The iFanboy.com Comic Book Podcast is a weekly talk show all about the best new current comic book releases. Lifelong friends, Conor Kilpatrick and Josh Flanagan talk about what they loved and (sometimes) hated in the current weekly books, from publishers like Marvel, DC, Image Comics, Dark Horse Comics, BOOM! Studios, IDW, Aftershock, Valiant, and more. The aim is to have a fun time, some laughs, but to also really understand what makes comic books work and what doesn’t, and trying to under ...
…
continue reading
コンテンツは Audioboom and Somerset House によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Audioboom and Somerset House またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
Player FM -ポッドキャストアプリ
Player FMアプリでオフラインにしPlayer FMう!
Player FMアプリでオフラインにしPlayer FMう!
The Process: Episode 16 Trailer - What is the legacy of the 2011 riots?
Manage episode 441781289 series 1486662
コンテンツは Audioboom and Somerset House によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Audioboom and Somerset House またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
What one site in Croydon can tell us about the biggest moment of civil unrest in Britain in a generation.
Listen to the full episode: Apple | Spotify
Artist Imran Perretta was in his early 20s when the riots began in 2011. What started in London quickly spread across England, but it was the footage of a furniture shop set on fire in Croydon which stayed with Imran. Now, 13 years later, Imran revisits that moment in a new commission for Somerset House Studios which recreates Reeves Corner in the gallery space, accompanied by a new work for string quartet, entitled ‘A Requiem for the Dispossessed.’
In this episode of The Process, Imran heads back to Reeves Corner to reflect on its legacy today. We hear from Tim Newburn, professor of criminology and social policy at the LSE, about the history of civil unrest in Britain and the nature of riots. Croydon-based community artist Natalie Mitchell shares how community art projects can transform the way we think about public space. We follow Imran as he records with the Manchester Camerata and hear insights from sound designer Rob Szeliga on the ways in which music can affect how we feel.
As the requiem builds to its crescendo and the site lies silent, we ask: what does this patch of land say about the legacy of social unrest in Britain? Why has such a monumental uprising been largely forgotten? And how can sound tell this story in new ways?
We’re sensitive to the fact that while this subject matter is important to explore, it may be triggering to some audiences. For further support, we’d like to highlight the following resources:
Healing Justice https://healingjusticeldn.org
Resist and Renew https://resistrenew.com
Radical Therapist Network: https://www.radicaltherapistnetwork.com
The Black, African and Asian Network (BAATN): https://www.baatn.org.uk
Credits
Produced by Alannah Chance
Presented by Imran Perretta
Series presenter is Laurent John
Mixed by Mike Wooley
Theme Music by Ka Baird with additional music by Harry Murdoch
Listen to the full episode: Apple | Spotify
Artist Imran Perretta was in his early 20s when the riots began in 2011. What started in London quickly spread across England, but it was the footage of a furniture shop set on fire in Croydon which stayed with Imran. Now, 13 years later, Imran revisits that moment in a new commission for Somerset House Studios which recreates Reeves Corner in the gallery space, accompanied by a new work for string quartet, entitled ‘A Requiem for the Dispossessed.’
In this episode of The Process, Imran heads back to Reeves Corner to reflect on its legacy today. We hear from Tim Newburn, professor of criminology and social policy at the LSE, about the history of civil unrest in Britain and the nature of riots. Croydon-based community artist Natalie Mitchell shares how community art projects can transform the way we think about public space. We follow Imran as he records with the Manchester Camerata and hear insights from sound designer Rob Szeliga on the ways in which music can affect how we feel.
As the requiem builds to its crescendo and the site lies silent, we ask: what does this patch of land say about the legacy of social unrest in Britain? Why has such a monumental uprising been largely forgotten? And how can sound tell this story in new ways?
