Artwork

コンテンツは Citizens Climate Radio -- A Climate Change Podcast and The CCR Team of Eco Communicators によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Citizens Climate Radio -- A Climate Change Podcast and The CCR Team of Eco Communicators またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal
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Ep 67 Experiencing climate data through art

30:00
 
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Manage episode 315308755 series 2065841
コンテンツは Citizens Climate Radio -- A Climate Change Podcast and The CCR Team of Eco Communicators によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Citizens Climate Radio -- A Climate Change Podcast and The CCR Team of Eco Communicators またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal
Originally from the UK, Caroline moved to Houston, Texas, 18 years ago. She explains that a story about drowned forest thousands of years ago in the UK, along with recent flooding in her city, inspires and informs her artistic work. “The installation consists of 60 11-feet high panels, each one representing a year of Houston weather data and encircling the Back BOX like a grove of trees. Each varies in width based on the rainfall intensity, as measured by the number of days on which the total rainfall was greater than three inches: the point at which street flooding occurs. The panel color, from ice-blue to blue-black, represents the average nighttime temperature for that year. At first glance the immersive nature of this cyanotype installation provides a cool environment as Houston temperatures fall into autumn. However, a closer look gives the bigger picture: more shocking than any graph, this forest-like environment shows the story of rising temperatures and intensifying rain events.” While Caroline started her career as a chemical engineer with the faith that science would save the environment, she soon realized that many fields and talents could contribute to environmental advocacy. Caroline has always relied on science, and after crunching the numbers about the future of the country’s coastline due to climate-related flooding, she found herself in a state of horror and shock for weeks. Caroline wanted people’s jaws to drop when they saw her art, which visualizes the overwhelming information she has seen predicted for the near future. As environmental conditions over time have grown worse, her installation’s fabric coincides, growing heavy and darker and colder as the fabric winds through history and to the present. Caroline says that viewers were “gobsmacked” by her forest of fabric, and hopes that all who see her piece will contemplate the view of their own life under trees. For more information on the data behind this installation please continue to the story and data page. The Art House For this month’s segment, you will hear a dramatic reading of Kamil Haque’s play, “Confessions of the Little Match Girl to the Star.” Kamil explains that in creating this piece, he chose to fracture a fairy tale, a nursery rhyme and the calling out to one’s “mama.” These common symbols of innocence form the spine of the play. To create the heart and soul of this piece, Kamil examined and extracted pieces from the transcripts of Greta Thunberg’s 2019 U.N.'s Climate Action Summit and George Floyd’s final moments in 2020. Through these channels he explores how two people on opposite ends of the age and racial spectrum express grief and anguish at their circumstances. How might their spirit and the spirit of their message live on literally and metaphorically? “Confessions of the Little Match Girl to the Star” was performed at The BTS Center’s Climate Change Theatre Action 2021 event. It is read by Dr. Natasha DeJarnett, a public health expert and the chair of Citizens’ Climate Education board. Our good news story this month comes from Solemi Herandez, the Southeast coordinator for Citizens’ Climate Lobby. She tells us about her experiences at COP26 and shares good news about Climate Empowerment Article 12 of the Paris agreement. Solemi is hopeful for the future because of the involvement that she saw at COP26, and is hoping that more citizens will get engaged in climate work.
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107 つのエピソード

Artwork
iconシェア
 
Manage episode 315308755 series 2065841
コンテンツは Citizens Climate Radio -- A Climate Change Podcast and The CCR Team of Eco Communicators によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Citizens Climate Radio -- A Climate Change Podcast and The CCR Team of Eco Communicators またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal
Originally from the UK, Caroline moved to Houston, Texas, 18 years ago. She explains that a story about drowned forest thousands of years ago in the UK, along with recent flooding in her city, inspires and informs her artistic work. “The installation consists of 60 11-feet high panels, each one representing a year of Houston weather data and encircling the Back BOX like a grove of trees. Each varies in width based on the rainfall intensity, as measured by the number of days on which the total rainfall was greater than three inches: the point at which street flooding occurs. The panel color, from ice-blue to blue-black, represents the average nighttime temperature for that year. At first glance the immersive nature of this cyanotype installation provides a cool environment as Houston temperatures fall into autumn. However, a closer look gives the bigger picture: more shocking than any graph, this forest-like environment shows the story of rising temperatures and intensifying rain events.” While Caroline started her career as a chemical engineer with the faith that science would save the environment, she soon realized that many fields and talents could contribute to environmental advocacy. Caroline has always relied on science, and after crunching the numbers about the future of the country’s coastline due to climate-related flooding, she found herself in a state of horror and shock for weeks. Caroline wanted people’s jaws to drop when they saw her art, which visualizes the overwhelming information she has seen predicted for the near future. As environmental conditions over time have grown worse, her installation’s fabric coincides, growing heavy and darker and colder as the fabric winds through history and to the present. Caroline says that viewers were “gobsmacked” by her forest of fabric, and hopes that all who see her piece will contemplate the view of their own life under trees. For more information on the data behind this installation please continue to the story and data page. The Art House For this month’s segment, you will hear a dramatic reading of Kamil Haque’s play, “Confessions of the Little Match Girl to the Star.” Kamil explains that in creating this piece, he chose to fracture a fairy tale, a nursery rhyme and the calling out to one’s “mama.” These common symbols of innocence form the spine of the play. To create the heart and soul of this piece, Kamil examined and extracted pieces from the transcripts of Greta Thunberg’s 2019 U.N.'s Climate Action Summit and George Floyd’s final moments in 2020. Through these channels he explores how two people on opposite ends of the age and racial spectrum express grief and anguish at their circumstances. How might their spirit and the spirit of their message live on literally and metaphorically? “Confessions of the Little Match Girl to the Star” was performed at The BTS Center’s Climate Change Theatre Action 2021 event. It is read by Dr. Natasha DeJarnett, a public health expert and the chair of Citizens’ Climate Education board. Our good news story this month comes from Solemi Herandez, the Southeast coordinator for Citizens’ Climate Lobby. She tells us about her experiences at COP26 and shares good news about Climate Empowerment Article 12 of the Paris agreement. Solemi is hopeful for the future because of the involvement that she saw at COP26, and is hoping that more citizens will get engaged in climate work.
  continue reading

107 つのエピソード

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