George Esquivel started making shoes for himself and some friends, up-and-coming musicians in Southern California. Soon, Hollywood came calling. And it wasn’t just celebrities who took notice. A film financier did, too. He said he wanted to invest in the company, but George soon realized his intentions weren’t what they seemed. Join Ben and special guest host Kathleen Griffith as they speak to George about the rise of Esquivel Designs. Hear what a meeting with Anna Wintour is really like, and what happens when you’re betrayed by someone inside your company. These are The Unshakeables. See omnystudio.com/listener for privacy information.…
Alysa Procida and Blandina Attaarjuaq Makkik from the Inuit Art Foundation speak about the protections provided by the Igloo Tag Trademark, and its significance for Inuit artists and the Inuit art market. The opinions and views expressed by podcast interview participants are their own and do not necessarily reflect the view of CARFAC or members of CARFAC’s Indigenous Advisory Circle.…
Rosary Spence speaks about what it was like to have her images stolen and used on mass-produced products, and how she is now protecting her art through the Canadian Intellectual Property Office. The opinions and views expressed by podcast interview participants are their own and do not necessarily reflect the view of CARFAC or members of CARFAC’s Indigenous Advisory Circle.…
Theresie Tungilik speaks about the role of Oral Traditions for teaching Customs and Protocols in Inuit families and communities, and the importance of obtaining consent for the use of intellectual property. The opinions and views expressed by podcast interview participants are their own and do not necessarily reflect the view of CARFAC or members of CARFAC’s Indigenous Advisory Circle.…
Heather Steinhagen discusses the implications of cultural appropriation of Indigenous art and craft in Canada, and her work on “ What is Cultural Appropriation ”, produced by the Canadian Crafts Federation. The opinions and views expressed by podcast interview participants are their own and do not necessarily reflect the view of CARFAC or members of CARFAC’s Indigenous Advisory Circle.…
We continue our conversation with Wilfred Buck, as an artist who engages Protocols within his storytelling and writing. The opinions and views expressed by podcast interview participants are their own and do not necessarily reflect the view of CARFAC or members of CARFAC’s Indigenous Advisory Circle.…
Merle C. Alexander shares his knowledge about intellectual property and Traditional Knowledge, and legal protections currently available to Indigenous artists. The opinions and views expressed by podcast interview participants are their own and do not necessarily reflect the view of CARFAC or members of CARFAC’s Indigenous Advisory Circle.…
Wilfred Buck explains how an artist, curator, or cultural worker can reach out to an Elder. Please note, the Protocols discussed in this interview are from a specific territory and not all territories have or adapt the same Protocols when engaging with Elders. The opinions and views expressed by podcast interview participants are their own and do not necessarily reflect the view of CARFAC or members of CARFAC’s Indigenous Advisory Circle.…
Marjorie Beaucage talks about Protocols as they relate to moving images, challenges within storytelling on film, and examples of where Protocols were missed or could have been used to solve issues. The opinions and views expressed by podcast interview participants are their own and do not necessarily reflect the view of CARFAC or members of CARFAC’s Indigenous Advisory Circle.…
Camille Usher speaks about the need for cultural institutions to integrate Indigenous Protocols within their programs and spaces. The opinions and views expressed by podcast interview participants are their own and do not necessarily reflect the view of CARFAC or members of CARFAC’s Indigenous Advisory Circle.…
Lou-ann Ika’wega Neel shares a story about her family’s experience working with the University of British Columbia and a totem pole carved by Ellen Neel. The opinions and views expressed by podcast interview participants are their own and do not necessarily reflect the view of CARFAC or members of CARFAC’s Indigenous Advisory Circle.…
Christine Kirouac discusses her identity as an Indigenous woman growing up in a settler household, the impacts it has had on her art, and the ideas within Protocols for Indigenous adoptees. The opinions and views expressed by podcast interview participants are their own and do not necessarily reflect the view of CARFAC or members of CARFAC’s Indigenous Advisory Circle.…
David Garneau provides a framework for the language and terms used within Indigenous Protocols for the Visual Arts. The opinions and views expressed by podcast interview participants are their own and do not necessarily reflect the view of CARFAC or members of CARFAC’s Indigenous Advisory Circle.
Artist and Arts Advocate Lou-ann Neel offers an introduction and background to the Indigenous Protocols resource guide for the visual arts sector. The opinions and views expressed by podcast interview participants are their own and do not necessarily reflect the view of CARFAC or members of CARFAC’s Indigenous Advisory Circle.…
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