Host Francesca Amiker sits down with directors Joe and Anthony Russo, producer Angela Russo-Otstot, stars Millie Bobby Brown and Chris Pratt, and more to uncover how family was the key to building the emotional core of The Electric State . From the Russos’ own experiences growing up in a large Italian family to the film’s central relationship between Michelle and her robot brother Kid Cosmo, family relationships both on and off of the set were the key to bringing The Electric State to life. Listen to more from Netflix Podcasts . State Secrets: Inside the Making of The Electric State is produced by Netflix and Treefort Media.…
コンテンツは Dennis Kastrup によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Dennis Kastrup またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
In 1957 a computer of the University of Illinois at Urbana–Champaign wrote a composition for a string quartet: The Illiac Suite! It was the first time in music history. We have come a long way. The combination artificial intelligence and music is here to stay. We entered a new exciting era of creativity. My name is Dennis Kastrup. I am a journalist from Berlin. And my passion is AI. Let's talk about it. But most of all: Listen to it!
コンテンツは Dennis Kastrup によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Dennis Kastrup またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
In 1957 a computer of the University of Illinois at Urbana–Champaign wrote a composition for a string quartet: The Illiac Suite! It was the first time in music history. We have come a long way. The combination artificial intelligence and music is here to stay. We entered a new exciting era of creativity. My name is Dennis Kastrup. I am a journalist from Berlin. And my passion is AI. Let's talk about it. But most of all: Listen to it!
AIXchange wants to connect human artists with the GenAI ecosystem – enabling both to thrive. Their mission is to empower the GenAI music revolution by offering legal, high-quality music training data, ensuring ethical and compliant AI music generation. Sounds interesting and perfect for The Illiac Suite to take a deep dive into that. In this episode I talked to Steffen Holly, Head of Business Development at Fraunhofer Institut. He is part of AIXchange and does the academic research for them. Any feedback? Contact me on my homepage: Dennis Kastrup I produced all of "The Illiac Suite" myself (with a little help from A.I.): Voices: ElevenLabs Music of the episode: OUTPUT 001 Soundful Thanks for listening! #genai #ai #artificialintelligence #theilliacsuitepodcast…
It is a pleasure to have Andrew Melchior in the new episode of "The Illiac Suite". Andy began as a classically trained pianist and later explored digital music production and internet technologies, leading to a job at EMI Music. His career expanded into photography, digital energy, and augmented reality, eventually working with Magic Leap and renowned artists like Björk and Massive Attack. He played a key role in innovative projects such as Björk Digital, the VR album Vulnicura, and AI-driven music experiences. Since COVID, he has been a freelance artist, working on AI-driven creative projects, including a sonic artwork for the European Capital of Culture 2026 and an AI-powered spatial audio experience in Poland. #theilliacsuite #andrewmelchior #podcast…
Videos now have a standard function that allows us to automatically read what is being said. The subtitles can even be displayed in different languages. The principle is similar when it comes to transcribing sheet music, not necessarily in real time, but relatively quickly after the music has played. The artificial intelligence “ klang.io ” is responsible for precisely this. I spoke to founder Sebastian Murgul about how he came up with the idea, what the AI can do, what the problems are and who it is actually intended for. All this in the new episode! #artificialintelligence #ai #artificialintelligencemusic #generativeart #generativeai #podcast #music #generativemusic #musicandai #theilliacsuitepodcast…
2024 was exciting, fascinating, exhausting and grueling all at the same time. It will go down in the history books as the year in which artificial intelligence can write and produce music like us humans. 12 months in which there was much discussion about how artists should be paid for their music in data sets. Some even said that the question should be asked whether they should be paid at all. To discuss all this again, I got my friend Matthias Strobel on the mic. Matthias is the President of MusicTech Germany , the Federal Association for Music Technology. Together we look back...and a little forward.…
The struggle is real: Musicians are currently trying to find a way to handle the fact that artificial intelligence companies are scraping their music from the internet to train their models...without paying for it. Rights holder on the other side want to know what music is generated by an AI so that they can proof in the future - when money should flow - which music of their catalogue was used for training purposes. I talked with two people who are currently trying to help these two parties with their programs: Syed Irfan Ali Meerza and his team developed HarmonyCloak , a software that "poisons" music so that artificial intelligence can not train with it. Virgnie Berger from MatchTune claims that they have cracked the Suno 's AI music generating model.…
