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コンテンツは IFH Filmmaking & Screenwriting Podcast Network, Alex Ferrari | Filmmaker, Visual Effects, DP, Film Distribution, and Film Business によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、IFH Filmmaking & Screenwriting Podcast Network, Alex Ferrari | Filmmaker, Visual Effects, DP, Film Distribution, and Film Business またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作権で保護された作品をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal
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IFH 486: Directing the End of the World with Zoe Lister-Jones

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Manage episode 297923202 series 2557610
コンテンツは IFH Filmmaking & Screenwriting Podcast Network, Alex Ferrari | Filmmaker, Visual Effects, DP, Film Distribution, and Film Business によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、IFH Filmmaking & Screenwriting Podcast Network, Alex Ferrari | Filmmaker, Visual Effects, DP, Film Distribution, and Film Business またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作権で保護された作品をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal
Our guest today is a triple threat. Actress, filmmaker, and writer, Zoe Lister-Jones, who made headways in 2017 with her all-female crew directorial debut, Band Aid. The decision was inspired to foster new creative experiences amidst the staggering inequity on sets. A couple who can't stop fighting embarks on a last-ditch effort to save their marriage: turning their fights into songs and starting a band. The comedy-drama film, starring Zoe, Jesse Williams, and her New Girl co-star, Hannah Simone premiered at the 2017 Sundance Festival. Some of Zoe’s most known acting roles include some of your favorite sitcoms like New Girl, Whitney, or Life In Pieces. I have watched Life in Pieces with my family many times and it remains a favorite. Zoe’s love for performing and writing goes back to high school which set the foundation for a scholarship ride in NYU. Even though the film is what she’s most known for now, Zoe has a background in music and theater. In 2009 she co-wrote and produced, her first screenplay, Breaking Upwards with Daryl Wein on a $ 15,000 budget. The film explores a young New York couple who, battling codependency, strategizes their own breakup. Operating on a thin budget like that turned the experience into a crash course or a production management Bootcamp in filmmaking for her and Daryl as described during our chat. A couple more production gigs later and she was ready for the director’s chair. Last year, Zoe wrote, directed, and produced the sequel to The Craft (1996), a supernatural horror titled, The Craft: Legacy. A group of high school students forms a coven of witches. Wein and Zoe paired up again to bring a Sundance 2021 official selection cinematic experience to our isolated-covid-locked-down screens with what is described as a serene apocalyptic comedy, How It Ends. Liza (Zoe Lister-Jones) embarks on a hilarious journey through LA in hopes of making it to her last party before it all ends, running into an eclectic cast of characters along the way. It was chill and fun chatting about Zoe’s indie filmmaking journey and navigating the minefields of live sets. Please enjoy my conversation with Zoe Lister-Jones.
  continue reading

1998 つのエピソード

Artwork
iconシェア
 
Manage episode 297923202 series 2557610
コンテンツは IFH Filmmaking & Screenwriting Podcast Network, Alex Ferrari | Filmmaker, Visual Effects, DP, Film Distribution, and Film Business によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、IFH Filmmaking & Screenwriting Podcast Network, Alex Ferrari | Filmmaker, Visual Effects, DP, Film Distribution, and Film Business またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作権で保護された作品をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal
Our guest today is a triple threat. Actress, filmmaker, and writer, Zoe Lister-Jones, who made headways in 2017 with her all-female crew directorial debut, Band Aid. The decision was inspired to foster new creative experiences amidst the staggering inequity on sets. A couple who can't stop fighting embarks on a last-ditch effort to save their marriage: turning their fights into songs and starting a band. The comedy-drama film, starring Zoe, Jesse Williams, and her New Girl co-star, Hannah Simone premiered at the 2017 Sundance Festival. Some of Zoe’s most known acting roles include some of your favorite sitcoms like New Girl, Whitney, or Life In Pieces. I have watched Life in Pieces with my family many times and it remains a favorite. Zoe’s love for performing and writing goes back to high school which set the foundation for a scholarship ride in NYU. Even though the film is what she’s most known for now, Zoe has a background in music and theater. In 2009 she co-wrote and produced, her first screenplay, Breaking Upwards with Daryl Wein on a $ 15,000 budget. The film explores a young New York couple who, battling codependency, strategizes their own breakup. Operating on a thin budget like that turned the experience into a crash course or a production management Bootcamp in filmmaking for her and Daryl as described during our chat. A couple more production gigs later and she was ready for the director’s chair. Last year, Zoe wrote, directed, and produced the sequel to The Craft (1996), a supernatural horror titled, The Craft: Legacy. A group of high school students forms a coven of witches. Wein and Zoe paired up again to bring a Sundance 2021 official selection cinematic experience to our isolated-covid-locked-down screens with what is described as a serene apocalyptic comedy, How It Ends. Liza (Zoe Lister-Jones) embarks on a hilarious journey through LA in hopes of making it to her last party before it all ends, running into an eclectic cast of characters along the way. It was chill and fun chatting about Zoe’s indie filmmaking journey and navigating the minefields of live sets. Please enjoy my conversation with Zoe Lister-Jones.
  continue reading

1998 つのエピソード

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