Postcards From China podcast

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コンテンツは Christopher Lydon によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャストコンテンツは、Christopher Lydon またはそのポッドキャストプラットフォームパートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。

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Rethinking Alzheimer's Disease Podcast

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When you hear the words Alzheimer's disease, what do you think of? The truth is, the picture most of us have of the disease is incomplete. Alzheimer's disease doesn't start when someone starts to lose their memory. It actually starts years – sometimes decades – earlier. The Rethinking Alzheimer's Disease Podcast is an engaging, narrative-style podcast miniseries for those curious or motivated to learn about Alzheimer’s disease. Perhaps you have a family member with Alzheimer’s disease, or care for someone with Alzheimer’s disease. Perhaps you consider yourself or your loved ones at risk for Alzheimer’s disease and want to hear more about the journey and actions you can take. Told by people with lived experience of Alzheimer's disease, as well as caregivers and health experts, the Rethinking Alzheimer's Disease Podcast answers common questions about Alzheimer's disease, including: what Alzheimer's disease is, how it starts, what signs to look out for, and most importantly, how you can take action to reduce your risk of Alzheimer’s disease, or slow its progression. Download and listen to our Health UNMUTED audio series to learn more about Alzheimer's disease, gain confidence in dealing with it, and find hope in the insights and knowledge of others. Together, we can start Rethinking Alzheimer's Disease and make a positive impact in the fight against this complex condition. The Rethinking Alzheimer's Disease Podcast is part of the Health UNMUTED audio library and is made possible with support from Eisai Inc. Disclaimer: The content provided in this Health UNMUTED podcast is intended for informational purposes only. It is not a substitute for professional medical advice, diagnosis, or treatment. Always seek the advice of your physician or other qualified healthcare provider with any questions you may have regarding a medical condition. Never disregard professional medical advice or delay in seeking it because of something you have heard on this podcast. Reliance on any information provided by this podcast or its guests is solely at your own risk. Visit healthunmuted.com for more information.

Postcards from China

シリーズのホーム•Feed

A series of podcast conversations recorded in Shanghai and Beijing by Christopher Lydon in 2014.

3 つのエピソード

#Society #Travel #China #Christopher Lydon

Postcards from China

updated 約 11 年前

シリーズのホーム•Feed

A series of podcast conversations recorded in Shanghai and Beijing by Christopher Lydon in 2014.

3 つのエピソード

#Society #Travel #China #Christopher Lydon

すべてのエピソード

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Ai Weiwei, China’s Artist/Enemy #1 39:43

11 years前39:43

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39:43

Not perhaps since Alexander Solzhenitsyn in the Soviet Gulag has there been a dissenting artist who got to be as famous as the government that hounds him. But Ai Weiwei’s situation is one-of-a-kind.He’s a scathing oppositionist who argues with me that China’s moral, natural, aesthetic, philosophical and family foundations have been “completely destroyed.” At the same time he is a celebrity, the virtual mayor of an industrial district in Beijing that’s become a thriving village of modern painters, sculptors, studios and galleries. At one cheerful turn in our gab, he’s reminding me about the Chinese gift for breaking rules, for thinking outside the box, for double thinking, even under Communism: “Yeah, that’s the culture. Chinese are quite intelligent, witty, and create their own liberal space. Even in very extreme conditions, they still can achieve some kind of happiness or self, some kind of confidence, so that makes Chinese culture very different from others.” Images courtesy of the Hirshhorn Gallery (copyright Ai Weiwei). Ai Weiwei is China’s official scare-word and favorite non-person. He’s what Solzhenitsyn called a “second government.” But let’s remember: the embattled democrat and artist of ideas was a star consultant in the design of the “bird’s nest” stadium built for the Beijing Olympics in 2008. He sees himself naturally as a leader and a patriot. He’s mastered what people say is a very Chinese use of paradox and contradiction. He refers to his testing of the limits as a kind of performance art. We met his wary sort of humor and warmth on the way into his walled garden. He parks his bicycle at the gate with a basket full of fresh flowers as a greeting each morning to the government spies who ‘mind’ him and who, it turns out, took our picture on the way out. For almost an hour the conversation flew around a big table in the traffic of Ai Weiwei’s studio. Maybe the worst disaster in China, he said, is the flood of migrant workers out of farm villages into cities where they have dangerous jobs, small pay, no benefits and no residency rights – no rights to city schools, for example, for their kids. “This is just modern slavery” for the migrants, said Ai Weiwei. For the broken families left behind, it’s a desolation. He says our friend the novelist Yu Hua is “absolutely right” about the continuity between Mao’s brainwashing Cultural Revolution and the booming Market Revolution today. The key links, he concurred, are violence, lying propaganda, and a tiny monopoly of political power. Just off the high-speed train from Shanghai, I confessed I was dazzled by the smooth ride at 300 kpm and by the orderly green abundance in the farmlands. “Wouldn’t this government be good for – say – Egypt?” I asked. But he’s heard the line that China is developing faster than Brazil, or India, or Egypt, and he’s not impressed. “How do you give young people hope, imagination and creativity,” he asked. “Those are the inner structures I think a lot and worry about.” As we wrapped up, he said I’d made him sound like a complainer, just a critic. We could have talked about the weather, he said, “or food, or sex.” Next time we will. And what did I take away? Mainly gratitude to this brave man for his stubborn, almost fearless attachment to the soul questions: he’s reminding us all what it costs to stand out as an individual, and for a society to stay free, alive, critical, human.…

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China Rising

11 years前

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China is in its own gilded age, says The New Yorker writer Evan Osnos, into a second generation of ultra-modern tech, a still-developing country bristling with billionaires. On the eve of Chris’ trip to China, we’re wondering how a country with nearly a century of poverty, collectivism, and authoritarian rule adapts to its explosive (and vastly unequal) wealth.…