In the beginning of September I attended the " New Visions For Music & Sound " Festival in Berlin. As the moderator I led a panel about "Generative AI and Music". That is where me Toronto-born SENAIDA (pronounced “Shuh-nay-duh”). They are a Brooklyn-based multidisciplinary artist-technologist, sound architect, DJ, curator, and creative entrepreneur. Their work delves into the intersections of sonic cyberfeminism, post-humanism, generative art, and sustainability to create collective experiences. And currently they are working on an AI-album called " Kunst Kaputt ". We talk about this in this new episode.…
The space of AI and music is heating up: A couple of labels sued Suno and Udio with the argument that the platforms are infringing copyrights of their artists. The tech companies responded so far with the argument that all their practice is based on "fair use". No solution on the horizon yet. But why create problems when you also can avoid them? A couple of weeks ago LANDR announced its "Fair Trade Program". Musicians can opt-in to their artificial intelligence. Once the AI is ready they will get paid for their participation. Sounds good? Let's have a deeper look into that! I talked with Frédérick Ranger from LANDR for the new episode.…
This time I invited the Italian Alex Braga to talk about his view on artificial intelligence and which role it plays in his works. Braga is a musician, a conceptual artist, an inventor, an enterpreneur. He has already worked with AI in 2020 for his album Spleen Machine . His new project "Automatic Impermanence" is shown until the end of September at the Auditorium Parco della Musica Ennio Morricone in the AuditoriumArte space.…
Suno or Udio are everywhere right now. Their users create whole songs with prompts. The fact that the two companies have probably trained on millions of musicians who did not give their consent for using their music does not really seem to bother them. So far no judge has ruled if they are infringing copyrights. But there are also artificial intelligences that take care of the users in the datasets, like for example Delphos . The platform allows musicians to train their own "Soundworld" with their own songs. Each Soundworld has a special style of an artist and other can use them to create music. I have talked with one of the founder of Delphos, Ilya Tolchenev, about their AI and approach. Any feedback? Contact me on my homepage: Dennis Kastrup I produced all of "The Illiac Suite" myself (with a little help from A.I.): Voices: ElevenLabs Music of the episode: Music generated by Delphos Thanks for listening! ...and check out my agency: Wicked Artists DISCLAIMER: The content displayed in this podcast, including but not limited to the musical renditions and AI voice synthesis, is intended solely for entertainment.…
Crazy times in the AI world, again. ChatGPT-4o is making headlines these days and more and more generative AIs are out there, most of them with copyright protected music in their datasets. I had many discussions about that online recently. There are tech friendly persons who don't agree with paying artists for the use and others who say that they must be paid. I belong to the second group. Arguments were exchanged, always in a respectful way. But this is not always like that. Hate speech is unfortunately everywhere. Besides politicians, a lot of musicians face it. The startup " Penemue " is filtering hate with the help of an artificial intelligence. I talked with Sara Egetemeyr, one of the founder, about the current status quo in the world of hate speech and how Penemue wants to control it. Any feedback? Contact me on my homepage: Dennis Kastrup I produced all of "The Illiac Suite" myself (with a little help from A.I.): Voices: ElevenLabs Music of the episode: Music generated by Soundful and Albert Nussfelder Productions Thanks for listening! ...and check out my agency: Wicked Artists DISCLAIMER: The content displayed in this podcast, including but not limited to the musical renditions and AI voice synthesis, is intended solely for entertainment.…
We often talk about artificial intelligence and its development. What is new? What is on the horizon and what are the problems? That is exciting, no doubt about it. But we often also lose sight of the fact that the news is limited to a few continents: America, Europe or Asia. But what is happening in Africa? Companies there are also trying to conquer the market with artificial intelligence. SenMixMaster is one of them. The AI masters music. I spoke to co-founder Boubacar Djiba about his AI and the situation in Africa. Any feedback? Contact me on my homepage: Dennis Kastrup I produced all of "The Illiac Suite" myself (with a little help from A.I.): Voices: ElevenLabs Image: Stable Diffusion Music of the episode: Adee: https://www.youtube.com/@adeeofficiel411 Intro Music generated by Mubert Udio / ChatGPT - Digital Outlaw: https://www.youtube.com/watch?v=ixiHIGoYhgc Ed Newton-Rex: https://www.musicbusinessworldwide.com/suno-is-a-music-ai-company-aiming-to-generate-120-billion-per-year-newton-rex/ Albert Nussfelder Productions Thanks for listening! ...and check out my agency: Wicked Artists DISCLAIMER: The content displayed in this podcast, including but not limited to the musical renditions and AI voice synthesis, is intended solely for entertainment.…
