In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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コンテンツは Himanshu Joglekar によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Himanshu Joglekar またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
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Episode 26: Kamlesh Pandey (Tezaab, Aatish, Aks, Delhi 6)
Manage episode 276711554 series 2795250
コンテンツは Himanshu Joglekar によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Himanshu Joglekar またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
Hi everyone, thanks for listening. Drop a line or two about the episode!
Kamlesh Pandey has written upwards of 45 films, including Tezaab, Saudagar, Aatish, Aks, Rang De Basanti, Delhi 6, and Yalgaar.
Kamlesh Pandey joins us for a chat on screenwriting, stories behind some of his biggest films, and how writing for Hindi cinema has changed over the last 30 years.
We chatted about Tezaab, Aks, Delhi-6, Aatish, his admiration for Walter Hill, working with Feroz Khan, and why our lives are incomplete without stories.
Also...
Did you know the trial show of Tezaab was a huge disaster, primarily due to its non-linear narrative structure, and the wife of a superstar wanted the film edited to a linear structure?
Did you know that Pandey had originally conceived Delhi-6 along the lines of My Big Fat Greek Wedding - set in Delhi?
Or how, initially, he was never interested in writing for Feroz Khan?
Or why he believed Sanjay Dutt was better suited to play Nawab in Aatish?
All those stories and more. Listen in!
Feedback/comments/questions: loveofcinemasf@gmail.com
Credits:
Concept: Himanshu (@loveofcinemasf8)
Host: Himanshu
Editor: Devika Joglekar
Music: Nakul Abhyankar
Copyrights © Love of Cinema 2020
If you liked the episode and found value, please considering supporting the show. Your support will help me continue making good content for fans of Indian cinema everywhere across the world: https://www.buzzsprout.com/257788/support
69 つのエピソード
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Manage episode 276711554 series 2795250
コンテンツは Himanshu Joglekar によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Himanshu Joglekar またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
Hi everyone, thanks for listening. Drop a line or two about the episode!
Kamlesh Pandey has written upwards of 45 films, including Tezaab, Saudagar, Aatish, Aks, Rang De Basanti, Delhi 6, and Yalgaar.
Kamlesh Pandey joins us for a chat on screenwriting, stories behind some of his biggest films, and how writing for Hindi cinema has changed over the last 30 years.
We chatted about Tezaab, Aks, Delhi-6, Aatish, his admiration for Walter Hill, working with Feroz Khan, and why our lives are incomplete without stories.
Also...
Did you know the trial show of Tezaab was a huge disaster, primarily due to its non-linear narrative structure, and the wife of a superstar wanted the film edited to a linear structure?
Did you know that Pandey had originally conceived Delhi-6 along the lines of My Big Fat Greek Wedding - set in Delhi?
Or how, initially, he was never interested in writing for Feroz Khan?
Or why he believed Sanjay Dutt was better suited to play Nawab in Aatish?
All those stories and more. Listen in!
Feedback/comments/questions: loveofcinemasf@gmail.com
Credits:
Concept: Himanshu (@loveofcinemasf8)
Host: Himanshu
Editor: Devika Joglekar
Music: Nakul Abhyankar
Copyrights © Love of Cinema 2020
If you liked the episode and found value, please considering supporting the show. Your support will help me continue making good content for fans of Indian cinema everywhere across the world: https://www.buzzsprout.com/257788/support
69 つのエピソード
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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Player FMアプリでオフラインにしPlayer FMう！
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