In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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コンテンツは DeVaughn Taylor によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、DeVaughn Taylor またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
We're staying in vampire western territory as we discuss A Girl Walks Home Alone At Night apart of our Women in Horror celebration. Director Jill Gevargizian (The Stylist, Ghost Game) joins the boys in discussing a fairy tale of morality, the iconography of The Girl, the hyper specific geopolitical themes, and once again preaching that style is substance. Grab your skateboards & CDs, we got some creepin to do!
New episodes drop every Tuesday, subscribe so you don't miss out. Rate us 5 stars while you're at it! Next week, we keep it international discussing Tigers Are Not Afraid. Specter Cinema Club is now on Patreon! Enter The Phantom Zone to access all sorts of bonus goodies like our monthly side show "Watching the Watchlist", movie commentaries, and polls to help shape the podcast: https://patreon.com/spectercinema
Haunt Jill on social media:
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Specter Cinema Club Original Theme by Andrey Kinnard
251 つのエピソード
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Manage episode 407822689 series 2991030
コンテンツは DeVaughn Taylor によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、DeVaughn Taylor またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
We're staying in vampire western territory as we discuss A Girl Walks Home Alone At Night apart of our Women in Horror celebration. Director Jill Gevargizian (The Stylist, Ghost Game) joins the boys in discussing a fairy tale of morality, the iconography of The Girl, the hyper specific geopolitical themes, and once again preaching that style is substance. Grab your skateboards & CDs, we got some creepin to do!
New episodes drop every Tuesday, subscribe so you don't miss out. Rate us 5 stars while you're at it! Next week, we keep it international discussing Tigers Are Not Afraid. Specter Cinema Club is now on Patreon! Enter The Phantom Zone to access all sorts of bonus goodies like our monthly side show "Watching the Watchlist", movie commentaries, and polls to help shape the podcast: https://patreon.com/spectercinema
Haunt Jill on social media:
Haunt Garrett on social media:
Haunt DeVaughn on social media:
Specter Cinema Club Original Theme by Andrey Kinnard
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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continue reading
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continue reading
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continue reading
Every week, The Ringer's Andy Greenwald and Chris Ryan -- longtime friends and pop culture addicts -- break down the latest in TV, movies, and music.
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continue reading
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