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コンテンツは Book Career In A Year によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Book Career In A Year またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal
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046 - Margs and Research Part 2 [Worlds Asunder]

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Manage episode 438021668 series 3583696
コンテンツは Book Career In A Year によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Book Career In A Year またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal

Whether you love it or you hate it, sometimes writing just requires research. All authors fall down the rabbit hole at some point, but some genres require it more than others. Alternate history is such a beast. This genre requires attention to detail and strategic decisions about changes to true events and historical figures. This leads us to a warren of worldbuilding questions. Where do you start? When do you bring in primary sources? When do you need a centuries-old map to find a forest that doesn’t exist in the 21st century? How did people really talk during the Revolutionary War, and does it matter?

We’re so pleased to introduce Kevin Ikenberry, science fiction, mil sci-fi, and alternate history writer. He’s the author of over 25 novels, including the alternate history novel The Crossing and non-fiction The Mercenary Guide to Story Structure. Join us as we interview Ike about historical research, ripples in time, genre differences, and how he decides where to take liberties in his alternate history.

In Part Two, We Discuss:

  • Using worldbuilding to create conflict for your characters
  • Checking yourself and avoiding the research rabbit hole
  • How do changes impact the near-future in history? What about far-reaching futures?
  • The differences between alternate history and historical fiction
  • The most important things to get right–or not–when writing historical events
  • Organizational skills, tips, and K.I.S.S. - Keep It Simple, Stupid
  • The story behind the iconic cover art of The Crossing

Resources and Guest Links:

We can’t thank Ike enough–for his time or his margaritas. He’s as generous a host as he is an author, and we’re so grateful he was willing to share his experiences and expertise with our audience.

Host Links:

Credits: (all assets licensed through the sites listed)

  • Intro: Music- Cinematic Epic Trailer by PaulYudin on Pixabay
  • Animation and Image- From Vecteezy user- kazim hussian; from pixabay users-davidfoxx, DavidGallie, olenchic, stefaniejockschat, AiVreaSaStii, RuneSnow, duyen-nguyen, EnchantedStudios,
  • Outro: Music- Good Night by FASSounds on Pixabay
  • Animation and Image- From Vecteezy user-onlydesignz; from pixabay users-olenchic, Placidplace, Evgeniy_Z, Dantegrafico, Shayea_Kim

  continue reading

52 つのエピソード

Artwork
iconシェア
 
Manage episode 438021668 series 3583696
コンテンツは Book Career In A Year によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Book Career In A Year またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal

Whether you love it or you hate it, sometimes writing just requires research. All authors fall down the rabbit hole at some point, but some genres require it more than others. Alternate history is such a beast. This genre requires attention to detail and strategic decisions about changes to true events and historical figures. This leads us to a warren of worldbuilding questions. Where do you start? When do you bring in primary sources? When do you need a centuries-old map to find a forest that doesn’t exist in the 21st century? How did people really talk during the Revolutionary War, and does it matter?

We’re so pleased to introduce Kevin Ikenberry, science fiction, mil sci-fi, and alternate history writer. He’s the author of over 25 novels, including the alternate history novel The Crossing and non-fiction The Mercenary Guide to Story Structure. Join us as we interview Ike about historical research, ripples in time, genre differences, and how he decides where to take liberties in his alternate history.

In Part Two, We Discuss:

  • Using worldbuilding to create conflict for your characters
  • Checking yourself and avoiding the research rabbit hole
  • How do changes impact the near-future in history? What about far-reaching futures?
  • The differences between alternate history and historical fiction
  • The most important things to get right–or not–when writing historical events
  • Organizational skills, tips, and K.I.S.S. - Keep It Simple, Stupid
  • The story behind the iconic cover art of The Crossing

Resources and Guest Links:

We can’t thank Ike enough–for his time or his margaritas. He’s as generous a host as he is an author, and we’re so grateful he was willing to share his experiences and expertise with our audience.

Host Links:

Credits: (all assets licensed through the sites listed)

  • Intro: Music- Cinematic Epic Trailer by PaulYudin on Pixabay
  • Animation and Image- From Vecteezy user- kazim hussian; from pixabay users-davidfoxx, DavidGallie, olenchic, stefaniejockschat, AiVreaSaStii, RuneSnow, duyen-nguyen, EnchantedStudios,
  • Outro: Music- Good Night by FASSounds on Pixabay
  • Animation and Image- From Vecteezy user-onlydesignz; from pixabay users-olenchic, Placidplace, Evgeniy_Z, Dantegrafico, Shayea_Kim

  continue reading

52 つのエピソード

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