Witch Hunt - History Told In Music, Sound, And Story podcast

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Mind The Business: Small Business Success Stories

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約 11 日前11d ago

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Owning a small business can be one of the most rewarding and challenging things a person does. Amid an uncertain economy and ever-evolving consumer trends, there is a lot to figure out and navigate to ensure your business thrives. Join hosts Jannese Torres (Yo Quiero Dinero) and Austin Hankwitz (Rate of Return) as they connect with small business owners and hear their stories about managing the ups and downs of starting and growing a small business. Listen to "Mind the Business: Small Business Success Stories" and learn valuable lessons from their experiences that will guide you along the way through your own small business journey.

Witch Hunt - history told in music, sound, and story

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The history of the 1692 Salem Witch Trials told through music and story-telling in a format recalling an old time radio drama with a modern experimental prog-rock twist. Witch Hunt borrows freely from original sources of information from the time of the trials such as letters, books, poems, transcriptions of the trials themselves, as well as melodies from the Puritan hymn books. The music is highly original art-rock ranging from soft ambient soundscapes to heavy power riffs with many other stops along the way. The narrator provides a story teller voice that weaves a historical thread throughout each episode. Witch Hunt is conceived, written, and produced by Brian O'Connell, who records and produces the show, playing a wide variety of instruments and voice parts. O'Connell is a well known bassist and composer in New England who has performed with: Arukah, Dead Man's Waltz, Uncle Sammy, Gordon Stone, Gary Backstrom, Dave Brunyak, Interminable, and many others. In 2012 Brian debuted his rock opera Over The Line, a Jungian journey through modern consciousness, for a successful series of performances in Boston. Brian O'Connell - voice, 6 and 12 string guitars, fretted and fretless bass, upright bass, touch guitar, sintir, keyboards, moog synth, percussion Mike Harmon - drums, cymbals, percussion Rachel Koppelman - accordion www.brianvoconnell.com

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#Theater #Arts #Music #History #Brian OConnell #Salem #Rock #Jamband #Witches #Prog Rock #Art Rock #OConnell #Salemwitchtrials #Salem Witch Trials

Witch Hunt - history told in music, sound, and story

12 subscribers

updated 約 1 年前

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6 つのエピソード

#Theater #Arts #Music #History #Brian OConnell #Salem #Rock #Jamband #Witches #Prog Rock #Art Rock #OConnell #Salemwitchtrials #Salem Witch Trials

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Episode 6 - A Gospel Woman 31:38

22 weeks前31:38

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31:38

https://www.patreon.com/Witch_Hunt This episode tells the story of Martha Corey, the fourth person accused of witchcraft. She was the wife of Giles Corey who is famously known for being crushed under a door while asking for “more weight”. The accusations against Martha marked the beginning of a dramatic escalation of the hysteria. The first three women accused of witchcraft in the Essex County hysteria of 1692 were on the very bottom of the social hierarchy and essentially “the usual suspects”. Martha Corey however was higher up the ladder, as she was a full member of the church who made it a point to let everyone know of her piousness and faith. However, she also had a well-known past of controversy, having given birth to a mixed race child who she had to raise at a boarding house for ten years. Martha proved to be defiant towards her interrogation and stood her ground, despite knowing that the odds were stacked against her. Her husband Giles turned on her and submitted a statement to the court saying he suspected her of witchcraft. Many portions of this episode including all of the dialog are taken directly from the original written statements and court transcriptions of the time. Special thanks to Rachel Koppelman for voices of Martha Corey, Abigail Williams, Bethsaa Pope, and others. All music written, arranged, and recorded by Brian O'Connell except “Psalm 39, Martyr's Tune" adapted from the Bay Psalm Book, 1698. Episode 6 Parts: Part I - Gospel Women Part II - “Psalm 39, Martyr's Tune" Part III - The Boston Jail & Martha’s Story Part IV - A visit to the accused Part V - Disruptions at service Part VI - The examination of Martha Corey Part VII – Statement of Giles Corey Brian O'Connell - narration, acoustic 12-string guitar, electric upright bass, recorder, glockenspiel Rachel Koppelman - narration Recorded at Studio Vinniechops https://www.patreon.com/Witch_Hunt Sources “The Salem Witch Trials – A Day-By-Day Chronicle of a Community Under Siege” by Marilynne K. Roach, Taylor Trade Publishing, 2002 University of Virginia Salem Witch Trial Documentary Archive and Transcription Project - https://salem.lib.virginia.edu/home.html Support the show…