We’re sensitive to the fact that while this subject matter is important to explore, it may be triggering to some audiences. For further support, we’d like to highlight the following resources:
Healing Justice https://healingjusticeldn.org
Resist and Renew https://resistrenew.com
Radical Therapist Network: https://www.radicaltherapistnetwork.com
The Black, African and Asian Network (BAATN): https://www.baatn.org.uk
Credits
Produced by Alannah Chance
Presented by Imran Perretta
Series presenter is Laurent John
Mixed by Mike Wooley
Theme Music by Ka Baird with additional music by Harry Murdoch
76 つのエピソード
Manage episode 441781289 series 1486662
コンテンツは Audioboom and Somerset House によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Audioboom and Somerset House またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
What one site in Croydon can tell us about the biggest moment of civil unrest in Britain in a generation.
Listen to the full episode: Apple | Spotify
Artist Imran Perretta was in his early 20s when the riots began in 2011. What started in London quickly spread across England, but it was the footage of a furniture shop set on fire in Croydon which stayed with Imran. Now, 13 years later, Imran revisits that moment in a new commission for Somerset House Studios which recreates Reeves Corner in the gallery space, accompanied by a new work for string quartet, entitled ‘A Requiem for the Dispossessed.’
In this episode of The Process, Imran heads back to Reeves Corner to reflect on its legacy today. We hear from Tim Newburn, professor of criminology and social policy at the LSE, about the history of civil unrest in Britain and the nature of riots. Croydon-based community artist Natalie Mitchell shares how community art projects can transform the way we think about public space. We follow Imran as he records with the Manchester Camerata and hear insights from sound designer Rob Szeliga on the ways in which music can affect how we feel.
As the requiem builds to its crescendo and the site lies silent, we ask: what does this patch of land say about the legacy of social unrest in Britain? Why has such a monumental uprising been largely forgotten? And how can sound tell this story in new ways?
We’re sensitive to the fact that while this subject matter is important to explore, it may be triggering to some audiences. For further support, we’d like to highlight the following resources:
Healing Justice https://healingjusticeldn.org
Resist and Renew https://resistrenew.com
Radical Therapist Network: https://www.radicaltherapistnetwork.com
The Black, African and Asian Network (BAATN): https://www.baatn.org.uk
Credits
Produced by Alannah Chance
Presented by Imran Perretta
Series presenter is Laurent John
Mixed by Mike Wooley
Theme Music by Ka Baird with additional music by Harry Murdoch
Listen to the full episode: Apple | Spotify
Artist Imran Perretta was in his early 20s when the riots began in 2011. What started in London quickly spread across England, but it was the footage of a furniture shop set on fire in Croydon which stayed with Imran. Now, 13 years later, Imran revisits that moment in a new commission for Somerset House Studios which recreates Reeves Corner in the gallery space, accompanied by a new work for string quartet, entitled ‘A Requiem for the Dispossessed.’
In this episode of The Process, Imran heads back to Reeves Corner to reflect on its legacy today. We hear from Tim Newburn, professor of criminology and social policy at the LSE, about the history of civil unrest in Britain and the nature of riots. Croydon-based community artist Natalie Mitchell shares how community art projects can transform the way we think about public space. We follow Imran as he records with the Manchester Camerata and hear insights from sound designer Rob Szeliga on the ways in which music can affect how we feel.
As the requiem builds to its crescendo and the site lies silent, we ask: what does this patch of land say about the legacy of social unrest in Britain? Why has such a monumental uprising been largely forgotten? And how can sound tell this story in new ways?
We’re sensitive to the fact that while this subject matter is important to explore, it may be triggering to some audiences. For further support, we’d like to highlight the following resources:
Healing Justice https://healingjusticeldn.org
Resist and Renew https://resistrenew.com
Radical Therapist Network: https://www.radicaltherapistnetwork.com
The Black, African and Asian Network (BAATN): https://www.baatn.org.uk
Credits
Produced by Alannah Chance
Presented by Imran Perretta
Series presenter is Laurent John
Mixed by Mike Wooley
Theme Music by Ka Baird with additional music by Harry Murdoch
76 つのエピソード
Alle episoder
×プレーヤーFMへようこそ!
Player FMは今からすぐに楽しめるために高品質のポッドキャストをウェブでスキャンしています。 これは最高のポッドキャストアプリで、Android、iPhone、そしてWebで動作します。 全ての端末で購読を同期するためにサインアップしてください。