In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Matthew Lillard Interview: Scream Didn’t Change Much for Him Upon Release, But It Did 25 Years Later
Manage episode 447094023 series 2913033
コンテンツは Collider によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Collider またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
“I really wanted to be the number one on the call sheet in every movie I’ve ever done. It just never went that way.”
Perhaps it never went quite that way for Matthew Lillard, but his career in film, television and beyond has taken a unique turn over the years, and it’s an important one. Lillard isn’t headlining films — although I do have high hopes that will change — but he is getting supporting roles in some especially wonderful gems. Five Nights at Freddy’s, of course, was a hit for Universal and earned a sequel, and he’s also in Mike Flanagan’sThe Life of Chuck, which just scooped up the coveted People’s Choice Award at the 2024 Toronto International Film Festival. Both wonderful wins in which Lillard delivers big as an actor, but a personal favorite aspect of seeing Lillard’s star soar especially high in recent years is watching how he’s used his success to foster community. Or rather, as he puts it, he’s become “the grandfather of geek culture.”
I witnessed this for the first time at MegaCon 2023. I was quite familiar with San Diego Comic Con and New York Comic-Con, but the fan convention circuit is different. It’s less about promoting upcoming projects and more focused on connecting fans with the artists they love. Lillard takes that very seriously. As a diehard Scream fan since 1996, I was thrilled when offered the opportunity to moderate the Scream panel which included Lillard, Skeet Ulrich, Jamie Kennedy and Neve Campbell. Per usual, I prepped to the max and was ready to roll with a mile-long list of questions, but when I arrived and met the foursome, I was quickly informed that they’ve got this. At the time, nearly all of my moderating experience happened during post-screening Q&As or studio-produced convention panels that leaned heavily on a conversation leader and/or a specific run of show, so I didn’t quite know what they meant by that. We hit the stage, they gave me the first question of the panel, and then they took the reins, and it was a beautiful thing.
Lillard and Ulrich hopped off stage, walked out into the crowd and spearheaded a conversation that didn’t feel like panelists and audience, but rather, one big room of Scream lovers all hanging out together. Yes, Lillard, Ulrich, Kennedy and Campbell celebrated their iconic film, but the panel was much more about making their fans feel seen and bringing everyone closer together. It was abundantly clear that it worked, and that it meant something to everyone in the room. The first thing I said to a friend after walking off that stage? “That just made me even prouder to be a Scream fan.”
I sit here a massive fan of Lillard’s, fully believing he’s very deserving of those lead roles, but he’s connecting with the masses in a way that matters. During our Collider Forces conversation, we looked back on the early days of his career and the key moments that nudged him in this direction and ultimately made him a very important voice, and force, in fandom and a champion of unique forms of storytelling.
Hosted on Acast. See acast.com/privacy for more information.
244 つのエピソード
Matthew Lillard Interview: Scream Didn’t Change Much for Him Upon Release, But It Did 25 Years Later
Manage episode 447094023 series 2913033
コンテンツは Collider によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Collider またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
“I really wanted to be the number one on the call sheet in every movie I’ve ever done. It just never went that way.”
Perhaps it never went quite that way for Matthew Lillard, but his career in film, television and beyond has taken a unique turn over the years, and it’s an important one. Lillard isn’t headlining films — although I do have high hopes that will change — but he is getting supporting roles in some especially wonderful gems. Five Nights at Freddy’s, of course, was a hit for Universal and earned a sequel, and he’s also in Mike Flanagan’sThe Life of Chuck, which just scooped up the coveted People’s Choice Award at the 2024 Toronto International Film Festival. Both wonderful wins in which Lillard delivers big as an actor, but a personal favorite aspect of seeing Lillard’s star soar especially high in recent years is watching how he’s used his success to foster community. Or rather, as he puts it, he’s become “the grandfather of geek culture.”
I witnessed this for the first time at MegaCon 2023. I was quite familiar with San Diego Comic Con and New York Comic-Con, but the fan convention circuit is different. It’s less about promoting upcoming projects and more focused on connecting fans with the artists they love. Lillard takes that very seriously. As a diehard Scream fan since 1996, I was thrilled when offered the opportunity to moderate the Scream panel which included Lillard, Skeet Ulrich, Jamie Kennedy and Neve Campbell. Per usual, I prepped to the max and was ready to roll with a mile-long list of questions, but when I arrived and met the foursome, I was quickly informed that they’ve got this. At the time, nearly all of my moderating experience happened during post-screening Q&As or studio-produced convention panels that leaned heavily on a conversation leader and/or a specific run of show, so I didn’t quite know what they meant by that. We hit the stage, they gave me the first question of the panel, and then they took the reins, and it was a beautiful thing.
Lillard and Ulrich hopped off stage, walked out into the crowd and spearheaded a conversation that didn’t feel like panelists and audience, but rather, one big room of Scream lovers all hanging out together. Yes, Lillard, Ulrich, Kennedy and Campbell celebrated their iconic film, but the panel was much more about making their fans feel seen and bringing everyone closer together. It was abundantly clear that it worked, and that it meant something to everyone in the room. The first thing I said to a friend after walking off that stage? “That just made me even prouder to be a Scream fan.”
I sit here a massive fan of Lillard’s, fully believing he’s very deserving of those lead roles, but he’s connecting with the masses in a way that matters. During our Collider Forces conversation, we looked back on the early days of his career and the key moments that nudged him in this direction and ultimately made him a very important voice, and force, in fandom and a champion of unique forms of storytelling.
Hosted on Acast. See acast.com/privacy for more information.
244 つのエピソード
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