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コンテンツは Street Photography Magazine によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Street Photography Magazine またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal
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Kenneth Wajda: How a Classic Camera Breaks the Ice

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コンテンツは Street Photography Magazine によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Street Photography Magazine またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal

Kenneth Wajda, a commercial and editorial photographer from Colorado, enjoys making street portraits in his spare time. His outgoing and friendly nature helps him approach strangers for permission to take their portraits. His secret weapon? A classic Rolleiflex TLR camera, which he describes as the perfect icebreaker.

Kenneth has written an article about his experience with the Rolleiflex camera for Street Photography Magazine, set to appear in the June 2024 issue on Sunday, June 23.

In today’s discussion, Kenneth shares his approach to street portraiture using the Rolleiflex and Ilford HP 5 film, his settings for different lighting conditions, and his preference for shooting in sunlight. He stresses the importance of engaging with people on the street, sharing experiences from various locations like flea markets and small towns.

A key insight from our conversation is Kenneth’s mantra, “The muse exists, but she has to find you working.” This means that inspiration will come when you start working.

Kenneth, also involved in movie production, uses a copy stand and a Nikon DSLR to photograph negatives for digital use, finding this method more effective than dedicated scanners.

Kenneth recently founded the Rolleiflexers Collective to showcase the work of photographers documenting street life with the Rolleiflex camera. The group aims to share their work and inspire each other.

He strongly believes in the value of meetups, events, and competitions as platforms for photographers to showcase their work and build community. Kenneth also emphasizes the importance of printing your work and finding ways to publish it, even if it means self-publishing through a zine or book.

Quick crappy snapshot by Bob Patterson

Links from the show

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182 つのエピソード

Artwork
iconシェア
 
Manage episode 424760816 series 1427426
コンテンツは Street Photography Magazine によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Street Photography Magazine またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal

Kenneth Wajda, a commercial and editorial photographer from Colorado, enjoys making street portraits in his spare time. His outgoing and friendly nature helps him approach strangers for permission to take their portraits. His secret weapon? A classic Rolleiflex TLR camera, which he describes as the perfect icebreaker.

Kenneth has written an article about his experience with the Rolleiflex camera for Street Photography Magazine, set to appear in the June 2024 issue on Sunday, June 23.

In today’s discussion, Kenneth shares his approach to street portraiture using the Rolleiflex and Ilford HP 5 film, his settings for different lighting conditions, and his preference for shooting in sunlight. He stresses the importance of engaging with people on the street, sharing experiences from various locations like flea markets and small towns.

A key insight from our conversation is Kenneth’s mantra, “The muse exists, but she has to find you working.” This means that inspiration will come when you start working.

Kenneth, also involved in movie production, uses a copy stand and a Nikon DSLR to photograph negatives for digital use, finding this method more effective than dedicated scanners.

Kenneth recently founded the Rolleiflexers Collective to showcase the work of photographers documenting street life with the Rolleiflex camera. The group aims to share their work and inspire each other.

He strongly believes in the value of meetups, events, and competitions as platforms for photographers to showcase their work and build community. Kenneth also emphasizes the importance of printing your work and finding ways to publish it, even if it means self-publishing through a zine or book.

Quick crappy snapshot by Bob Patterson

Links from the show

  continue reading

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