In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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コンテンツは Kelsi and Trey によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Kelsi and Trey またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
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Denis Villeneuve's 'Sicario' | Patreon #22
Manage episode 415826173 series 3441560
コンテンツは Kelsi and Trey によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Kelsi and Trey またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
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Manage episode 415826173 series 3441560
コンテンツは Kelsi and Trey によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Kelsi and Trey またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
Kelsi and Trey finish off their anti-war series and begin their Emily Blunt discussion with the very thrilling and politically complicated Denis Villeneuve's Sicario. This is a technical masterclass on several fronts; with an imposing performance from Benicio Del Toro, stunning photography from Roger Deakins, and a brutal soundtrack from the late-great Jóhann Jóhannsson. However, while Sicario is a cinematic powerhouse, this episode explores the movie's challenge of paralleling a military state with drug cartels and how the film may have a difficult legacy because of underdeveloped subversions.
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