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When preparing to preach, treat your homily like music
Manage episode 408835542 series 2997359
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In the Judeo-Christian tradition, God often makes Godself known through sound: be it a voice from a burning bush, a resounding clap of thunder or the blast of a trumpet. “God is revealed through sound,” affirms Ed Foley, O.F.M. Cap. “I think of a homily as sound theology,” he adds, “it’s acoustic engagement.”
When preparing to preach, Ed, the Duns Scotus Professor Emeritus of Spirituality and a retired professor from the Catholic Theological Union in Chicago, first writes his homilies word for word in poetic form. Then, he meticulously annotates his manuscript, like a conductor’s score. “Where’s the crescendo?” he asks himself. “Where’s the pause? When do the trumpets come in?”
Practice extends beyond the art of the homily, permeating life itself. It is, perhaps, a vital Christian practice as we enter the Easter season of Christ’s resurrection. “The followers of Jesus practiced resurrection,” Ed says in his homily on “Preach” for the Mass of the Day this Easter Sunday. “Their dogged commitment to living an Easter spirituality and pass it on from one generation to the next, usually at great cost, is why we stand missioned to practice resurrection again today,”
But, even though prudent preparation is necessary, there must always be enough room to veer from the script when you’re standing in front of a congregation.
“Improvisation is not shooting from the hip. We learned this from people, from standup comics, improvisation is taking what somebody gives you and doing something with it. It’s preparation,” Ed says. “The text is not the performance, just like a script is not a play, a score is not music.”
Read the Scripture readings for the Mass of the Day on Easter Sunday, The Resurrection of our Lord
“Preach” is made possible through the generous support of the Compelling Preaching Initiative, a project of Lilly Endowment Inc.
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