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Episode 5 - Examinations 37:59

1 year前37:59

37:59

https://www.patreon.com/Witch_Hunt The three suspected witches are now in custody in Salem Village and are publicly examined by colonial magistrates at the Meeting House. The first two suspects, local beggar woman Sarah Good and the scandalous but frail Sarah Osborn, deny being witches and blame others. The third suspect, Rev. Parris' Native American slave Tituba, begins like the others by denying the charges. However she soon changes her story and weaves a kaleidoscopic narrative full of fantastic characters that enthralls the village. Everyone is amazed with wonder but also struck with fear at the potential size of the witch conspiracy, which now seems much larger than the usual small handful of suspects that New Englanders are used to. The actual 1692 written accounts of these three examinations are used as the primary source for the script of this episode. All music written by Brian O'Connell - www.brianvoconnell.com Episode 5 Parts: Part I - Gathering Storm Part II - Witches Teats, Magistrates Arrive, Meeting House Part III - Examination of Sarah Good Part IV - Examination of Sarah Osborn Part V - Examination of Sarah Tituba Part VI - The Familiars Part VII - The storm begins to spread (Gathering Storm Reprise) Brian O'Connell - voice, guitar, 12-string acoustic guitar, bass guitar, upright bass, keyboards, synthesizers Milo - screams Recorded at Studio Vinniechops Mixed, Edited, Mastered by Brian O'Connell https://www.patreon.com/Witch_Hunt History Sources “The Salem Witch Trials – A Day-By-Day Chronicle of a Community Under Siege” by Marilynne K. Roach, Taylor Trade Publishing, 2002 "A Storm of Witchcraft - The Salem Witch Trials and the American Experience“ by Emerson W. Baker, Oxford University Press, 2015 "In the Devil's Snare - The Salem Witchcraft Crisis" by Mary Beth Norton, Vintage Books, 2002 Salem Witch Trials - Documentary Archive and Transcription Project - University of Virginia - https://salem.lib.virginia.edu/n125.html Support the show…

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Episode 4 - Accusations 21:40

2 years前21:40

21:40

https://www.patreon.com/Witch_Hunt The hysterical and violent fits of the young girls in Salem Village spreads from the family of Minister Samuel Parris to that of Thomas Putnam, the head household of one of the most powerful families in the village. When Elizabeth Hubbard, niece of the local doctor, begins to have fits the door is opened for legal action, as the other girls were too young to be witnesses in court. It is widely assumed that malefic witchcraft is taking place. Putnam goes with some supporters to Salem Town to make official accusations against local suspects. The accused are: Tituba, a native-American household slave of minister Parris; Sarah Good, a local beggar woman who is an embarrassment and a nuisance to the village, and Sarah Osborne, a scandalous figure who had gone against the Putnam family in court. The three women, all likely suspects for witchcraft are rounded up and brought into custody. All the while the Puritans of Massachusetts Bay colony live in constant terror of encroaching warfare in Maine and New Hampshire. All music written by Brian O'Connell except: “Long Cold Nights” from the collection of traditional fiddle tunes called “Apollo’s Banquet” compiled by Henry Playford, 1690. “Second Meter – Psalm 119” adapted from the Bay Psalm Book, 1698. Recorded at Studio Vinniechops, 2021-2022 Episode IV Parts: Part I - “Long Cold Nights” Part II - Sarah Good, Mary Sibley’s witch cake (music – “Long Cold Nights” & “Second Meter”) Part III - “A Perfect Storm” Part IV – “The Accused” Brian O’Connell – nylon and steel string acoustic guitars, electric 12-string guitar, bass guitar, piccolo bass guitar, acoustic and electric upright basses, piano, moog synthesizer, acoustic guitar w/ glass slide & ebow, cymbal, percussion, voice Rachel Koppelman – accordion https://www.patreon.com/Witch_Hunt A Perfect Storm Long cold dark nights Growing shorter with each day The rains of March Winter washed away Tempest driving on the fields Roads turn into mud To the west the river has overflowed And drowned the cows From London comes a new charter New government and laws Blasphemers are welcome now In the land of puritans New masters come to rule us all The city on the hill will fall War is coming from the East Bringing refugees Telling tales of burning homes And mutilations How many have already turned Signed their names into his book If we need someone to blame We can provide a list of names Our complaint we swore before the court We gave the names of the accused Much mischief done on our poor girls By disturbers of the peace The constables have been sent out To bring them before the Magistrates Sources “The Salem Witch Trials – A Day-By-Day Chronicle of a Community Under Siege” by Marilynne K. Roach, Taylor Trade Publishing, 2002 "A Storm of Witchcraft - The Salem Witch Trials and the American Experience“ by Emerson W. Baker, Oxford University Press, 2015 "In the Devil's Snare - The Salem Witchcraft Crisis" by Mary Beth Norton, Vintage Books, 2002 https://www.brianvoconnell.com/ Support the show…

