Design Matters with Debbie Millman is one of the world’s very first podcasts. Broadcasting independently for over 15 years, the show is about how incredibly creative people design the arc of their lives. Hosted on Acast. See acast.com/privacy for more information.
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Player FM - Internet Radio Done Right
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コンテンツは Katia Arellano / Ricardo Ramirez によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Katia Arellano / Ricardo Ramirez またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
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Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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As She Rises brings together local poets and activists from throughout North America to depict the effects of climate change on their home and their people. Each episode carries the listener to a new place through a collection of voices, local recordings and soundscapes. Stories span from the Louisiana Bayou, to the tundras of Alaska to the drying bed of the Colorado River. Centering the voices of native women and women of color, As She Rises personalizes the elusive magnitude of climate cha ...
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Player FM -ポッドキャストアプリ
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We're trying something different this week: a full post-show breakdown of every episode in the latest season of Black Mirror! Ari Romero is joined by Tudum's Black Mirror expert, Keisha Hatchett, to give you all the nuance, the insider commentary, and the details you might have missed in this incredible new season. Plus commentary from creator & showrunner Charlie Brooker! SPOILER ALERT: We're talking about the new season in detail and revealing key plot points. If you haven't watched yet, and you don't want to know what happens, turn back now! You can watch all seven seasons of Black Mirror now in your personalized virtual theater . Follow Netflix Podcasts and read more about Black Mirror on Tudum.com .…
Opera - We love singing
すべての項目を再生済み／未再生としてマークする
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コンテンツは Katia Arellano / Ricardo Ramirez によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Katia Arellano / Ricardo Ramirez またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
Music, and more particularly singing is always with us. A certain day we may find ourselves moody and with a melody from La forza del destino playing over and over again in our head. Or maybe we feel like a superhero as we've doing great at work and then we feel like Calaf solving the 3 riddles that Turandot has proposed. First, we would like to build a place where we can talk about our passion for singing in a positive way. There is already too much of those toxic places where we criticize endlessly the minimum error of a given singer. We need more places where we can be respectful and still express our differences, as art is perception and no one perceives art equally to one another.Our second proposal is to come and share, both Katia and I are pretty sure there are a million questions you have always asked yourself about singing and as singers are sometimes not the most approachable people, well we hope can answers some of those questions!!
You can join our channel in Telegram:
https://t.me/OperaWeLoveSinging
139 つのエピソード
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すべての項目を再生済み／未再生としてマークする
Manage series 3317708
コンテンツは Katia Arellano / Ricardo Ramirez によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Katia Arellano / Ricardo Ramirez またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
Music, and more particularly singing is always with us. A certain day we may find ourselves moody and with a melody from La forza del destino playing over and over again in our head. Or maybe we feel like a superhero as we've doing great at work and then we feel like Calaf solving the 3 riddles that Turandot has proposed. First, we would like to build a place where we can talk about our passion for singing in a positive way. There is already too much of those toxic places where we criticize endlessly the minimum error of a given singer. We need more places where we can be respectful and still express our differences, as art is perception and no one perceives art equally to one another.Our second proposal is to come and share, both Katia and I are pretty sure there are a million questions you have always asked yourself about singing and as singers are sometimes not the most approachable people, well we hope can answers some of those questions!!
