In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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コンテンツは Soho Podcasts Ltd and Soho Podcasts によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Soho Podcasts Ltd and Soho Podcasts またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
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Santa Camp
Manage episode 349735323 series 2829262
コンテンツは Soho Podcasts Ltd and Soho Podcasts によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Soho Podcasts Ltd and Soho Podcasts またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
Every summer, a horde of professional Santas, Mrs. Clauses and elves descend on a campsite in the New Hampshire woods to learn the tricks of their trade.
But this year is different. As Santas adapt to a modern world and embrace inclusivity, they are met with a lot of love but a lot of hate too.
Filmmakers Nick Sweeney and Stacey Reiss join us to talk about how they got such an unprecedented insight into Santa Camp, what it was like filming hundreds of Santas, and the biggest challenges they encountered while making the film.
Watch the episode at https://factualamerica.com
“We had no idea of the twists and turns it would take, we never thought we’d be standing face to face with the Proud Boys, we never thought the Clauses we’d been following would have such extraordinary things happen to them, the highs and the lows.” - Nick Sweeney
166 つのエピソード
シェア
Manage episode 349735323 series 2829262
コンテンツは Soho Podcasts Ltd and Soho Podcasts によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Soho Podcasts Ltd and Soho Podcasts またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
Every summer, a horde of professional Santas, Mrs. Clauses and elves descend on a campsite in the New Hampshire woods to learn the tricks of their trade.
But this year is different. As Santas adapt to a modern world and embrace inclusivity, they are met with a lot of love but a lot of hate too.
Filmmakers Nick Sweeney and Stacey Reiss join us to talk about how they got such an unprecedented insight into Santa Camp, what it was like filming hundreds of Santas, and the biggest challenges they encountered while making the film.
Watch the episode at https://factualamerica.com
“We had no idea of the twists and turns it would take, we never thought we’d be standing face to face with the Proud Boys, we never thought the Clauses we’d been following would have such extraordinary things happen to them, the highs and the lows.” - Nick Sweeney
166 つのエピソード
ทุกตอน
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Factual Americaに似ているもの
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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