In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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コンテンツは Future of Film Podcast and Alex Stolz によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Future of Film Podcast and Alex Stolz またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
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29. The Future of Distribution (Part 2 of 2)
Manage episode 229715441 series 1399837
コンテンツは Future of Film Podcast and Alex Stolz によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Future of Film Podcast and Alex Stolz またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
What is the future of distribution in an age of unprecedented content, competition and connectivity? Find answers in this special episode of Film Disruptors, recorded live at the 2019 Glasgow Film Festival where I was joined by a panel of experts: Mia Bays, Director at Large of Birds' Eye View year round agency that campaigns for gender equality in film. Ben Johnson runs Gruvi, a mediatech company that helps entertainment businesses reach and engage online audiences. Lee Shelton, responsible for all digital marketing activity across the Curzon group which is a leading boutique cinema, digital platform and distribution here in the UK. Eve Gabereau, Founder and CEO of the new female-led distribution company Modern Films. With audiences increasingly overwhelmed by a vast proliferation of content, from short form to box sets, the challenge to capture attention and engagement for films other than the biggest blockbusters is ever increasing. Yet with these changes, also comes the opportunity to target consumers with higher accuracy and to reach them directly, potentially at much lower cost. What do these trends mean for independent film and how should storytellers approach distribution in 2019? Discover more about this and other podcasts at www.futureoffilm.live
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78 つのエピソード
Manage episode 229715441 series 1399837
コンテンツは Future of Film Podcast and Alex Stolz によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Future of Film Podcast and Alex Stolz またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
What is the future of distribution in an age of unprecedented content, competition and connectivity? Find answers in this special episode of Film Disruptors, recorded live at the 2019 Glasgow Film Festival where I was joined by a panel of experts: Mia Bays, Director at Large of Birds' Eye View year round agency that campaigns for gender equality in film. Ben Johnson runs Gruvi, a mediatech company that helps entertainment businesses reach and engage online audiences. Lee Shelton, responsible for all digital marketing activity across the Curzon group which is a leading boutique cinema, digital platform and distribution here in the UK. Eve Gabereau, Founder and CEO of the new female-led distribution company Modern Films. With audiences increasingly overwhelmed by a vast proliferation of content, from short form to box sets, the challenge to capture attention and engagement for films other than the biggest blockbusters is ever increasing. Yet with these changes, also comes the opportunity to target consumers with higher accuracy and to reach them directly, potentially at much lower cost. What do these trends mean for independent film and how should storytellers approach distribution in 2019? Discover more about this and other podcasts at www.futureoffilm.live
…
continue reading
78 つのエピソード
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