You can join our channel in Telegram:
https://t.me/OperaWeLoveSinging
139 つのエピソード
すべてのエピソード
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1 S9E2 Music was born with life - Song Amapola by J.M. Lacalle 1:11:34
1:11:34 
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「あとで再生する」 
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気に入った1:11:34
「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入ったSend us a text What a better way to express our emotions than music? This season is a tour around a number of very well-known popular songs, so popular that many Opera singers have made them part of their repertoire. How well do they achieve it? Thumbs-up or down? For this season we are having Raffa co-hosting these episodes. He has an immense passion for music and is also an experienced musician. Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging…
Send us a text In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Tosca by Maestro Puccini? By far, one of the most beautiful melodies ever written for the tenor voice. There is no tenor who doesn't want to have it in his repertoire. In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through. This will be a live session recording, subject to all technical challenges that this poses. So we beg your understanding should any trouble may arise. Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging…
1 S8E8 Spectacular Singing: En un país de Fabula from La Tabernera del Puerto 55:25
55:25 「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入った55:25
「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入ったSend us a text This season is all about what impresses the public: high notes (sometimes super high notes), and ornaments. For a number of episodes we will be addressing the roles that more than once have left us wondering: How can the human voice do that? Premiering on Youtube and later audio dissemination to all streaming platforms. Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging…
1 S9 Premiere - Music was born with Life: O Sole mio 1:10:44
1:10:44 「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入った1:10:44
「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入ったSend us a text What a better way to express our emotions than music? This season is a tour around a number of very well-known popular songs, so popular that many Opera singers have made them part of their repertoire. How well do they achieve it? Thumbs-up or down? For this season we are having Raffa co-hosting these episodes. He has an immense passion for music and is also an experienced musician. Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging…
Send us a text In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Madama Butterfly by Maestro Puccini? By far, one of the most beautiful melodies ever written for the soprano voice. There is no soprano who doesn't have it in her repertoire. In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through. This was a live session recording, subject to all technical challenges that this posed. So we beg your understanding for any trouble that may distract you. Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging…
1 Dissecting...La fleur que tu m'avait jetée from Carmen 44:20
44:20 「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入った44:20
「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入ったSend us a text In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Carmen by Maestro Bizet? By far, a very popular piece for the tenor voice. There is no tenor who doesn't want to have it in his repertoire. In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through. Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging…
1 S8E7 Spectacular Singing - Ruiseñor from Las Musas Latinas 55:20
55:20 「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入った55:20
「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入ったSend us a text This season is all about what impresses the public: high notes (sometimes super high notes), and ornaments. For a number of episodes we will be addressing the roles that more than once have left us wondering: How can the human voice do that? Premiering on Youtube and later audio dissemination to all streaming platforms. Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging…
Send us a text In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Carmen by Maestro Bizet? By far, one of the catchiest melodies ever written for the baritone voice. There is no baritone who doesn't want to make it part of his repertoire. In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through. Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging…
Send us a text In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Carmen by Maestro Bizet? By far, one of the catchiest melodies ever written for the Mezzosoprano voice. There is no Mezzosoprano who doesn't have it in her repertoire. In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through. This was a live session recording, subject to all technical challenges that this posed. So we beg your understanding for any problem that arose. Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging…
1 S8E6 Spectacular Singing - Canción del Ruiseñor from Zarzuela Doña Francisquita 55:13
55:13 「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入った55:13
「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入ったSend us a text This season is all about what impresses the public: high notes (sometimes super high notes), and ornaments. For a number of episodes we will be addressing the roles that more than once have left us wondering: How can the human voice do that? Premiering on Youtube and later audio dissemination to all streaming platforms. Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging…
Send us a text This is the audio piece of the concert we just premiered and aired on YouTube. Our apologies, as it is a live concert some problems arose. We had to improvise as our pianist got an injury and we had to use recorded music from other channels. Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging…
Send us a text In this season we are reviewing the most popular arias of all times. This time it is a very popular Mexican song by Maestro Agustín Lara. Many great tenors, and sometimes even sopranos and baritones go for it as well. This song is guaranteed an applause should it be part of any singer's concert. In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through. This episode was recorded in the outdoors, so I beg your understanding in regards to the background noise. Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging…
