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コンテンツは Earshot Creative によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Earshot Creative またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal
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Earshot Creative Review – bonus edition

24:46
 
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Manage episode 56725999 series 8830
コンテンツは Earshot Creative によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Earshot Creative またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal

Radiodays screen

Play here: duration 24’46”

[audio:http://s3-eu-west-1.amazonaws.com/earshot/podcast/ecr_bonus_311.mp3|titles=”Earshot bonus edition from Radiodays Europe.”]

Download the audio (160kb/s mp3, 28.4M)
Subscribe via iTunes.

This is a 25 minute snip of conversations I shared at the Radiodays Europe conference with various creative, production and imaging people. Play it and you’ll hear:

Lee Harris, the top-of-the-hour morning news voice on New York’s all news, all the time station, 1010 WINS. Lee describes how the station carefully modernised its imaging, partly in response to insights gained from PPM audience data. Worry not – the famous teletype effect is still there. It’s the soul of the station.

Wise Buddah‘s Russ Williams and Dave Albers of TopFormat updating us on current imaging trends in Europe and the latest work they’ve been creating for their respective clients.

The guys from myradiofashion.com who were in Copenhagen with a selection of radio-themed merchanside, mostly t shirts. If you like their stuff then you can get 30% off any item before 31 March 2011. Just use the exclusive discount code “earshot30” when you order.

Belgian radio advertising writer and consultant Philip Maes who has some truck with current advertising creative but quite likes some older gems which we play.

Thanks as always to Hobsons for their sponsorship and to all those who kindly gave their time and audio to make this as interesting as it is.

Ok, it’s highly disingenuous to label this as a ‘bonus’ edition given the sorry gap since the last podcast. But you’ll understand the need to distinguish between this and the regular Earshot Creative Review which is coming soon and also made at the Radiodays Europe conference.


From Earshot where views are personal and original writing is licensed under Creative Commons. Follow @earshotcreative and send story ideas and examples of great creative work to the editor @smartin

  continue reading

50 つのエピソード

Artwork
iconシェア
 
Manage episode 56725999 series 8830
コンテンツは Earshot Creative によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Earshot Creative またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal

Radiodays screen

Play here: duration 24’46”

[audio:http://s3-eu-west-1.amazonaws.com/earshot/podcast/ecr_bonus_311.mp3|titles=”Earshot bonus edition from Radiodays Europe.”]

Download the audio (160kb/s mp3, 28.4M)
Subscribe via iTunes.

This is a 25 minute snip of conversations I shared at the Radiodays Europe conference with various creative, production and imaging people. Play it and you’ll hear:

Lee Harris, the top-of-the-hour morning news voice on New York’s all news, all the time station, 1010 WINS. Lee describes how the station carefully modernised its imaging, partly in response to insights gained from PPM audience data. Worry not – the famous teletype effect is still there. It’s the soul of the station.

Wise Buddah‘s Russ Williams and Dave Albers of TopFormat updating us on current imaging trends in Europe and the latest work they’ve been creating for their respective clients.

The guys from myradiofashion.com who were in Copenhagen with a selection of radio-themed merchanside, mostly t shirts. If you like their stuff then you can get 30% off any item before 31 March 2011. Just use the exclusive discount code “earshot30” when you order.

Belgian radio advertising writer and consultant Philip Maes who has some truck with current advertising creative but quite likes some older gems which we play.

Thanks as always to Hobsons for their sponsorship and to all those who kindly gave their time and audio to make this as interesting as it is.

Ok, it’s highly disingenuous to label this as a ‘bonus’ edition given the sorry gap since the last podcast. But you’ll understand the need to distinguish between this and the regular Earshot Creative Review which is coming soon and also made at the Radiodays Europe conference.


From Earshot where views are personal and original writing is licensed under Creative Commons. Follow @earshotcreative and send story ideas and examples of great creative work to the editor @smartin

  continue reading

50 つのエピソード

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