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1064: Exploring Intonation – A Double Bass Journey with Lauren Pierce

 
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Manage episode 446725681 series 719
コンテンツは Contrabass Conversations によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Contrabass Conversations またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal

In this episode, double bass performer and educator Lauren Pierce delves into the inspiration and development of her new book on intonation titled ‘Please Play in Tune.’

She shares her personal journey and challenges in tackling the daunting topic! We explore the concepts of ear, technique, and response as key elements in mastering intonation.

Lauren discusses the importance of making intonation a fun and rewarding process while addressing common misconceptions, such as the belief that intonation is an innate ability. Through detailed exercises, etudes, and repertoire examples, she provides a structured method for musicians to improve their playing technique. Her approach aims to demystify the process and make it accessible, even for individuals learning without a teacher.

Subscribe to the podcast to get these interviews delivered to you automatically!

Connect with us:

Thank you to our sponsors!

Upton Bass – From Grammy Award winners and Philharmonic players like ME Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations. Discover your perfect bass with Upton Bass today!

Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah’s website to sign up for a free online trial lesson here.

  continue reading

26 つのエピソード

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iconシェア
 
Manage episode 446725681 series 719
コンテンツは Contrabass Conversations によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Contrabass Conversations またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal

In this episode, double bass performer and educator Lauren Pierce delves into the inspiration and development of her new book on intonation titled ‘Please Play in Tune.’

She shares her personal journey and challenges in tackling the daunting topic! We explore the concepts of ear, technique, and response as key elements in mastering intonation.

Lauren discusses the importance of making intonation a fun and rewarding process while addressing common misconceptions, such as the belief that intonation is an innate ability. Through detailed exercises, etudes, and repertoire examples, she provides a structured method for musicians to improve their playing technique. Her approach aims to demystify the process and make it accessible, even for individuals learning without a teacher.

Subscribe to the podcast to get these interviews delivered to you automatically!

Connect with us:

Thank you to our sponsors!

Upton Bass – From Grammy Award winners and Philharmonic players like ME Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations. Discover your perfect bass with Upton Bass today!

Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah’s website to sign up for a free online trial lesson here.

  continue reading

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