1 BONUS from YouTube channel: Mexican song Peregrina, a true tragic story 9:26
9:26 「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入った9:26
「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入ったSend us a text The vblog entry can be found on Youtube, there are images shown there that may be of your interest. Peregrina is the song dedicated to the American girl Alma Reed, for whom the governor Felipe Carrillo Puerto fell in love. The efforts of Felipe Carrillo to abolish slavery in the Peninsula de Yucatán and the complex political times after the revolution ended in him being executed before he could marry Alma Reed. Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging…
1 S8E5 Spectacular Singing - Alabiev's Nightingale 52:38
52:38 「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入った52:38
「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入ったSend us a text This season is all about what impresses the public: high notes (sometimes super high notes), and ornaments. For a number of episodes we will be addressing the roles that more than once have left us wondering: How can the human voice do that? Premiering on Youtube and later audio dissemination to all streaming platforms. Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging…
Send us a text In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from La Boheme by Maestro Puccini? By far, one of the most beautiful melodies ever written for the tenor voice. There is no tenor who doesn't want to have it in his repertoire. In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through. Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging…
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Opera - We love singing
Send us a text In this season we are reviewing the most popular arias and songs of all times. Who doesn't know this piece of music that Andrea Bocelli made very famous in the 1990s? This song has been part of the programs for tenors and sopranos across the globe since then. In this particular case, there was a polemic on whether this should be part of the season, which was resolved by a voting of our subscribers. This is the result of such voting. In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through. This was a live session recording that premiered first on Youtube, subject to all technical challenges that this poses. So we beg your understanding on the troubles you may find. Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging…
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Opera - We love singing
1 BONUS from Youtube Channel - Mexican song La Llorona and the celebration of the Day of the Dead 14:32
14:32 「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入った14:32
「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入ったSend us a text This is the audio piece of the vblog entry that can be found here: https://youtu.be/doRonTeTLlo Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging
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Opera - We love singing
1 Spectacular Singing- Blonde's aria from Il Seraglio (Durch Zärtlichkeit und Schmeicheln) 57:54
57:54 「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入った57:54
「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入ったSend us a text This season is all about what impresses the public: high notes (sometimes super high notes), and ornaments. For a number of episodes we will be addressing the roles that more than once have left us wondering: How can the human voice do that? Premiering on Youtube and later audio dissemination to all streaming platforms. Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging…
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Opera - We love singing
1 Dissecting...Largo al factotum - Figaro's aria from Il Barbiere di Siviglia 43:28
43:28 「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入った43:28
「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入ったSend us a text In this season we are reviewing the most popular arias of all times. Who doesn't know this hyper famous aria from Il Barbiere di Siviglia by Maestro Rossini? By far, one of the most popular melodies ever written for the baritone voice. Always a huge success for these male voices. In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through. This a recording in the outdoors, subject to all technical challenges that this poses. So we beg your understanding for undesired noises in the background. Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging…
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Opera - We love singing
Send us a text In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Il Barbiere di Siviglia by Maestro Rossini? By far, one of the most attractive and playful melodies ever written for the Mezzosoprano voice. And sopranos have made it part of their repertoire as well. In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through. This was a live session recording with public. subject to all technical challenges that this posed. So we beg your understanding should you find anything derailing a little. Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging…
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Opera - We love singing
Send us a text This final episode on the series with the subject of Maria Callas is in a format of 10 Q&A. Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging
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Opera - We love singing
1 S8 Spectacular Singing: Frühlingsstimmen - Voices of Spring 55:07
55:07 「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入った55:07
「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入ったSend us a text This season is all about what impresses the public: high notes (sometimes super high notes), and ornaments. For a number of episodes we will be addressing the roles that more than once have left us wondering: How can the human voice do that? Premiering on Youtube and later audio dissemination to all streaming platforms. Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging…
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Opera - We love singing
1 Dissecting...Non più andrai from Mozart's Le Nozze di Figaro 37:10
37:10 「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入った37:10
