellas, try as I did...one more bridge episode here before we get into 'Mean Streets' and 'Raging Bull'... In this episode, we consider Marty's Oscar frenemyship, DeNiro's screen qualities, his most famous and best onscreen performances, and, finally...FINALLY...all of his scenes from "Goodfellas" considered from a DeNiro/Jimmy Conway perspective.…
In part 3 of my three-episode take on Martin Scorcese and Nicholas Pileggi's masterpiece 'Goodfellas', we pick the film up just after the halfway point, which is Tommy's killing of Spider. Test audiences and studio executives were completely discombobulated by the loss they felt of the breezy, funny, enjoyable glamorization of the gangster life that the first half of the film represents. And the descent into depraved, violent madness was a truthfulness that not every audience...or cast member... could embrace immediately. GQ Oral History of Goodfellas.…
In Part 2 of my 3-part exploration of the brilliance, humor, and bravura filmmaking of Marty Scorcese's 'Goodfellas', I talk about iconic scenes from the film's first half, including: The Bamboo Lounge Crew Introduction scene with Pete The Killer, Freddie No-Nose, and Jimmy Two Times. The Jimmy/Henry "I'm a clown" scene. The Copa Entrance scene. The Bruce beat-down scene. Morrie's Wigs The Billy Batts Shinebox scene. Tommy's Mom's House. The Spider sequences. This brings us to the halfway point of the film, and the Spider killing represents the turning point, away from the idolization of gangster gods and deathly into the dark heart of the reality of low-level mob-guy life. In Part 3, we'll cover the rest of the film's scenes, including the stupendous extended cocaine sequences.…
This is the first of at least 2 episodes about Martin Scorcese's 1990 masterpiece 'Goodfellas'. Let's be honest: it'll probably take three episodes to cover all the genius onscreen in this epitome of the perfect film. In this episode, I explore the film's roots in Nick Pileggi's classic non-fiction book 'Wiseguy', and the early involvement of vital creative participants in the film like producer Irwin Winkler, actors Robert DeNiro, Ray Liotta, Joe Pesci, Paul Sorvino, and Lorraine Bracco, and production team members like Micheal Ballhaus and Thelma Schoonmaker. In Episode 2, we'll get into the film itself, covering the iconic scenes, the score, the film's reception and legacy, and more.…
RIP Teri Garr. Star Trek https://www.youtube.com/watch?v=WfAP6fJZ1is After Hours https://www.youtube.com/watch?v=ZPMDA9N1itk Tootsie https://www.youtube.com/watch?v=vp3nln2xans https://www.youtube.com/watch?v=c0pUtIIwGHo Michael https://www.youtube.com/watch?v=0y6NM7Ax9hk Mr. Mom https://www.youtube.com/watch?v=OvQctA3xsoE Young Frankenstein https://youtu.be/H4seOhR5ChI?feature=shared&t=8…
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1 205. Watch-Along: 'Once Upon A Time In Hollywood' 2:38:35
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I'm traveling for work this week so in lieu of a typical episode I'm taking a wild flyer on something new; maybe it'll work maybe it won't! It's a watch-along episode. It's like sitting next to me at a screening of 'Once Upon A Time In Hollywood' and me talking all the through the movie with salient interjections like "Oh I love this part" and "How cool is Brad??". THIS IS HOW I FIND THE REAL FCAC HEADS! Should you actually want to watch along with me...there's a countdown a couple minutes into the episode where you can press play on the media of your choice. We should be in sync then. But no watching is required, you can enjoy this like you would listen to a DVD Commentary as a podcast. What, you don't listen to DVD Commentaries as Podcasts???…
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Director Mary Herron and her co-screenwriter Guinevere Turner did what 'American Psycho' author Bret Easton Ellis thought was impossible: made a film of his controversial, considered-unfilmable 1991. novel. And the lens through which they espied Patrick Bateman proved exactly the right way to gain something meaningful out of what, frankly, is a pretty unreadable and repetitive novel. The astonishing lead performance from Christian Bale catapulted him to the stardom and rarified air he continues to occupy as an actor today. And the performance is a wonder to dissect, if you'll pardon the pun. Featuring a wonderful assortment of supporting actors like Willem Dafoe, Chloe Sevigny, Justin Theroux, Reese Witherspoon, Reg E. Cathey, Josh Lucas, Matt Ross, Jared Leto, Cara Seymour and Samantha Mathis, the film is one of the most essential films about NYC in the 80's.…
Brains addled after 'Megalopolis', I attempted and then discarded the idea to do 'Blazing Saddles' but was left wanting. So then, in a way I don't fully understand, but probably having to do with the idea of films that are said to be 'so bad they're good', I somehow arrived at the idea of doing Iain Softley's 1995 film 'Hackers' starring Angelina Jolie in her first onscreen role, Johnny Miller, and pre-fame Wendell Pierce and Felicity Huffman.…
I went and saw Francis Ford Coppola's 'Megalopolis' so you don't have to. You're welcome.
