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コンテンツは The Documentary Life によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、The Documentary Life またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal
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Fire in Paradise with Drea Cooper

42:12
 
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Manage episode 255445620 series 2398262
コンテンツは The Documentary Life によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、The Documentary Life またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal

One of the most compelling, intense, and well done documentaries that I saw in all of 2019 wasn't even a feature length film. In fact, its run time was only 39 minutes.

But it was 39 mins of riveting documentary that was financed and distributed by Netflix, and it came from ZCDC's Zachary Canepari and Drea Cooper. And Cooper sat down to discuss with us, among other things, what it was like working on this incredible. film.

And speaking of run time, in our opening segment, I discuss how to decide what the proper length for your doc films might be. And how, in fact, we may be doing a disservice to our stories, by trying to adhere to a set of arbitrary time lengths.

Topics Discussed

  • how Cooper & Canepari came to the decision to make this a 39 min film
  • how Netflix fully supported their film change of plans to pivot to this story
  • how & why the usage of people’s phone footage became a powerful storytelling device
  • Drea Cooper’s recommendsfor covering a catastrophic event on film

Additional Resources

Trailer for Fire in Paradise

https://www.youtube.com/watch?v=5KNAl23NwME&t=8s

Trailer for Netflix's Flint Town

https://www.youtube.com/watch?v=EfNURrdgWTU

And if you haven't already done so, you can LISTEN to our episode that we did with ZCDC's producer, Gary Kout!

Sponsors & Thank Yous

Music Vine 15 PERCENT OFF!

Music Vine

Thank you to music licensing platform, Music Vine for contributing the wonderful music that we’ve used in this week’s episode.

We’ve used many music licensing platforms over the years for commercials, corporate videos, and documentaries and these guys are definitely different.

Their music catalogue is truly fresh, diverse, full of character, their search engine is as straight forward and user friendly and their licensing fees? Unlike anywhere else we have come across.

If you need any music for your doc project, we can honestly recommend Music Vine.

And make sure to use our promo code to get an additional 15 percent off of any subscription!!

PROMO CODE: doclife15

° Free Music ArchiveSpecial Thank You to recording artist, Dlay who supplied music for this week’s episode of TDL. You too can download his music or other artists’ music by going to Free Music Archive today!

Subscribe

Apple | Spotify | Stitcher |

Rate and Review

If you have found value in this podcast please leave a review so it can become more visible to others. Simply click the link and then click on the Ratings and Reviews tab to make your entry. Thank you for your support!

  continue reading

141 つのエピソード

Artwork

Fire in Paradise with Drea Cooper

The Documentary Life

72 subscribers

published

iconシェア
 
Manage episode 255445620 series 2398262
コンテンツは The Documentary Life によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、The Documentary Life またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal

One of the most compelling, intense, and well done documentaries that I saw in all of 2019 wasn't even a feature length film. In fact, its run time was only 39 minutes.

But it was 39 mins of riveting documentary that was financed and distributed by Netflix, and it came from ZCDC's Zachary Canepari and Drea Cooper. And Cooper sat down to discuss with us, among other things, what it was like working on this incredible. film.

And speaking of run time, in our opening segment, I discuss how to decide what the proper length for your doc films might be. And how, in fact, we may be doing a disservice to our stories, by trying to adhere to a set of arbitrary time lengths.

Topics Discussed

  • how Cooper & Canepari came to the decision to make this a 39 min film
  • how Netflix fully supported their film change of plans to pivot to this story
  • how & why the usage of people’s phone footage became a powerful storytelling device
  • Drea Cooper’s recommendsfor covering a catastrophic event on film

Additional Resources

Trailer for Fire in Paradise

https://www.youtube.com/watch?v=5KNAl23NwME&t=8s

Trailer for Netflix's Flint Town

https://www.youtube.com/watch?v=EfNURrdgWTU

And if you haven't already done so, you can LISTEN to our episode that we did with ZCDC's producer, Gary Kout!

Sponsors & Thank Yous

Music Vine 15 PERCENT OFF!

Music Vine

Thank you to music licensing platform, Music Vine for contributing the wonderful music that we’ve used in this week’s episode.

We’ve used many music licensing platforms over the years for commercials, corporate videos, and documentaries and these guys are definitely different.

Their music catalogue is truly fresh, diverse, full of character, their search engine is as straight forward and user friendly and their licensing fees? Unlike anywhere else we have come across.

If you need any music for your doc project, we can honestly recommend Music Vine.

And make sure to use our promo code to get an additional 15 percent off of any subscription!!

PROMO CODE: doclife15

° Free Music ArchiveSpecial Thank You to recording artist, Dlay who supplied music for this week’s episode of TDL. You too can download his music or other artists’ music by going to Free Music Archive today!

Subscribe

Apple | Spotify | Stitcher |

Rate and Review

If you have found value in this podcast please leave a review so it can become more visible to others. Simply click the link and then click on the Ratings and Reviews tab to make your entry. Thank you for your support!

  continue reading

141 つのエピソード

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