「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入ったSend us a text In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Le Nozze di Figaro by Maestro W.A. Mozart? By far, one of the most beautiful melodies ever written for the bass voice. There is no bass who doesn't have it in his repertoire. In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through. Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging…
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Opera - We love singing
Send us a text In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from La Boheme by Maestro Puccini? By far, one of the most beautiful melodies ever written for the soprano voice. There is no soprano who doesn't have it in her repertoire. In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through. This was a live session recording that premiered on Youtube, subject to all technical challenges that this poses. So, we beg your understanding should any trouble may arise. Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging…
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Opera - We love singing
1 S8 Spectacular Singing: C'est l'histoire amourese- Auber's Laughing song from Manon Lescaut 49:02
49:02 「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入った49:02
「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入ったSend us a text This season is all about what impresses the public: high notes (sometimes super high notes), and ornaments. For a number of episodes we will be addressing the roles that more than once have left us wondering: How can the human voice do that? Premiering on Youtube and later audio dissemination to all streaming platforms. Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging…
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Opera - We love singing
1 Dissecting...Júrame by Mexican composer María Grever 41:05
41:05 「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入った41:05
「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入ったSend us a text In this season we are reviewing the most popular arias of all times. Who doesn't know this song by Mexican composer Maria Grever? Tenors and Sopranos of all nationalities very often make it part of their recitals. In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through. Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging…
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Opera - We love singing
1 Dissecting... Stride la vampa from Il Trovatore 32:50
32:50 「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入った32:50
「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入ったSend us a text In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Il Trovatore by Maestro Verdi? A very interesting piece for the Mezzosoprano voice. And still, hardly ever a regular on their presentations. Very brief piece also by the way. In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through. Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging…
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Opera - We love singing
Send us a text In this season we are reviewing the most popular arias of all times. Who doesn't know this Neapolitan song by Maestro Cardillo? One of the most beautiful melodies ever written for the tenor voice. There is no tenor (and many times sopranos) who doesn't have it in his repertoire. In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through. This episode was premiered on Youtube. This episode is the audio piece of it. This will be a live session recording, subject to all technical challenges that this poses. So we beg your understanding should any trouble may arise. Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging…
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Opera - We love singing
1 Spectacular singing!!! Adele's Laughing song from Die Fledermaus: Mein herr Marquis 45:44
45:44 「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入った45:44
「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入ったSend us a text This season is all about what impresses the public: high notes (sometimes super high notes), and ornaments. For a number of episodes we will be addressing the roles that more than once have left us wondering: How can the human voice do that? Premiering on Youtube and later audio dissemination to all streaming platforms. Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging…
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Opera - We love singing
Send us a text In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Turandot by Maestro Puccini? At the end of the last century Luciano Pavarotti made this a regular in his concerts. By far, one of the most beautiful melodies ever written for the tenor voice. Most tenors would like to have it in their repertoire, though very few can handle it. In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through. Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging…
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Opera - We love singing
1 Dissecting...Dalila's aria: Mon coeur s'ouvre à ta voix 40:28
40:28 「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入った40:28
「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入ったSend us a text In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Samson et Dalila by Maestro Camille Saint-Saens? Ceertainly one of the most beautiful melodies ever written for the mezzo soprano voice. There is no mezzosoprano who doesn't want to have it in her repertoire. But it is also a likely aria for a contralto. In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through. Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging…
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Opera - We love singing
1 Dissecting...Traviata's Brindisi - Libiam, libiam, n'è lieti calici! 43:53
43:53 「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入った43:53
「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入ったSend us a text In this season we are reviewing the most popular arias of all times. Who doesn't know this duet from La Traviata by Maestro Verdi? By far, the great favorite to close a concert. There are times when even other tessituras join it and make it a superb experience for the public. In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through. You can join our channel in Telegram: https://t.me/OperaWeLoveSinging You can always check our page in Ko-fi where we are posting more content related to the program and ourselves. We are very interested in learning from you: https://ko-fi.com/operawelovesinging More content is also being added to our Youtube Channel /operawelovesinging Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging…
