Redux 13: Radically Unfair Trial (Timelash)

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3+ y ago 1:22:54

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We’re beyond just regular unfair trials now.

Honestly in hindsight revisiting this was a mistake. This was a completely nonsense episode to revisit. And it wasn’t even good! Like it was just bad! And yet for some reason we say down like “yeah you know what episode I wanna revisit, Timelash.” Somebody get the TARDIS and slap past us. It’s Timelash, written by Glen McCoy and aired from March 2nd through 6th, 1985.

Show-notes:
0:15: I left it in.
0:45: Find out if we liked Timelash the first time by listening to our original episode.
2:55: We revisited Mindwarp before we started Torchwood.
5:00: The Airzone Solution. Stay tuned in the episode for where I (Dylan) somehow get convinced into watching this in two weeks time.
5:40: Here are some links to JB’s podcasts, namely Who 37 and Bat 77.
10:17: I (Kiyan) (re)read The Time Machine by H.G. Wells in the time since we recorded this episode and (re)found out that the morlocks are a reference to the something in the book.
15:28: We covered Dance of the Dead on our other podcast, Inevitable: A Classic Sci-Fi Podcast.
22:14: Check out Zenith: A Blake’s 7 Podcast, our Blake’s 7 podcast.
32:31: Here’s our episode on Blake’s 7’s City at the Edge of the World. This was all the way back in 2018. Man. Time flies.
33:15: The TARDIS wiki summary really does call Tekker “sycophantic”.
53:24: Here are the blog posts as promised: Sexism in the Time Machine and Bibliophilia: HG Wells Doesn’t Play Nice. Feel free to make your own determination.
57:28: The Bandrils really did say “screw this” and just invaded everyone.
1:08:01: Can’t believe we’ve mentioned and linked this article reporting that Christopher Eccleston said Doctor Who needs to explode the canon for 5,000 weeks in a row now.

Doctor Who © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Dominic Glynn.

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