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コンテンツは Dan Rebellato によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Dan Rebellato またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal
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Stage Directions October 2017

1:58:51
 
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Manage episode 190331578 series 1465364
コンテンツは Dan Rebellato によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Dan Rebellato またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal

Shôn Dale-Jones

'I think actually people go to the theatre because they want a conversation and the play is only an excuse to have that conversation'

In this episode I talk theatre criticism's past and future with Megan Vaughan and Catherine Love; I interview Shôn Dale-Jones about the artistic and political journey that led to his latest show Me & Robin Hood; and then I discuss 'theatrical heterotopias' and the Gate Theatre's The Unknown Island with Professor Kim Solga.

Podcast outline

  • 00.00.00 Introduction
  • 00.01.21 Theatre criticism: introduction
  • 00.08.11 Theatre criticism: discussion
  • 00.45.47 Shôn Dale-Jones: introduction
  • 00.50.38 Shôn Dale-Jones: interview
  • 01.22.33 Kim Solga: what she's read and what she's seen
  • 01.47.13 Closing remarks and credits.
  • 01.58.51 End

Additional Information

In my introduction on theatre criticism, the information about newspaper sales comes from this report. You can go to their websites to find out more about Megan Vaughan and

Clips of Shôn Dale-Jones's work came from these sources:

And you can find out more about his work and the work of his company Hoi Polloi here.

The book I discuss with Kim Solga is:

  • Tompkins, Joanne. Theatre's Heterotopias: Performance and the Cultural Politics of Space. Contemporary Performance Interactions. Basingstoke: Palgrave Macmillan, 2014.

And the show we saw was:

  • The Unknown Island, Gate Theatre, September 2017, directed by Ellen McDougall, adapted by Ellen McDoughall and Clare Slater from the short story by José Saramago. Performers: Jon Foster, Hannah Ringham, Thalissa Teixeira, Zubin Varla. Designed by Rosie Elnile. Lighting by Lizzie Powell.

Kim Solga's staff page at Western University is here:

And her blog about teaching in the academy is here:

And the podcast I recommend at the end is Stage Left run by the wonderful Jen Harvie.

Music by Nick Powell and Nick McCarthy
Graphics by Liam Jarvis
Subscribe to Stage Directions on iTunes, where you can also review the podcast nicely.

  continue reading

4 つのエピソード

Artwork
iconシェア
 
Manage episode 190331578 series 1465364
コンテンツは Dan Rebellato によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Dan Rebellato またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal

Shôn Dale-Jones

'I think actually people go to the theatre because they want a conversation and the play is only an excuse to have that conversation'

In this episode I talk theatre criticism's past and future with Megan Vaughan and Catherine Love; I interview Shôn Dale-Jones about the artistic and political journey that led to his latest show Me & Robin Hood; and then I discuss 'theatrical heterotopias' and the Gate Theatre's The Unknown Island with Professor Kim Solga.

Podcast outline

  • 00.00.00 Introduction
  • 00.01.21 Theatre criticism: introduction
  • 00.08.11 Theatre criticism: discussion
  • 00.45.47 Shôn Dale-Jones: introduction
  • 00.50.38 Shôn Dale-Jones: interview
  • 01.22.33 Kim Solga: what she's read and what she's seen
  • 01.47.13 Closing remarks and credits.
  • 01.58.51 End

Additional Information

In my introduction on theatre criticism, the information about newspaper sales comes from this report. You can go to their websites to find out more about Megan Vaughan and

Clips of Shôn Dale-Jones's work came from these sources:

And you can find out more about his work and the work of his company Hoi Polloi here.

The book I discuss with Kim Solga is:

  • Tompkins, Joanne. Theatre's Heterotopias: Performance and the Cultural Politics of Space. Contemporary Performance Interactions. Basingstoke: Palgrave Macmillan, 2014.

And the show we saw was:

  • The Unknown Island, Gate Theatre, September 2017, directed by Ellen McDougall, adapted by Ellen McDoughall and Clare Slater from the short story by José Saramago. Performers: Jon Foster, Hannah Ringham, Thalissa Teixeira, Zubin Varla. Designed by Rosie Elnile. Lighting by Lizzie Powell.

Kim Solga's staff page at Western University is here:

And her blog about teaching in the academy is here:

And the podcast I recommend at the end is Stage Left run by the wonderful Jen Harvie.

Music by Nick Powell and Nick McCarthy
Graphics by Liam Jarvis
Subscribe to Stage Directions on iTunes, where you can also review the podcast nicely.

  continue reading

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