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Opera - We love singing
1 Dissecting... Di Provenza il mar il suol from La Traviata 41:03
41:03 「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入った41:03
「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入ったSend us a text In this season we are reviewing the most popular arias of all times. This time another great favorite from La Traviata: Giorgio Germont's aria. By far, one of the most beautiful melodies ever written for the baritone voice. There is no soprano who doesn't have it in her repertoire. In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through. Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging…
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Opera - We love singing
1 Callas Centennial: Time travel to Mx Citi 1952: The Farewell 52:52
52:52 「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入った52:52
「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入ったSend us a text In this last time travel to Palacio de Bellas Artes in Mexico City, year 1952, we will witness a good variety of titles that show the wide range of roles and the versatility of her voice. Achievements that would add to would later be known as La Divina. The result is a little uneven, with Rigoletto standing on the way and whose results are not that good, as she herself would admit years later. Few times have the Orchestra and the Choir honored the singer and this farewell is wrapped up with one of the most touching moments in the history of this Opera house. As a reference you can also check on Sophia Lambton's book, the author of The Callas Imprint - A centennial biography, which you can find in most of the world through Amazon. https://www.amazon.com/Callas-Imprint-Centennial-Biography-ebook/dp/B0BRYPL5WN For this final episode, we would like to suggest the following materials, the local radio program Viva la Opera also collaborated with comments and thought for this episode. You will find the reference of their own programs with excerpts from the titles here presented: I Puritani: https://open.spotify.com/episode/0Lau5BzS9wOE5QEO5mS8Fh?si=XCkxTL3RSxyljy-gfYkyvA Maria Callas & Giuseppe Di Stefano: Bellini: I puritani (Mexico City 29-05-1952) Lucia di Lammermoore: https://open.spotify.com/episode/2KmL5I8H2Zm3YfmSbXZ8bO?si=etA8ia3VThC1fGzbi0-meA La Traviata: https://open.spotify.com/episode/4PbIJ456gnB1w1iinjqqf2 https://youtu.be/tDeFvQ2r-DY?si=SNuTMPoFtepbZn7O Rigoletto: https://open.spotify.com/episode/3KbMIykIORCOC4uDByIC87 https://www.youtube.com/watch?v=svMW6LskxSI Tosca: https://open.spotify.com/episode/01z0jpcxQZeb2OCd4iDRPa?si=jGbQbtfyQRKuwMREL7cZhg https://www.youtube.com/watch?v=wZm-oWqBS-s Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging…
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Opera - We love singing
Send us a text In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Rigoletto by Maestro Verdi? By far, one of the most well-known melodies ever written for the tenor voice. All tenors would like to have it in their repertoire. By far one of the melodies people have heard before even if they're not familiar with Opera. In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through. Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging…
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Opera - We love singing
Send us a text In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Rigoletto by Maestro Verdi? By far, one of the most beautiful melodies ever written for the soprano voice. There is no soprano who doesn't want to have it in her repertoire. In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through. Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging…
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Opera - We love singing
1 Dissecting.. il lamento di Federico from L'Arlesiana 33:45
33:45 「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入った33:45
「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入ったSend us a text In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from L' Arlesiana from Maestro Cilea? This incredible piece of music has been sung by tenors for decades already and for sure for many decades to come. This aria, as many in this season, is unfortunately very often overdone, with singers paying to little attention to the notes of the Maestro on how this is expected to be sung. In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through. You can always check our page in Ko-fi where we are posting more content related to the program and ourselves. We are very interested in learning from you: https://ko-fi.com/operawelovesinging Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging…
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Opera - We love singing
1 Callas Centennial - time travel to 1951 Mexico City - Settling down 34:17
34:17 「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入った34:17
「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入ったSend us a text 1951 in Mexico City was for Maria Meneghini Callas a little different from the previous year, with only two titles. The cast was different, and Sigora Meneghini Callas would continue to make her path in this country that would never forget her. Some of the content here referred is based on The Callas Imprint book, for your reference: https://www.amazon.com/Callas-Imprint-Centennial-Biography-ebook/dp/B0BRYPL5WN Local radio program in Mexico Viva la Ópera by means of his host Erick Zermeño was in continuous communication sharing his thoughts on this year for who years later would be known as La Divina. Reference recordings: Her Traviata 1951: https://open.spotify.com/episode/63P4mebrgXAyWjH2RKghpG?si=orBU-dLdRpmbajyEfEK_pw Callas, Valletti, De Fabritiis - La Traviata, Mexico 1951 - Vinyl Source Aida 1951: https://open.spotify.com/episode/0r3t4tEXRR6elOH7whRuar https://www.youtube.com/watch?v=zijODox3A2w You can always check our page in Ko-fi where we are posting more content related to the program and ourselves. We are very interested in learning from you: https://ko-fi.com/operawelovesinging Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging…
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Opera - We love singing
1 3 Quick Updates: Live episodes recording in YouTube coming, Telegram and Google Podcasts 8:07
8:07 「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入った8:07