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1 201. 'Clean and Sober' (1988) With Very Special Guest Kathy Baker 1:47:59
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Actor Kathy Baker joins the podcast this week for a very special episode about her 1988 film 'Clean and Sober'. Director Glenn Gordon Caron probably needed a stiff drink or 20 after coming off the tumultuous four-season run of 'Moonlighting' with its famously fractious co-stars. Instead he chose to direct one of the most underappreciated film gems of the 80's in 'Clean and Sober', co-produced by Ron Howard and starring Michael Keaton, Kathy Baker, Morgan Freeman, and M Emmet Walsh in the story of a commercial real estate broker spiralling into...and reluctantly out of...cocaine and alcohol addiction. Incisively ritten by Tod Carroll, a National Lampoon writer with only two other film credits to date, 'Clean and Sober' was Keaton's first foray into a non-comedic film role, a fact that caused the studio some consternation at the time. Freeman and Baker were coming off of award-winning roles in 'Street Smart', a Golan-Globus production about a NYC journalist intertwined with a pimp and prostitute, and everyone in the cast of 'Clean and Sober' turned in absolutely phenomenal performances...even Oscar-worthy performances...yet the studio didn't really know how to market or release a film they considered hard-to-define and after only 3 weeks of a summetime release, the film was largely abandoned in the marketplace. In this special episode of the Full Cast and Crew podcast, I talk with Kathy Baker about her indelible role as Charlie, her experiences making the film, and her approaches to acting and the collaborative nature of filmmaking. Join us as we spend some well-deserved time giving 'Clean and Sober' its due as still the best film ever made about the tricky early days of sobriety and digging into Kathy's experiences making the film.…
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1 200. 'You're Not Elected, Charlie Brown' (1972) 1:05:42
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After two episodes about 'The Shining' and a couple weeks wondering what to do for Episode 200 of the podcast....events at the Presidential Debate pointed me in the direction of 'Peanuts' and the relatively terror-free childhood presented specifically in the 1972 Election special 'You're Not Elected, Charlie Brown'. In this Special, Charlie Brown neither runs for office nor is or isn't elected. But the satirical pleasures abound otherwise in this still-incisive takedown of political and campaign mores and realities. As ever, the incredible music of Vince Guaraldi and his Trio provide accompaniment. Musings range far and wide in this episode. Thank you for listening for 200 episodes!…
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In Episode 197, I covered much of the backstory and making-of history behind 'The Shining'. In this episode, I cover many of the scenes in the film that I didn't get to in Part 1, along with other commentary and observations about the film, Kubrick, 'Doctor Sleep', and 'Room 237'. Come and play with us, for ever...and ever...and ever.…
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I went from not really ever wanting to watch 'The Shining' again...to now doing my first-ever two-part episode! Funny how often the answer to 'why did that film affect me so much as a child?' turns out to be 'DUH!'. Part 1 covers the origin story of the film, some of the King/Kubrick interplay over the years, the casting, the sound design, the music, and some cinema speculation on what it's all about. Will post all episode materials and links when I post Part 2, which will cover the design and build of the sets, specific scenes, and MORE.…
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Paul Brickman's 'Risky Business' is one of the greatest films of the 80's and is so much more than the "teen sex comedy" many people thought they were getting at the time. Frame by frame, it's really a masterpiece with so many aspects and elements of brilliance. The score by Tangerine Dream, Tom Cruise at NINETEEN, Rebecca De Mornay, the genius editing of Richard Chew...on and on...what an incredible film. And Paul Brickman would direct only ONE more feature film in his career to date. Astounding. Worthy of a rare Saturday pod!…
Little-seen but worthy, the 1985 John Candy comedy 'Summer Rental' is due for a little revisit and respect! On the news of a forthcoming and hopefully definitive John Candy documentary directed by Colin Hanks and produced by Ryan Reynolds, I stumbled across this film (which I'd never even heard of) and found myself gleefully experiencing an expertly-cast superior comedy of its era with a typically warm, truthful, harder-than-it-looks John Candy performance at its center. It's a pleasant surprise of a great family movie and I hope you'll see it out!…
I gave up drinking. I gave up drugs. I don't smoke. BUT I CAN'T QUIT DEAD & COMPANY! And I hope I never do! With the wife and daughter overseas on a girl's trip, I went back to Vegas for Week Seven of the Dead and Company shows over the 4th of July Weekend at the Sphere Las Vegas. This short (18 minutes) episode is not an inside-Dead show rundown, but a paen to the joys of live music played at this incredible level of proficiency and a call-to-arms to all musicians especially to make the trek before it's too late!…
Well, it's not really a summer movie but nonetheless I ended up appreciatiating the weird-in-a-good-way 'Vision Quest'. Join me, won't you?
Peter Yates' 'Breaking Away' is the greatest Townie Movie of all time. A heart-warming, feel-good film with an extraordinary sense of place.
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Say hello to my little podcast about Brian DePalma and Oliver Stone's 1983 Cocainesterpiece, 'Scarface'.
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