In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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コンテンツは Will Ross & Devan Scott, Will Ross, and Devan Scott によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Will Ross & Devan Scott, Will Ross, and Devan Scott またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作権で保護された作品をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
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S3E02 - Narrative Verite with Whit Stillman
Manage episode 283180706 series 2654469
コンテンツは Will Ross & Devan Scott, Will Ross, and Devan Scott によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Will Ross & Devan Scott, Will Ross, and Devan Scott またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作権で保護された作品をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
We're doing two episodes on truth in cinema, starting with one on standards of reality in narrative films. Whit Stillman (The Last Days of Disco, Love & Friendship) joined us, largely to register his animosity towards the idea of making stylistic decisions based on realism, and shared his thoughts on aesthetic decline, pretension, and the meowling cat sound in Damsels in Distress.
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Manage episode 283180706 series 2654469
コンテンツは Will Ross & Devan Scott, Will Ross, and Devan Scott によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Will Ross & Devan Scott, Will Ross, and Devan Scott またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作権で保護された作品をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
We're doing two episodes on truth in cinema, starting with one on standards of reality in narrative films. Whit Stillman (The Last Days of Disco, Love & Friendship) joined us, largely to register his animosity towards the idea of making stylistic decisions based on realism, and shared his thoughts on aesthetic decline, pretension, and the meowling cat sound in Damsels in Distress.
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