In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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コンテンツは Sheffield DocFest and Sheffield Doc/Fest によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Sheffield DocFest and Sheffield Doc/Fest またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
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Paul Greengrass in Conversation
Manage episode 247047702 series 39729
コンテンツは Sheffield DocFest and Sheffield Doc/Fest によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Sheffield DocFest and Sheffield Doc/Fest またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
Having cut his teeth on the investigative documentary strand World in Action, known for its forceful and unorthodox journalistic approach, Paul Greengrass has become one of the world’s most popular filmmakers. His films, which often explore real-world anxieties and confront both social and political issues, include 22 July, three of the Jason Bourne franchise, Captain Phillips, United 93 and Bloody Sunday. In conversation with journalist and broadcaster Danny Leigh at Doc/Fest 2019, Paul discusses his journey from TV documentaries in the UK to feature films in Hollywood, the evolution of his signature vérité-style, and his thoughts on the need to open up the film industry to less privileged and working class talent to ensure future creative diversity.
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Manage episode 247047702 series 39729
コンテンツは Sheffield DocFest and Sheffield Doc/Fest によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Sheffield DocFest and Sheffield Doc/Fest またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
Having cut his teeth on the investigative documentary strand World in Action, known for its forceful and unorthodox journalistic approach, Paul Greengrass has become one of the world’s most popular filmmakers. His films, which often explore real-world anxieties and confront both social and political issues, include 22 July, three of the Jason Bourne franchise, Captain Phillips, United 93 and Bloody Sunday. In conversation with journalist and broadcaster Danny Leigh at Doc/Fest 2019, Paul discusses his journey from TV documentaries in the UK to feature films in Hollywood, the evolution of his signature vérité-style, and his thoughts on the need to open up the film industry to less privileged and working class talent to ensure future creative diversity.
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Sheffield DocFest Podcastに似ているもの
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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continue reading
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…
continue reading
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continue reading
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