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Shweta Kishore and Kunal Ray, "Resistance in Indian Documentary Film: Aesthetics, Culture and Practice" (Edinburgh UP, 2024)

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コンテンツは Marshall Poe によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Marshall Poe またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal

Dr. Shweta Kishore and Dr Kunal Ray’s Resistance in Indian Documentary Film: Aesthetics, Culture and Practice (Edinburgh UP, 2024) is a unique collection of essays on documentary cinema and practice that brings together multiple modes of scholarly, reflective and autoethnographic writing on documentary by scholars and creative practitioners. It takes a holistic view of documentary culture as a field comprising not only films but practices such as circulation, curation, criticism, and education, that come together to create a particular ecology of resistance. Resistance is conceptualised as a multidimensional phenomenon comprising both documentary representation as well as practices and tangible actions through which people mobilize and adapt documentary for local, community and individual functions.

Dr Kunal Ray is a writer and academic. He teaches literature and film at FLAME University, Pune. His writings on art and culture appear in The Hindu, The Indian Express, Hindustan Times amongst other publications. He has co-edited books on song-texts and food cultures in India. He is also the co-founder and co-editor of On Eating - A Multilingual Journal of Food & Eating.

Dr Shweta Kishore lectures in Screen and Media at RMIT (Royal Melbourne Institute of Technology) University. She is the author of Indian Documentary Film and Filmmakers: Independence in Practice published by Edinburgh University Press in 2018. Her research on documentary theory and practice appears in journals such as Bioscope, Feminist Media Studies, Studies in Documentary Film and Senses of Cinema. She is also a documentary practitioner and curator committed to creating conversations between Indian and international moving image artists and audiences.

Priyam Sinha recently graduated with a PhD from the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached at https://twitter.com/PriyamSinha

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1562 つのエピソード

Artwork
iconシェア
 
Manage episode 443935832 series 2421524
コンテンツは Marshall Poe によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Marshall Poe またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal

Dr. Shweta Kishore and Dr Kunal Ray’s Resistance in Indian Documentary Film: Aesthetics, Culture and Practice (Edinburgh UP, 2024) is a unique collection of essays on documentary cinema and practice that brings together multiple modes of scholarly, reflective and autoethnographic writing on documentary by scholars and creative practitioners. It takes a holistic view of documentary culture as a field comprising not only films but practices such as circulation, curation, criticism, and education, that come together to create a particular ecology of resistance. Resistance is conceptualised as a multidimensional phenomenon comprising both documentary representation as well as practices and tangible actions through which people mobilize and adapt documentary for local, community and individual functions.

Dr Kunal Ray is a writer and academic. He teaches literature and film at FLAME University, Pune. His writings on art and culture appear in The Hindu, The Indian Express, Hindustan Times amongst other publications. He has co-edited books on song-texts and food cultures in India. He is also the co-founder and co-editor of On Eating - A Multilingual Journal of Food & Eating.

Dr Shweta Kishore lectures in Screen and Media at RMIT (Royal Melbourne Institute of Technology) University. She is the author of Indian Documentary Film and Filmmakers: Independence in Practice published by Edinburgh University Press in 2018. Her research on documentary theory and practice appears in journals such as Bioscope, Feminist Media Studies, Studies in Documentary Film and Senses of Cinema. She is also a documentary practitioner and curator committed to creating conversations between Indian and international moving image artists and audiences.

Priyam Sinha recently graduated with a PhD from the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached at https://twitter.com/PriyamSinha

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

  continue reading

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