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Episode 3 - Fits 27:14

4 years前27:14

27:14

https://www.patreon.com/Witch_Hunt During the extremely cold winter of 1692 an intense frustration has been building in Salem Village, a small farming community up the road from the more prosperous and worldly port city of Salem Town. Many factors are coalescing into a perfect storm: the repressive nature of the Calvinistic Puritan church, the limited prospects for girls and young women, the village resistance to the conservative and overbearing minister Samuel Parris, and a terrifying new war that is breaking out with the French in Canada and their Native allies. During the months of January and February several young girls in the households of Minister Parris and his close ally Thomas Putnam begin to exhibit extremely wild and disturbing behavior. They contort their bodies, go mute and stiff, run about the house wildly, and scream obscenities. The girls are not the first to act in this way, just a few years before in nearby Boston the children of the Goodwin household acted in the same manner, resulting in a neighboring Irish servant woman being put to death as an accused witch. The fits of the girls in Salem Village are determined to be the results of witchcraft and three women are accused, including Minister Parris's slave Tituba. All music written by Brian O'Connell except "Cambridge Short Tune - Psalm 70" adapted from the Bay Psalm Book, 1698. Episode 3 Parts: Part I - Village and Town Part II - Fear of God (Cambridge Short Tune - Psalm 70) Part III - King William's War Part IV - The Fits Part V - (Cambridge Short Tune reprise) Brian O'Connell - voice, piano, upright bass, acoustic 12-string guitar, electric guitar, bri-lo, drum, percussion Rachel Koppelman - accordion Milo - screaming Recorded at Studio Vinniechops https://www.patreon.com/Witch_Hunt Sources " Diares of Samuel Sewall" by Samuel Sewall, 1672-1729 "More Wonders of the Invisible World: or the Wonders of the Invisible World Displayed in Five Parts" by Robert Calef, 1700 "A brief and true narrative of some remarkable passages relating to sundry persons afflicted by witchcraft, in Salem Village: which happened from the nineteenth of March, to the fifth of April, 1692" by Deodat Lawson, 1692 "A Modest Inquiry Into The Nature Of Witchcraft" by John Hale, 1702 "Memorable Providences, Relating To Witchcrafts And Possessions" by Cotton Mather, 1689 "A Storm of Witchcraft - The Salem Witch Trials and the American Experience“ by Emerson W. Baker, Oxford University Press, 2015 "In the Devil's Snare - The Salem Witchcraft Crisis" by Mary Beth Norton, Vintage Books, 2002 Support the show…

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Episode 2 - The City on a Hill 23:12

