In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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コンテンツは cinemapsychpod によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、cinemapsychpod またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
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Episode 081: Prozium Has to Be a Play on Prozac, Right? Equilibrium (2002)
Manage episode 420782282 series 3354029
コンテンツは cinemapsychpod によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、cinemapsychpod またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
Join Alex as he takes a solo look at the post-war fascist future of no emotions in Equilibrium (2002), Kurt Wimmer's 1984-esque future where a city-state has outlawed emotions. The film stars an up-and-coming Christian Bale, Taye Diggs, Sean Bean (blink-and-you'll-miss-it), with Emily Watson and Angus MacFadyen. After World War III, fascists thought war and crime were emotions' fault, so they developed a drug that suppresses emotional extremes, and if you don't take it everyday, read books, or participate in culture, well... Clerics come and act as judge, jury, and sometimes executioner! What do theories of emotion have to say about the portrayal of emotion in this film, and is its take accurate from psychological perspective? Does it matter with all the gun martial arts though?
Please leave your feedback on this post, the main site (cinemapsychpod.swanpsych.com), on Facebook (@CinPsyPod), Twitter (@CinPsyPod), or Instagram (@cinemapsych_podcast) and Threads (@cinemapsych_podcast). We'd love to hear from you!
Don't forget to check out our Paypal link to contribute to this podcast and keep the lights on! Don't forget to check out our MERCH STORE for some great merch with our logo and other designs!
Legal stuff:
1. All film clips are used under Section 107 of Title 17 U.S.C. (fair use; no copyright infringement is intended).
2. Intro and outro music by half.cool ("Gemini"). Used under license.
3. Film reel sound effect by bone666138. Used under license CC-BY 3.0.
88 つのエピソード
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Manage episode 420782282 series 3354029
コンテンツは cinemapsychpod によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、cinemapsychpod またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
Join Alex as he takes a solo look at the post-war fascist future of no emotions in Equilibrium (2002), Kurt Wimmer's 1984-esque future where a city-state has outlawed emotions. The film stars an up-and-coming Christian Bale, Taye Diggs, Sean Bean (blink-and-you'll-miss-it), with Emily Watson and Angus MacFadyen. After World War III, fascists thought war and crime were emotions' fault, so they developed a drug that suppresses emotional extremes, and if you don't take it everyday, read books, or participate in culture, well... Clerics come and act as judge, jury, and sometimes executioner! What do theories of emotion have to say about the portrayal of emotion in this film, and is its take accurate from psychological perspective? Does it matter with all the gun martial arts though?
Please leave your feedback on this post, the main site (cinemapsychpod.swanpsych.com), on Facebook (@CinPsyPod), Twitter (@CinPsyPod), or Instagram (@cinemapsych_podcast) and Threads (@cinemapsych_podcast). We'd love to hear from you!
Don't forget to check out our Paypal link to contribute to this podcast and keep the lights on! Don't forget to check out our MERCH STORE for some great merch with our logo and other designs!
Legal stuff:
1. All film clips are used under Section 107 of Title 17 U.S.C. (fair use; no copyright infringement is intended).
2. Intro and outro music by half.cool ("Gemini"). Used under license.
3. Film reel sound effect by bone666138. Used under license CC-BY 3.0.
88 つのエピソード
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CinemaPsych Podcastに似ているもの
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
Mining the depths of film entertainment for all mankind. With Scott Johnson, Brian Dunaway, Randy Jordan, and Brian Ibbott. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
The Ringer’s Mallory Rubin and Jason Concepcion return to take their signature deep dives into the Marvel Cinematic Universe, covering all 23 films!
…
continue reading
Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
…
continue reading
We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
…
continue reading
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continue reading
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If you're like Matt Gourley (Superego, Drunk History, Conan O'Brien Needs A Friend), then you know all the classic movie and television scenes so well it's like you were in the room when they happened. Well, you weren't. And neither was he. But the people Matt interviews were! Listen in as they tell the inside stories of how cinema and television history was made from a fly-on-the-wall perspective you've never heard. Hosted on Acast. See acast.com/privacy for more information.
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