Artwork

コンテンツは Todd Nief によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Todd Nief またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal
Player FM -ポッドキャストアプリ
Player FMアプリでオフラインにしPlayer FMう!

Chris Mills (Harm's Way)

1:00:54
 
シェア
 

Manage episode 245044299 series 1785627
コンテンツは Todd Nief によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Todd Nief またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal

Chris Mills is the drummer for Harm’s Way - and he’s also a clinical social worker for an addiction and mental health residential program. Many folks who are touring most of the year piece together random part-time jobs or have their hands in a few different pieces of the music industry (management, booking, merchandise, etc.). Chris, however, is a highly trained professional in an extremely difficult field. We dig into music nerd stuff about how Harm’s Way writes songs - and how they think about the roll of “heaviness” and “rhythm” in their songs. And Chris also explains why he thinks that many of the models that we use to think about addiction are outdated - and what he prefers instead.

Check out more from Chris and Harm’s Way here:

If you're enjoying the show, the best way to support it is by sharing with your friends. If you don't have any friends, why not a leave a review? It makes a difference in terms of other people finding the show.

You can also subscribe to receive my e-mail newsletter at www.toddnief.com. Most of my writing never makes it to the blog, so get on that list.

Show Notes:

  • [01:08] Getting into nu-metal as an adult – and how that influenced the process of writing music
  • [08:31] Harms Way’s change in sound was more “organic” in that the new riffs that they were writing started to sound different. And, how songs can be “heavy” without just focusing on the “breakdown.”
  • [15:15] The album writing process: trying to create a cohesive work – and writing through jamming, building songs in practice, and grinding it out.
  • [26:02] The crappy practice space that Like Rats and Harm’s way share.
  • [29:08] Working as a social worker in a residential program in the field of addiction and mental health. How does Chris prioritize what clients work on in terms of their biggest priorities in treatment?
  • [37:44] What’s the difference between the 12 step model, the disease model of addiction, and a more behavior-based model? What framework does Chris prefer for treating his patients?
  • [45:42] Differentiating psychiatrists, psychologists and social workers – and understanding what is usually the biggest obstacle to creating lasting behavioral change?
  • [54:14] Harm’s Way’s history as a straight edge band, and how Chris thinks about playing in a band that often focuses on negative emotion in its art through the lens of a social worker.
  • [58:14] Harms Way’s upcoming touring plans

Links and Resources Mentioned

  continue reading

100 つのエピソード

Artwork
iconシェア
 
Manage episode 245044299 series 1785627
コンテンツは Todd Nief によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Todd Nief またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal

Chris Mills is the drummer for Harm’s Way - and he’s also a clinical social worker for an addiction and mental health residential program. Many folks who are touring most of the year piece together random part-time jobs or have their hands in a few different pieces of the music industry (management, booking, merchandise, etc.). Chris, however, is a highly trained professional in an extremely difficult field. We dig into music nerd stuff about how Harm’s Way writes songs - and how they think about the roll of “heaviness” and “rhythm” in their songs. And Chris also explains why he thinks that many of the models that we use to think about addiction are outdated - and what he prefers instead.

Check out more from Chris and Harm’s Way here:

If you're enjoying the show, the best way to support it is by sharing with your friends. If you don't have any friends, why not a leave a review? It makes a difference in terms of other people finding the show.

You can also subscribe to receive my e-mail newsletter at www.toddnief.com. Most of my writing never makes it to the blog, so get on that list.

Show Notes:

  • [01:08] Getting into nu-metal as an adult – and how that influenced the process of writing music
  • [08:31] Harms Way’s change in sound was more “organic” in that the new riffs that they were writing started to sound different. And, how songs can be “heavy” without just focusing on the “breakdown.”
  • [15:15] The album writing process: trying to create a cohesive work – and writing through jamming, building songs in practice, and grinding it out.
  • [26:02] The crappy practice space that Like Rats and Harm’s way share.
  • [29:08] Working as a social worker in a residential program in the field of addiction and mental health. How does Chris prioritize what clients work on in terms of their biggest priorities in treatment?
  • [37:44] What’s the difference between the 12 step model, the disease model of addiction, and a more behavior-based model? What framework does Chris prefer for treating his patients?
  • [45:42] Differentiating psychiatrists, psychologists and social workers – and understanding what is usually the biggest obstacle to creating lasting behavioral change?
  • [54:14] Harm’s Way’s history as a straight edge band, and how Chris thinks about playing in a band that often focuses on negative emotion in its art through the lens of a social worker.
  • [58:14] Harms Way’s upcoming touring plans

Links and Resources Mentioned

  continue reading

100 つのエピソード

Minden epizód

×
 
Loading …

プレーヤーFMへようこそ!

Player FMは今からすぐに楽しめるために高品質のポッドキャストをウェブでスキャンしています。 これは最高のポッドキャストアプリで、Android、iPhone、そしてWebで動作します。 全ての端末で購読を同期するためにサインアップしてください。

 

クイックリファレンスガイド