INBETWEENING Dazed

Barely Living The Dream

Making this grant presentation from last year public now (with some minor edits) in anticipation of our world premiere next month at Amazing Fantasy Fest! Details are here: https://www.amazingfantasyfest.com and new trailer is here: https://youtu.be/pRheZpXsBpQ For the video version of this podcast episode, go HERE: https://youtu.be/w3m6ZF-TOpM On 12.27.23 (my birthday) I did a livestream update on the film via Zoom (while I was still in the clutches of the 'Rona - 1/10 do not recommend). I showed a couple completed clips from the film, and even the first trailer! All this stuff will be exclusive and for your eyes only until probably Spring 2024 (at least), so you're definitely getting an advance look behind the curtain! EDITS: I trimmed off the beginning part of the stream where we were waiting for folks to join the Zoom, as well as the last 2/3 of the musical number so that it's still a surprise at the upcoming screenings! Left the first verse until the big guitars come in though. Also the clips aren't fully foley-ed or mixed, etc. and the score is all temp stuff. Basically...the movie is pretty much done now, this was when it was still a work in progress. INBETWEENING stars Brandon Cole, Tye Blue, Debbie Rochon, Chelsea McCurdy, Jill Brumer, Dillon DeWitt, Seán Patrick Judge, and Angelo Moore (the frontman/singer/saxophonist of Black Rock pioneers Fishbone). Eric Linson is a struggling multiracial filmmaker with a few credits to his name and absolutely nothing to show for it. Inbetweening follows his journey trying to remain afloat and healthy in the liminal space between projects...while the voices in his head steadily become louder. Some are helpful, but most aren't...especially the Zombie Guy. Fortunately, the lead singer of Eric's favorite band (Angelo Moore, from the legendary Fishbone, playing himself) is on Eric's side. Inbetweening melds live action, animation, puppets, and even a musical number to reveal Eric's increasingly fractured journey. This particular work is funded in part by the City of Houston through Houston Arts Alliance.