Tony & Chelsea Northrup's photography podcast - dig deep into the history, science, and personalities of photography.
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コンテンツは Bijoux Parisiens and Taft Museum of Art によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Bijoux Parisiens and Taft Museum of Art またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
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15. Georges Fouquet, after a design by Charles Desrosiers “Headband,” about 1910
Manage episode 172177633 series 1373588
コンテンツは Bijoux Parisiens and Taft Museum of Art によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Bijoux Parisiens and Taft Museum of Art またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
Georges Fouquet selected delicately colored aquamarines for this headband. Between the gems, he colored the gold structure with equally pale plique-à-jour enamels, then lined the band with small diamonds. Like most of his colleagues, Georges Fouquet moved away from Art Nouveau designs by about 1910. Hair ornaments comprised an important field of jewelry after 1910, as can be seen in this section of the exhibition.
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Manage episode 172177633 series 1373588
コンテンツは Bijoux Parisiens and Taft Museum of Art によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Bijoux Parisiens and Taft Museum of Art またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
Georges Fouquet selected delicately colored aquamarines for this headband. Between the gems, he colored the gold structure with equally pale plique-à-jour enamels, then lined the band with small diamonds. Like most of his colleagues, Georges Fouquet moved away from Art Nouveau designs by about 1910. Hair ornaments comprised an important field of jewelry after 1910, as can be seen in this section of the exhibition.
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continue reading
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