It was that time of the year: The SXSW invited music, film and tech enthusiasts for another edition. Music and Artificial Intelligence was of course also a topic at the festival. I met some really interesting people, had some nice conversations and listened to a lot of interesting panels. Listen to the new episode to find out more. Any feedback? Contact me on my homepage: Dennis Kastrup I produced all of "The Illiac Suite" myself (with a little help from A.I.): Voices: ElevenLabs Image: Dall-E 2 Music of the episode: Music generated by Soundful Thanks for listening! ...and check out my agency: Wicked Artists DISCLAIMER: The content displayed in this podcast, including but not limited to the musical renditions and AI voice synthesis, is intended solely for entertainment.…
A few months ago, OpenAI the company behind ChatGPT, reportedly asked the British Parliament to authorize the free use of copyrighted works. Their argument: It is impossible to train artificial intelligence without this type of data. The statement sounds like a free pass for copyright infringements until the law clarifies what is really allowed and what is not. The topic is particularly debated in the music industry. This is because pieces of music are used in large datasets to create new songs. Ed Newton-Rex did not want to accept this. Last year, the American left Stability AI - whose AI can be used to generate music among other things - because too much was being stolen. He has now launched “ Fairly Trained ” to counteract this. We talked about this. Also Diaa El All will join later. He is the Co-Founder of Soundflul which is a generative AI company that uses the service of Fairly Trained. Any feedback? Contact me on my homepage: Dennis Kastrup I produced all of "The Illiac Suite" myself (with a little help from A.I.): Voices: ElevenLabs Image: Dall-E 2 Music of the episode: Neverending Story "by" Freddie Mercury: Music generated by Soundful Albert Nussfelder Productions Thanks for listening! ...and check out my agency: Wicked Artists DISCLAIMER: The content displayed in this podcast, including but not limited to the musical renditions and AI voice synthesis, is intended solely for entertainment.…
In 2018 Hazel Savage started Musiio , wich combines AI technology with specialist music knowledge to solve a range of problems facing catalogue owners. They automate tagging, supercharge search and provide highly detailed music analysis and reports for customers around the world. In 2022 Soundcloud acquired Musiio with the goal to amplify SoundCloud’s existing music intelligence capabilities and allow the company to further leverage its data to identify what’s next in music trends and talent. I spoke with Hazel about "her" artificial intelligence: What it does? How it works? And why Star Trek was just such an amazing TV Show... Any feedback? Contact me on my homepage: Dennis Kastrup I produced all of "The Illiac Suite" myself (with a little help from A.I.): Voices: ElevenLabs Image: Stable Diffusion Music of the episode: Ginkinta Dankton - STP (Warnings: The songs contain explicit lyrics!) Music generated by Mubert and Suno.AI Thanks for listening! ...and check out my agency: Wicked Artists DISCLAIMER: The content displayed in this podcast, including but not limited to the musical renditions and AI voice synthesis, is intended solely for entertainment.…
Daniel Stein is a producer and musician in the dubstep and drum and bass scene. He is known there under the name "DJ Fresh". The Brit has released several top ten tracks. When artificial intelligence appeared on the scene a few years ago, he was worried about the music industry. Together with his partner Nico Pellerin, he came up with the idea for " Voice Swap ". There you can officially and legally clone the voice of a known singer. He and Angie Brown, who is in his roster, talked with me about the use of a cloned voice. Any feedback? Contact me on my homepage: Dennis Kastrup I produced all of "The Illiac Suite" myself (with a little help from A.I.): Voices: ElevenLabs Image: Dall-E Music of the episode: Music generated by Mubert Anna Indiana: Miles of Smiles Freddie Mercury: All I Want For Christmas Is You (AI Cover) Thanks for listening! ...and check out my agency: Wicked Artists DISCLAIMER: The content displayed in this podcast, including but not limited to the musical renditions and AI voice synthesis, is intended solely for entertainment.…
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