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May December with Samy Burch

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コンテンツは Script Apart によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Script Apart またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal

May December – written by our guest this week, Samy Burch – tells the serpentine tale of a TV actress, Elizabeth (Natalie Portman) who descends upon the home of a family founded on scandal. Two decades have passed since Gracie, portrayed by Julianne Moore, and her now-husband Joe, played by Charles Melton, hit the headlines after beginning a relationship when Gracie was in her mid-thirties and Joe was just thirteen years old. Elizabeth, researching the couple ahead of a film based on their lives, joins the couple (now married with kids) and attempts to understand what makes them each tick. In the process, she discovers that debris still remains from the tabloid storm that engulfed their lives. And we, as an audience, discover that Elizabeth herself has exploitative, machiavellian tendencies of her own.

It’s a story that Samy wrote in 2019 after landing on the idea with her partner, Alex Mechanik. “What would make a 36-year-old woman start an affair with a seventh grader?” you may be wondering – in which case, you’re not alone. Gracie’s former husband echoes those exact words in the film. But May December isn’t interested in answering that – not declaratively, at least. This is a film that refuses absolutes, asking more questions than it answers.

Does the twenty years of stability and apparent happiness that Joe and Gracie have shared together justify the wrongs of how their relationship began? Does the family life they’ve built paper over how predatory and problematic Gracie’s behaviour was, in initiating a sexual partnership with a kid whose voice must only just have broken? And what does it say about us, that as a culture, we’re so drawn to the transgressions of people like Gracie? Are we as parasitic as the prying actress who dismantles their lives, almost on a whim? These are all questions left to us to ponder after its credits roll. They’re also questions that Samy was delighted to give her take on, in my revealing conversation with the first-time screenwriter. Spoilers ahead, so be sure to watch the fantastic May December first before tuning in.

Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Twitter and Instagram, or email us on thescriptapartpodcast@gmail.com.
Support for this episode comes from ScreenCraft, Stowe Story Labs and WeScreenplay.
To get ad-free episodes and exclusive content, join us on Patreon.

Support the Show.

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107 つのエピソード

Artwork

May December with Samy Burch

Script Apart

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published

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Manage episode 385426358 series 2711077
コンテンツは Script Apart によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Script Apart またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal

May December – written by our guest this week, Samy Burch – tells the serpentine tale of a TV actress, Elizabeth (Natalie Portman) who descends upon the home of a family founded on scandal. Two decades have passed since Gracie, portrayed by Julianne Moore, and her now-husband Joe, played by Charles Melton, hit the headlines after beginning a relationship when Gracie was in her mid-thirties and Joe was just thirteen years old. Elizabeth, researching the couple ahead of a film based on their lives, joins the couple (now married with kids) and attempts to understand what makes them each tick. In the process, she discovers that debris still remains from the tabloid storm that engulfed their lives. And we, as an audience, discover that Elizabeth herself has exploitative, machiavellian tendencies of her own.

It’s a story that Samy wrote in 2019 after landing on the idea with her partner, Alex Mechanik. “What would make a 36-year-old woman start an affair with a seventh grader?” you may be wondering – in which case, you’re not alone. Gracie’s former husband echoes those exact words in the film. But May December isn’t interested in answering that – not declaratively, at least. This is a film that refuses absolutes, asking more questions than it answers.

Does the twenty years of stability and apparent happiness that Joe and Gracie have shared together justify the wrongs of how their relationship began? Does the family life they’ve built paper over how predatory and problematic Gracie’s behaviour was, in initiating a sexual partnership with a kid whose voice must only just have broken? And what does it say about us, that as a culture, we’re so drawn to the transgressions of people like Gracie? Are we as parasitic as the prying actress who dismantles their lives, almost on a whim? These are all questions left to us to ponder after its credits roll. They’re also questions that Samy was delighted to give her take on, in my revealing conversation with the first-time screenwriter. Spoilers ahead, so be sure to watch the fantastic May December first before tuning in.

Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Twitter and Instagram, or email us on thescriptapartpodcast@gmail.com.
Support for this episode comes from ScreenCraft, Stowe Story Labs and WeScreenplay.
To get ad-free episodes and exclusive content, join us on Patreon.

Support the Show.

  continue reading

107 つのエピソード

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