4 years前23:12

23:12

https://www.patreon.com/Witch_Hunt Samuel Parris takes on the job as minister to Salem Village, a marginalized farming community split by rivalry and controversy. Salem Village is overshadowed by the larger and much more prosperous Salem Town, one of the two largest towns in the Massachusetts Bay Colony. The colony is ruled by the Puritans, who have broken away from the Church of England and colonized New England in hopes of creating a model Christian society, a "City on a Hill”. Crisis evolves as newer generations lack the religious enthusiasm of the founders. Hardship presses down on the colony on many fronts: war with Native tribes, disease epidemics, religious controversy, political and economic crisis. The entry of Parris into the powder keg that is Salem Village sets off a firestorm of persecution and retribution. All music written by Brian O'Connell, except "Second Meter - Psalm 119", adapted from The Bay Psalm Book, 1698. Episode 2 Parts: Part I - The Parsonage - Parris, with his family and Tituba, come to Salem Village Part II - The City on the Hill - the story of the Puritans and New England (Second Meter - Psalm 119) Part III - The Great Migration (w/ some lyrics borrowed from Michael Wigglesworth’s poem: “God’s Controversy with New England”, 1662) Part IV - Village vs. Town Part V - The Parsonage Reprise (w/ text taken from the sermon book of Samuel Parris, 1690-1691) https://www.patreon.com/Witch_Hunt The Great Migration We have crossed the ocean of rebirth Planted seeds in this God given earth Behold the pleasures of the fruitful fields Flowing full of all good things that they yield Realize his will Let the world see the city on the hill His word shall be fulfilled, his kingdom we shall build * Search your soul and pray for holy grace Confess your sins let the tears baptize your face Only a very few are chosen to be saved The Devil takes the rest for his own to be enslaved By searching deep within You might find a clue and then begin To see the holy truth, to realize your sin * We brought ourselves to plant on the western shore Where none but beasts and warriors did swarm One wave another follow and one disease begins Before another cease because we turn not from our sins Our fruitful seasons cast in doubt Through great pain and dry and parching drought Defenders in a route, our hopes are all dashed out * The clouds gather as if we finally will see rain But for our sinfulness are scattered round again We pray and fast as if to take a turn But we turn not and our fields and fruits will burn Oh sinful land don’t think it strange If judgement comes down on you unless you change The Devil in a rage, affairs must rearrange Brian O'Connell - voice, bass guitar, fretless bass, 8-string bass, piccolo bass (solo on The Great Migration), 6 and 12-string acoustic guitars, keyboards, moog synthesizers, bass drum Mike Harmon - drums, cymbals, percussion Recorded at Studio Vinniechops and Wachusett Recording Sources "A Storm of Witchcraft - The Salem Witch Trials and the American Experience“ by Emerson W. Baker, Oxford University Press, 2015 "Salem Possessed - The Social Origins of Witchcraft“ by Paul Boyer and Stephen Nissenbaum, Harvard University Press, 1974 "The Puritans in America - Narrative Anthology” edited by Alan Heimert and Andrew Delbanco, Harvard University Press, 1985 Support the show…

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Episode 1 - Tituba's Journey 25:37

5 years前25:37

25:37

https://www.patreon.com/Witch_Hunt This is the story of an Arawak woman called Tituba: how she was kidnapped by the English from South America when she was just a young girl and enslaved. Growing up on a plantation in Barbados, she absorbed multiple cultural influences from her fellow enslaved Africans and her English mistress. Her inner world becomes a confluence of Arawak, West African, and English myths and magic. We follow her as she is taken by a frustrated and angry young Puritan man named Samuel Parris to a new life in Massachusetts. They arrive first in Boston and then move to Salem Village, a small frontier community infested with jealousy and rivalry, and haunted by fear and suspicion. All music written by Brian O'Connell except "Old Oxford Tune (Psalm 4)" adapted from the Bay Psalm Book, 1698. Episode 1 Parts: Part I - Witch Hunt Theme Part II - Oxford Tune Part III - Captured and Enslaved Part IV - The Cunning Tradition Part V - Parris, Boston, and Salem Part VI - Witch Hunt Theme (reprise) Variation on the Oxford Tune (Music adapted from The Bay Psalm Book, published in Boston in 1698) Do you know of the coming storm? The people gone astray Their sins break free Satan from his chains Stars fall, moon turns to blood Fear, greed, and gossip rule the day Old rivalries reborn Blame cast upon thy neighbor’s home The Beast is free to roam Brian O'Connell - voice, bass guitar, fretless bass, touch guitar, 12-string acoustic guitar, keyboards, synthesizers, sintir, percussion Mike Harmon - drums, cymbals, percussion Recorded at Studio Vinniechops and Wachusett Recording https://www.patreon.com/Witch_Hunt History Book Sources " Tituba - Reluctant Witch of Salem - Devilish Indians and Puritan Fantasies" by Elaine G. Breslaw, New York University Press, 1996 "The Devil's Dominion - Magic and Religion in Early New England" by Richard Godbeer, Cambridge University Press, 1992 Support the show…