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コンテンツは Rich Buckland and Bill Mesnik, Rich Buckland, and Bill Mesnik によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Rich Buckland and Bill Mesnik, Rich Buckland, and Bill Mesnik またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal
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BILL MESNIK OF THE SPLENDID BOHEMIANS PRESENTS: THE SUNNY SIDE OF MY STREET - SONGS TO MAKE YOU FEEL GOOD - EPISODE #62: WELCOME BACK by John Sebastian (Reprise, 1976)

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Manage episode 421392014 series 1847932
コンテンツは Rich Buckland and Bill Mesnik, Rich Buckland, and Bill Mesnik によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Rich Buckland and Bill Mesnik, Rich Buckland, and Bill Mesnik またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal

In my opinion, the song was better than the sit-com that spawned it. And, it had staying power, making it to the top of the pop charts. There is something transcendent being expressed here. As Thomas Wolfe said: “you can’t go home again,” Maybe not, but it’s something we all long for, and in this joyful three minute tune John Sebastian ties a ribbon around that sentiment. You left home with a desire to see the world and make your fortune; you’ve been beaten down and turned around, and find yourself back where you started from. But, son, we never left, and we’ll welcome you with open arms (and, some gentle teasing). It’s so good to have you back.

My first ever concert, at age 13, ten years earlier, was the Lovin’ Spoonful at Princeton New Jersey. The good-time jug band music of John Sebastian has always been a warming presence in my life. His inclusion at Woodstock was no accident; he is one of the all-time greats. What a coup it was for Hollywood to get him to compose a jaunty theme song for a goofy, yet heart warming show about “sweat-hogs” - those ne’er do well high school students that had to be quarantined in their own remedial class. When approach by the producer to consider the assignment, he composed it in one night, and when asked how he did it so fast, he owned up to the fact that he had been a sweat hog himself. I believe that it was that identification which inspired John Sebastian to go beyond “jaunty” to an honest evocation of romantic universality. I’m not crying; you’re crying.

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Manage episode 421392014 series 1847932
コンテンツは Rich Buckland and Bill Mesnik, Rich Buckland, and Bill Mesnik によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Rich Buckland and Bill Mesnik, Rich Buckland, and Bill Mesnik またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal

In my opinion, the song was better than the sit-com that spawned it. And, it had staying power, making it to the top of the pop charts. There is something transcendent being expressed here. As Thomas Wolfe said: “you can’t go home again,” Maybe not, but it’s something we all long for, and in this joyful three minute tune John Sebastian ties a ribbon around that sentiment. You left home with a desire to see the world and make your fortune; you’ve been beaten down and turned around, and find yourself back where you started from. But, son, we never left, and we’ll welcome you with open arms (and, some gentle teasing). It’s so good to have you back.

My first ever concert, at age 13, ten years earlier, was the Lovin’ Spoonful at Princeton New Jersey. The good-time jug band music of John Sebastian has always been a warming presence in my life. His inclusion at Woodstock was no accident; he is one of the all-time greats. What a coup it was for Hollywood to get him to compose a jaunty theme song for a goofy, yet heart warming show about “sweat-hogs” - those ne’er do well high school students that had to be quarantined in their own remedial class. When approach by the producer to consider the assignment, he composed it in one night, and when asked how he did it so fast, he owned up to the fact that he had been a sweat hog himself. I believe that it was that identification which inspired John Sebastian to go beyond “jaunty” to an honest evocation of romantic universality. I’m not crying; you’re crying.

  continue reading

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