In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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コンテンツは Kyah Green and Stephanie Malek and The From Superheroes Network によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Kyah Green and Stephanie Malek and The From Superheroes Network またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
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64: Movie Scores
Manage episode 418212338 series 3297018
コンテンツは Kyah Green and Stephanie Malek and The From Superheroes Network によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Kyah Green and Stephanie Malek and The From Superheroes Network またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
*CUE DRAMATIC VIOLINS* Today we’re talking to actor and comedian, Chris Sandiford (he/him) about his love for MOVIE SCORES. We chat about the difference between a ‘score’ and a ‘theme’, what makes a really good score, which composers are the most under or overrated, how a single evolving motif can enhance a narrative, and why Hans Zimmer has rejected the concept of instruments. Plus, Steph, Kyah and Chris invent a new pastime we like to call ‘movie score karaoke’.
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Manage episode 418212338 series 3297018
コンテンツは Kyah Green and Stephanie Malek and The From Superheroes Network によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Kyah Green and Stephanie Malek and The From Superheroes Network またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
*CUE DRAMATIC VIOLINS* Today we’re talking to actor and comedian, Chris Sandiford (he/him) about his love for MOVIE SCORES. We chat about the difference between a ‘score’ and a ‘theme’, what makes a really good score, which composers are the most under or overrated, how a single evolving motif can enhance a narrative, and why Hans Zimmer has rejected the concept of instruments. Plus, Steph, Kyah and Chris invent a new pastime we like to call ‘movie score karaoke’.
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