Every creative work you’ve ever loved has a hero’s journey behind it. On Spark & Fire, you'll hear creators tell the story of bringing one beloved work to life. Iconic creatives — like Wicked composer Stephen Schwartz, Pixar director Domee Shi, comedian Patton Oswald, musician Wynton Marsalis, and novelist Isabel Allende — share the endless iterations, the inevitable setbacks, and the breakthrough ideas along the epic process of creation. But this isn’t an interview show. It’s a story — told ...
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"Marseille" by Emily S Cooper
Manage episode 197517046 series 1117673
コンテンツは VOICEMAIL POEMS によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、VOICEMAIL POEMS またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
He had created a type of 3d paint, was one of the first things he told us. As we followed him upstairs to his plant filled apartment, we decided he was lying. It wasn't long until he told us about Mexico; kidnapped by cartels, held hostage for weeks, his father and grandfather were mercenaries in the French Foreign Legion. He introduced us to his three passport dog, four French girls and his pal from Belgium. Everyday there were new visitors, the Belgian was the last man in the house. When we woke up to find him tucking us in we realised he actually didn't sleep. Each night he tried to persuade a new girl into his bed; the Germans were more easily led, the French a severe non. He spoke French with an American accent, had the physique of a young Brad Pitt and described to us in detail how he used to build bombs. We were taught about an old style of torture while we sat in an empty fountain, among the graffiti we learned that if you swallow a button, and pull it back up, your body evacuates everything south, north, east and west. Six months later he called me in the middle of the night. I didn't pick up, but remembered the paintings he showed us before we left, the faces lighting up, leaping out. --------------------------------------- SUPPORT US ON PATREON: http://patreon.com/voicemailpoems http://voicemailpoems.org/guidelines http://facebook.com/voicemailpoems http://twitter.com/voicemailpoems http://voicemailpoems.org/thepodcast
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60 つのエピソード
Manage episode 197517046 series 1117673
コンテンツは VOICEMAIL POEMS によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、VOICEMAIL POEMS またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
He had created a type of 3d paint, was one of the first things he told us. As we followed him upstairs to his plant filled apartment, we decided he was lying. It wasn't long until he told us about Mexico; kidnapped by cartels, held hostage for weeks, his father and grandfather were mercenaries in the French Foreign Legion. He introduced us to his three passport dog, four French girls and his pal from Belgium. Everyday there were new visitors, the Belgian was the last man in the house. When we woke up to find him tucking us in we realised he actually didn't sleep. Each night he tried to persuade a new girl into his bed; the Germans were more easily led, the French a severe non. He spoke French with an American accent, had the physique of a young Brad Pitt and described to us in detail how he used to build bombs. We were taught about an old style of torture while we sat in an empty fountain, among the graffiti we learned that if you swallow a button, and pull it back up, your body evacuates everything south, north, east and west. Six months later he called me in the middle of the night. I didn't pick up, but remembered the paintings he showed us before we left, the faces lighting up, leaping out. --------------------------------------- SUPPORT US ON PATREON: http://patreon.com/voicemailpoems http://voicemailpoems.org/guidelines http://facebook.com/voicemailpoems http://twitter.com/voicemailpoems http://voicemailpoems.org/thepodcast
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60 つのエピソード
すべてのエピソード
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