In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Polarizing Politics: Talking Black Christmas (2019)
Manage episode 359293159 series 3462087
コンテンツは Horror Homeroom によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Horror Homeroom またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
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Manage episode 359293159 series 3462087
コンテンツは Horror Homeroom によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Horror Homeroom またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
What happens when feminists dislike a feminist anthem horror film? We're finding out today in our discussion on Black Christmas, the latest adaptation of the 1974 slasher that has grown to be a cult favorite. Directed by Sophia Takal, whose impassioned defense of the film’s PG-13 rating on Twitter launched debate over whether a horror film needs to be rated R to be enjoyable, the film draws explicitly on the #MeToo era. But is it effective? We’re talking political horror, Joe Bob Briggs and the importance of audience spectatorship on this episode, so stay tuned! --- Support this podcast: https://podcasters.spotify.com/pod/show/horror-homeroom/support
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