「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入ったSend us a text Three quick updates: We are starting as of this July 2024 the live episodes recording in YouTube. Follow our Telegram Channel for quicker updates, just a click away Google is shutting down Google Podcasts, please take action if you would like to keep following our content Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging…
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Opera - We love singing
1 ChatGPT tells us about Maestro J Offenbach - Celebration in the Final episode of this season 47:45
47:45 「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入った47:45
「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入ったSend us a text Is information provided by ChatGPT 3.5 worth reading it if I wanted to learn more about a given opera composer? In the quest of answering it, this series will ask ChatGPT to provide info that when scarce, vague, just a platitude or simply wrong, new questions will be asked to guide the IA to provide more relevant information. Hope this technology does not get old too soon!!! This is the final episode of the season and we are celebrating with a bottle of champagne, enjoying life as the Maestro taught us. You can always check our page in Ko-fi where we are posting more content related to the program and ourselves. We are very interested in learning from you: https://ko-fi.com/operawelovesinging Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging…
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Opera - We love singing
1 Dissecting Musetta's Waltz: Quando me'n vo' from La Boheme 41:50
41:50 「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入った41:50
「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入ったSend us a text In this season we are reviewing the most popular arias of all times. Who doesn't know this lovely piece from La Boheme by Maestro Puccini? A short, still very effective song if done correctly both technically speaking and in the interpretation. Easy to sing? Not really, you will listen in this program why. In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through. You can always check our page in Ko-fi where we are posting more content related to the program and ourselves. We are very interested in learning from you: https://ko-fi.com/operawelovesinging Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging…
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Opera - We love singing
Send us a text In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Werther by Maestro Jules Massenet? By far, one of the most beautiful melodies and maybe saddest ever written for the tenor voice. There is no lyrical tenor who doesn't have it in his repertoire. In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through. Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging…
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Opera - We love singing
Send us a text Is information provided by ChatGPT 3.5 worth reading it if I wanted to learn more about a given opera composer? In the quest of answering it, this series will ask ChatGPT to provide info that when scarce, vague, just a platitude or simply wrong, new questions will be asked to guide the IA to provide more relevant information. Hope this technology does not get old too soon!!! Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging…
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Opera - We love singing
1 Maria Callas Centennial - time travelling to 1950 Mexico City: The Expectation 43:34
43:34 「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入った43:34
「あとで再生する」 「あとで再生する」 リスト 気に入り 気に入ったSend us a text For this trip we need to put apart many things that we know now. We are travelling to a time where Maria Callas whas Meneghini Callas, she was not La Divina. She was not as famous as she came to be years later. We have no mobile telephones, meaning there is no way to learn immediately news from all other places almost at the time they are happening. This program is built with a number of sources to provide a bigger picture of what was actually happening back then. This program, this first travel in time is: The expectation You can always check our page in Ko-fi where we are posting more content related to the program and ourselves. We are very interested in learning from you: https://ko-fi.com/operawelovesinging Sources for this program are: Sophia Lambton's book: The Callas Imprint https://www.amazon.com/Callas-Imprint-Centennial-Biography-ebook/dp/B0BRYPL5WN Special thanks to radio program: Viva la Opera! Erick Zermeño collaborated positively with his thoughts for this program. If you speak Spanish you can find this directory of the radio programs they have in Spotify for 1950 Callas in México: Norma https://open.spotify.com/episode/22e9DP5PCLFf9pLvFKw4Su Aida https://open.spotify.com/episode/4wiKLI9GCLapPaMRZ8Qf7G?si=ix7Hy9YsShqbvIVZsA8Lnw Aida on June 3 https://open.spotify.com/episode/0UJCm3Jqla5YV06KMkt5uD?si=dEVklw0mQ6Svf0wJBdNvNg Il Trovatore June 20 https://open.spotify.com/episode/6EC80DUkBczztvuglY0Cy9?si=zJgYD_U5RM6AM-4k6UsraQ Il Trovatore June 27 https://open.spotify.com/episode/0slAHPZKM8XrqWPuPYRqH2 Tosca https://open.spotify.com/episode/3DMuhtKbC1II1H2dWSGatl?si=P8jrARQET62wEjhsXSCGoQ Interview with tenor Rafael Sevilla: https://www.elfinanciero.com.mx/after-office/maria-callas/ Alternatively, if you are interested in the Youtube available complete recordings, here's what we found: NORMA Callas, Simionato, Baum, Moscona - PICCO - Mexico City, 23.05.1950 Maria Callas Nicola Moscona Robert Weede Giulietta Simionato Aida (May 30, 1950, WITH SCORE) Maria Callas Mario Filippeschi Robert Weede Tosca full opera (1950 Mexico live, WITH SCORE) Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging…
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Opera - We love singing
Send us a text In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Giani Schicchi by Maestro Puccini? By far, one of the most beautiful melodies ever written for the soprano voice. There is no soprano who doesn't have it in her repertoire. In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through. You can always check our page in Ko-fi where we are posting more content related to the program and ourselves. We are very interested in learning from you: https://ko-fi.com/operawelovesinging Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging…
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