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#274: Revenge Is a Dish Best Served Twice, Pt. 2 — Nobody
アーカイブされたシリーズ ("無効なフィード" status)
When? This feed was archived on May 24, 2021 05:13 (). Last successful fetch was on April 20, 2021 05:36 ()
Why? 無効なフィード status. サーバーは持続期間に有効なポッドキャストのフィードを取得することができませんでした。
What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.
Manage episode 290382998 series 2482469
The new Bob Odenkirk-starring revenge thriller NOBODY could be read as commentary on the revenge thriller form, but that may be an overly generous reading — or it may just be because we’ve paired it this week with Steven Soderbergh’s THE LIMEY, which is much more overtly reflective about its fantasies of violence and retribution. After working through what did and didn’t work for us about NOBODY, we put it into conversation with THE LIMEY — and by extension the long cinematic tradition of the revenge movie — to discuss the films’ respective approaches to violence, motivation, and middle age, and how they use music and location work to different effect. Plus Your Next Picture Show, where we share recent filmgoing experiences in hopes of putting something new on your radar.
Please share your comments, thoughts, and questions about THE LIMEY, NOBODY, or anything else in the world of film, by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730.
Your Next Picture Show:
Scott: Michael Verhoeven’s THE NASTY GIRL
Keith: Richard C. Sarafian’s VANISHING POINT
Tasha: George Romero’s THE CRAZIES
Outro music: Steve Lawrence, ‘I Gotta Be Me’
Learn more about your ad choices. Visit megaphone.fm/adchoices
276 つのエピソード
アーカイブされたシリーズ ("無効なフィード" status)
When? This feed was archived on May 24, 2021 05:13 (). Last successful fetch was on April 20, 2021 05:36 ()
Why? 無効なフィード status. サーバーは持続期間に有効なポッドキャストのフィードを取得することができませんでした。
What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.
Manage episode 290382998 series 2482469
The new Bob Odenkirk-starring revenge thriller NOBODY could be read as commentary on the revenge thriller form, but that may be an overly generous reading — or it may just be because we’ve paired it this week with Steven Soderbergh’s THE LIMEY, which is much more overtly reflective about its fantasies of violence and retribution. After working through what did and didn’t work for us about NOBODY, we put it into conversation with THE LIMEY — and by extension the long cinematic tradition of the revenge movie — to discuss the films’ respective approaches to violence, motivation, and middle age, and how they use music and location work to different effect. Plus Your Next Picture Show, where we share recent filmgoing experiences in hopes of putting something new on your radar.
Please share your comments, thoughts, and questions about THE LIMEY, NOBODY, or anything else in the world of film, by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730.
Your Next Picture Show:
Scott: Michael Verhoeven’s THE NASTY GIRL
Keith: Richard C. Sarafian’s VANISHING POINT
Tasha: George Romero’s THE CRAZIES
Outro music: Steve Lawrence, ‘I Gotta Be Me’
Learn more about your ad choices. Visit megaphone.fm/adchoices
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