In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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コンテンツは Verbal Diorama によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Verbal Diorama またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
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The Bourne Identity (2002)
Manage episode 428320916 series 2877952
コンテンツは Verbal Diorama によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Verbal Diorama またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
Remember when action movie heroes didn’t have to think and just beat up a load of bad guys? Jason Bourne heralded the change when The Bourne Identity came out in 2002, and heroes became as vulnerable as they could be dangerous.
It was a troubled production, led by Doug Liman, who fought for years to get the rights to the material, and get the movie made in his own chaotic and frenetic directorial style - a style that didn't sit well with the producers or the executives at Universal.
Liman didn't just want another generic action spy movie, but an art film that the studio could sell as an action movie, and his lead actor Matt Damon agreed. Damon wanted to play this every man hero - the All-American boy next door who could also take on several trained operatives at once.
The production was plagued with multiple delays, rewrites, reshoots and shots of Jägermeister.
Warner Bros had let the rights they originally hold revert back to the original author Robert Ludlum in 1999, so how did they end up in a lawsuit over lost royalties from The Bourne Identity, a movie not even made by them?
I would love to hear your thoughts on The Bourne Identity (2002) !
Verbal Diorama is now an award-winning podcast! I won the Best Movie Podcast in the inaugural Ear Worthy Independent Podcast Awards recently. I am beyond thrilled, and hugely grateful to the Ear Worthy team. It means so much to me to be recognised by a fellow indie outlet, and congratulations to all the other winners!
CONTACT....
- Twitter @verbaldiorama
- Instagram @verbaldiorama
- Facebook @verbaldiorama
- Letterboxd @verbaldiorama
- Email verbaldiorama [at] gmail [dot] com
- Website verbaldiorama.com
SUPPORT VERBAL DIORAMA....
Give this podcast a five-star Rate & Review
Join the Patreon | Send a Tip | Buy Merch
ABOUT VERBAL DIORAMA
Verbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free.
Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique Studio
Patrons: Simon E, Sade, Claudia, Simon B, Laurel, Derek, Vern, Cat, Andy, Mike, Griff, Luke, Michael, Scott, Brendan, Lisa, Sam, Will, Jack, Dave, Chris, Stuart, Nicholas, Zo, Kev, Pete, Heather, Danny, Aly, Stu, Brett, Philip, Michele, Xenos, Sean, Ryno and Russell!
This podcast uses the following third-party services for analysis:
OP3 - https://op3.dev/privacy
278 つのエピソード
シェア
Manage episode 428320916 series 2877952
コンテンツは Verbal Diorama によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Verbal Diorama またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
Remember when action movie heroes didn’t have to think and just beat up a load of bad guys? Jason Bourne heralded the change when The Bourne Identity came out in 2002, and heroes became as vulnerable as they could be dangerous.
It was a troubled production, led by Doug Liman, who fought for years to get the rights to the material, and get the movie made in his own chaotic and frenetic directorial style - a style that didn't sit well with the producers or the executives at Universal.
Liman didn't just want another generic action spy movie, but an art film that the studio could sell as an action movie, and his lead actor Matt Damon agreed. Damon wanted to play this every man hero - the All-American boy next door who could also take on several trained operatives at once.
The production was plagued with multiple delays, rewrites, reshoots and shots of Jägermeister.
Warner Bros had let the rights they originally hold revert back to the original author Robert Ludlum in 1999, so how did they end up in a lawsuit over lost royalties from The Bourne Identity, a movie not even made by them?
I would love to hear your thoughts on The Bourne Identity (2002) !
Verbal Diorama is now an award-winning podcast! I won the Best Movie Podcast in the inaugural Ear Worthy Independent Podcast Awards recently. I am beyond thrilled, and hugely grateful to the Ear Worthy team. It means so much to me to be recognised by a fellow indie outlet, and congratulations to all the other winners!
CONTACT....
- Twitter @verbaldiorama
- Instagram @verbaldiorama
- Facebook @verbaldiorama
- Letterboxd @verbaldiorama
- Email verbaldiorama [at] gmail [dot] com
- Website verbaldiorama.com
SUPPORT VERBAL DIORAMA....
Give this podcast a five-star Rate & Review
Join the Patreon | Send a Tip | Buy Merch
ABOUT VERBAL DIORAMA
Verbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free.
Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique Studio
Patrons: Simon E, Sade, Claudia, Simon B, Laurel, Derek, Vern, Cat, Andy, Mike, Griff, Luke, Michael, Scott, Brendan, Lisa, Sam, Will, Jack, Dave, Chris, Stuart, Nicholas, Zo, Kev, Pete, Heather, Danny, Aly, Stu, Brett, Philip, Michele, Xenos, Sean, Ryno and Russell!
This podcast uses the following third-party services for analysis:
OP3 - https://op3.dev/privacy
278 つのエピソード
Wszystkie odcinki
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Player FMアプリでオフラインにしPlayer FMう！
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