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コンテンツは Joe Hall & Jake Reber, Joe Hall, and Jake Reber によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Joe Hall & Jake Reber, Joe Hall, and Jake Reber またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal
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ava hofmann & Isaac Pickell perform at green_space 11/13/22

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Manage episode 352478553 series 3291605
コンテンツは Joe Hall & Jake Reber, Joe Hall, and Jake Reber によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Joe Hall & Jake Reber, Joe Hall, and Jake Reber またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal

The Fall 2022 green_space in Chapin Parkway, Buffalo.

ava hoffman performed work from [ . . . ].

Ava Hofmann's digital chapbook, THE WOMAN FACTORY, was published by the Operating System in 2020. Her second full-length book, love poems / smallness studies, is forthcoming in 2022. She also “edits” SPORAZINE, a magazine of experimental writing written by trans people. Her Twitter is @st_somatic and her website is www.nothnx.com.

Isaac Pickell performed new works and pieces from everything saved will be last.

Raised in Michigan near the back of his parents’ used bookstore, Isaac Pickell is a biracial poet & PhD candidate at Wayne State University in Detroit, where he teaches and studies the borderlands of blackness and black literature. a graduate of Miami University's MFA program, his work’s been featured in Black Warrior Review, Crazyhorse, Denver Quarterly, Fence, The Missouri Review, and Ninth Letter, you can find his newest stuff online at Perhappened, Protean Magazine, or Sixth Finch, his chapbook everything saved will be last (Black Lawrence Press, 2021) and his forthcoming full-length debut from Black Ocean in 2023. Isaac has taken a seat in all fifty states and has so much to look forward to.

His dissertation, “Passing Over, Passing Through: Transgressive Ambiguity Beyond the Colorline,” reimagines the literary and cultural history of “passing” through its growth as a contextually bound cultural phenomenon applied not only to race, but other socially constructed and rigid categories which preoccupy the American landscape, including gender, sexuality, and citizenship. by developing “passing” as a critical lens for considering various representations of ambiguous identity, Isaac hopes to promote analysis of other “category crises” grounded in and sensitive to the ongoing story of racial passing.

https://www.isaacpickell.com/

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22 つのエピソード

Artwork
iconシェア
 
Manage episode 352478553 series 3291605
コンテンツは Joe Hall & Jake Reber, Joe Hall, and Jake Reber によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Joe Hall & Jake Reber, Joe Hall, and Jake Reber またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal

The Fall 2022 green_space in Chapin Parkway, Buffalo.

ava hoffman performed work from [ . . . ].

Ava Hofmann's digital chapbook, THE WOMAN FACTORY, was published by the Operating System in 2020. Her second full-length book, love poems / smallness studies, is forthcoming in 2022. She also “edits” SPORAZINE, a magazine of experimental writing written by trans people. Her Twitter is @st_somatic and her website is www.nothnx.com.

Isaac Pickell performed new works and pieces from everything saved will be last.

Raised in Michigan near the back of his parents’ used bookstore, Isaac Pickell is a biracial poet & PhD candidate at Wayne State University in Detroit, where he teaches and studies the borderlands of blackness and black literature. a graduate of Miami University's MFA program, his work’s been featured in Black Warrior Review, Crazyhorse, Denver Quarterly, Fence, The Missouri Review, and Ninth Letter, you can find his newest stuff online at Perhappened, Protean Magazine, or Sixth Finch, his chapbook everything saved will be last (Black Lawrence Press, 2021) and his forthcoming full-length debut from Black Ocean in 2023. Isaac has taken a seat in all fifty states and has so much to look forward to.

His dissertation, “Passing Over, Passing Through: Transgressive Ambiguity Beyond the Colorline,” reimagines the literary and cultural history of “passing” through its growth as a contextually bound cultural phenomenon applied not only to race, but other socially constructed and rigid categories which preoccupy the American landscape, including gender, sexuality, and citizenship. by developing “passing” as a critical lens for considering various representations of ambiguous identity, Isaac hopes to promote analysis of other “category crises” grounded in and sensitive to the ongoing story of racial passing.

https://www.isaacpickell.com/

  continue reading

22 つのエピソード

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