When this graphic designer worked at Sony Music, the handwriting was already on the wall, the tiny, tiny wall: “It was no longer LPs; it was CDs. The canvas kept shrinking.” And now with digital music, there’s no canvas at all. “It’s not the end of the world; it’s a different paradigm.” Disconcerting optimism, great design. Produced with the Center…

Does use determine design, or does design shape behavior? This architect asserts the latter: “A certain object does make you behave a certain way or do certain things.” For example, a simple lime-squeezer lured her and her family into more lime squeezing than anyone—or any lime—anticipated. Produced with the National Academy of Design. Music: Tomas…

Among his many productions, he directed A View from the Bridge and West Side Story on Broadway and collaborated with David Bowie on the musical Lazarus. “It turned out to be—I didn’t know, of course, when we started—the last work that he ever made.” And a surprisingly happy experience.Randy Cohen による

This singer-songwriter has been admired for fifty years, and yet: “I always wanted a Collings guitar, but it was too expensive, and I just didn’t feel worthy.” If she’s not worthy of the tools of her trade, then what hope is there for us mortals? (Happily, she now has a Collings.) Presented with Richard Barone.…

Composers not only create something non-corporeal but also enjoy bringing an actual object into the world. “One of my great great moments was when I finally had a recording of my own in a bin at Tower Records.” (Older people can explain to younger people what record stores were.) The delights of the irrefutably physical. Presented with BMI and the …

He is the producing artistic director of the Classical Theatre of Harlem, focusing on work from Sophocles to Shakespeare—the big S playwrights—to explore fundamental ideas. “These are living arguments, these classic plays.” Produced with CTH. Music: Kaden Jones, cello; Roen Jones, violin; Emery Jones, piano. This is our last new episode of the seas…

He served in Iraq as a Marine and is now commissioner of New York City’s Department of Emergency Management. “We are always activated. We’re always responding to stuff.” How to prepare for the worst. Music: Stephanie Jenkins (the best). Presented with the Department of Records and Information Services.…

Even as a child, this actor loved Shakespeare. “I would listen every night to John Gielgud’s Ages Of Man or Laurence Olivier’s Henry V or Richard III. I was just sort of marinated in it.” He’s since played many of the great villains, from Iago to the Grinch—Shakespeare and Shakespearean. Produced with Red Bull Theater. Music: Lance Horne.…

GLUCK+ architects designed and constructed a building for the WHIN Music Community Charter School, led by Ortiz. How do architects know if a design works well? It’s not their call, says Tom Gluck. “The judges of whether a building’s successful or not are the people in it.” And this building? A triumph, says Charlie Ortiz.…

He was recently honored by the American Library Association for his work at the Queens Public Library on programs to assist migrants. “Over 200 languages are spoken in Queens,” he says. “We have collections in 50 or so and regularly purchase in about 30.” I struggled to write this paragraph in one. Music: Salieu Suso…

It can be a challenge for even terrific actors like him to stay fresh and focused night after night. Here’s how he does it: “I’ll make up, you know, Gandhi is in the fourth row; do a great show.” Not madness, technique. And he’s applied it from Hamlet to Tootsie. Produced with Red Bull Theater.Randy Cohen による

How did we allow the ruin of the Colorado River? “We think that water comes from the tap,” says this photographer of wild places. “We’ve lost the idea that water comes from natural systems.” See the results of our folly in his book, The Colorado River: Chasing Water. Then weep. Then fight. Then drink. Presented with Fotografiska. Music: some talent…

This environmental epidemiologist knows the dismal effects of pesticides on the young, yet she loves to take her students to the neonatal intensive care unit. “The NICU is a place of hope, and little babies are very, very cute.” Produced with Columbia’s Mailman School of Public Health.Randy Cohen による

Her solo performance of Hamlet—yes, all the parts (Rosencrantz and Guildenstern)—should be accessible to everyone. “Shakespeare is presented to people these days as 'this is good for you.' I’ve heard the term ‘spinach theater.’” The trick? Avoid vegetables, emphasize history, preserve the beauty of the verse: words, words, words!…

“I don’t like dance,” says this choreographer, “but we saw the bull riders at Madison Square Garden and, boy, I really wanted to get on that bull.” Her combination of disdain and desire results in exciting and surprising—I hesitate to say “dance” lest I incur her scorn— “organized movement.”Randy Cohen による

This expert on affordable housing asks challenging questions: “Would you want greater-density boxy buildings to replace brownstones in Park Slope, and if not, where do we put them?” Now my head hurts. In a good way. Produced with Open House New York. Music: Kevin Nathaniel Hylton.Randy Cohen による

“I am Juan de Pareja,” says this choreographer about the subject of his new piece, the Afro-Spanish painter enslaved by Velazquez. Multiple identities? No. One artist fascinated by the life of another. We celebrate Vilaro’s fifteen years as artistic director of Ballet Hispánico. Music: Ahmed Alom.Randy Cohen による

The esteemed translator of Elena Ferrante and Pier Paolo Pasolini says of her work, “It is an impossible task, but nevertheless, it has to be done.” And she does it wonderfully. Presented with Rizzoli Bookstore, Europa Editions. and Words Without Borders. Music: Beppe Gambetta.Randy Cohen による

When Europeans take one of his tours, do they seek the Harlem of today or of the Harlem Renaissance? “They’ve got a kind of fable of Harlem,” says this preservationist, and then he goes to work and reconciles the present with the past. Produced with Open House New York. Music: Hubby JenkinsRandy Cohen による

“I had dreams of playing basketball then going to law school and doing what Perry Mason did.” Those dreams came true. The Knicks. Harvard Law. The Brooklyn DA’s office. And now he teaches at Columbia’s School of Professional Studies, a co-producer of this episode. (I had dreams that I could fly. I can’t.)…

The gender balance in her profession is disheartening, she says, “It has one of the smallest percentages of women. I mean the ratio is astounding.” U.S. Senator? Catholic priest? Not quite that bad. She is a magician. But things are improving. Produced with KGB Bar’s Red Room. Music: Teddy Horangic with Leonid Morozov…

They spent much of their professional lives as public defenders in the Bronx, working in an unjust system, and its flaws persist. Discouraged? Nah. “If you’re trying to solve a problem you can solve in your lifetime, you’re thinking too small.”Randy Cohen による

Poet, theologian, host of the On Being Studios podcast Poetry Unbound, he has a favorite pencil but is not a fanatic: “I use anything to get the idea down. I have written with pens and pencils; I have written on the back of sick bags on airplanes.” Computers. Cellphones. No crayon, but he’s not above it. Produced with Columbia University’s School o…

The president of the Brooklyn Botanic Garden is proud that it is a treasure for the entire city and maybe even prouder of its ties to its local community: “The neighborhood is deep into us, and we’re deep into the neighborhood.” Like roots. Or vines. Or some other sort of metaphoric floral something. Music: Craig Harris…

Music offers more than aesthetic pleasure, asserts this conductor: “Music has the power to transport its audiences to a time that no longer exists.” A gentler time, without covid or attack drones or Elon Musk. He’s founded a chamber orchestra, Parlando, on that belief.Randy Cohen による