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コンテンツは BBC and BBC Radio 4 によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、BBC and BBC Radio 4 またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal
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Derren Brown; Eimear McBride; MJ Delaney

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Manage episode 165042890 series 1301350
コンテンツは BBC and BBC Radio 4 によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、BBC and BBC Radio 4 またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal

With Kirsty Lang

Derren Brown's latest television show sees the illusionist attempt to teach a group of senior citizens how to steal a valuable painting from a gallery in broad daylight. Derren tells Kirsty why he chose to focus on an art theft, and also explains his reason for choosing senior citizens to pull it off.

Metro Manila, a low-budget thriller set in the Philippines and shot entirely in the Austronesian language of Tagalog, was last night named British independent film of the year. Its director, Sean Ellis - who had to re-mortgage his home to fund the film - picked up the Best Director prize. Larushka Ivan-Zadeh reviews the film, and considers the extraordinary story behind it.

Kirsty talks to MJ Delaney about her first feature film, Powder Room. Adapted from a play, When Girls Wee, it follows a group of young women during a night out clubbing. Set mostly in the ladies' room, Sam (Sheridan Smith) is down on her luck and thinks everyone's happier than she is, so she pretends to be something she isn't. MJ made her name as the director of Newport State Of Mind, a music video parody of a Jay-Z and Alicia Keys song, Empire State Of Mind, which went viral in 2010.

Author Eimear McBride talks about her debut novel, A Girl Is A Half-Formed Thing, which recently won the inaugural Goldsmiths Prize. The book is an experimental work - the story of an Irish girlhood told by an un-named narrator - and it was completed nine years ago, but Eimear struggled to find a publisher for it. She discusses trying to create a new sort of fiction - between the language of James Joyce and the silence of Samuel Beckett - and explains why she believes publishers should take more chances with challenging fiction.

Producer: Rebecca Nicholson.

  continue reading

259 つのエピソード

Artwork
iconシェア
 
Manage episode 165042890 series 1301350
コンテンツは BBC and BBC Radio 4 によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、BBC and BBC Radio 4 またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal

With Kirsty Lang

Derren Brown's latest television show sees the illusionist attempt to teach a group of senior citizens how to steal a valuable painting from a gallery in broad daylight. Derren tells Kirsty why he chose to focus on an art theft, and also explains his reason for choosing senior citizens to pull it off.

Metro Manila, a low-budget thriller set in the Philippines and shot entirely in the Austronesian language of Tagalog, was last night named British independent film of the year. Its director, Sean Ellis - who had to re-mortgage his home to fund the film - picked up the Best Director prize. Larushka Ivan-Zadeh reviews the film, and considers the extraordinary story behind it.

Kirsty talks to MJ Delaney about her first feature film, Powder Room. Adapted from a play, When Girls Wee, it follows a group of young women during a night out clubbing. Set mostly in the ladies' room, Sam (Sheridan Smith) is down on her luck and thinks everyone's happier than she is, so she pretends to be something she isn't. MJ made her name as the director of Newport State Of Mind, a music video parody of a Jay-Z and Alicia Keys song, Empire State Of Mind, which went viral in 2010.

Author Eimear McBride talks about her debut novel, A Girl Is A Half-Formed Thing, which recently won the inaugural Goldsmiths Prize. The book is an experimental work - the story of an Irish girlhood told by an un-named narrator - and it was completed nine years ago, but Eimear struggled to find a publisher for it. She discusses trying to create a new sort of fiction - between the language of James Joyce and the silence of Samuel Beckett - and explains why she believes publishers should take more chances with challenging fiction.

Producer: Rebecca Nicholson.

  continue reading

259 つのエピソード

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