This week the Dames are celebrating 4/20 with a lively chat about three very different movies with one important thing in common. From 1998, we talk the Coen brothers' The Big Lebowski and Terry Gilliam's Fear & Loathing in Las Vegas. And then we wrap things up with Phil Lord and Christopher Miller's 2014 surprisingly successful sequel 22 Jump Stre…

The Dames chat about the directorial work of the very underrated Penny Marshall, focusing on Jumpin' Jack Flash, Big, and A League of Their Own. Just remember: there's no crying in baseball (except there is).Citizen Dame による

This week, the Dames are going to work with three great comedies about women in the workplace. Katharine Hepburn and Spencer Tracy star in Desk Set (1957); Jane Fonda, Lily Tomlin and Dolly Parton team up against their terrible boss in 9 to 5 (1980); and Melanie Griffith squares off against Sigourney Weaver in Working Girl (1988).…

The Dames welcome guest Nannina Gilder to talk about the films of Kinuyo Tanaka, a director who carved out a space for herself in Japan's male-dominated film industry with feminist masterworks such as Love Letter, The Moon Has Risen, and Girls of the Night.Citizen Dame による

This week, the Dames talk about the career of six-time Academy Award nominee Thelma Ritter. And we dive into three of her great performances: All About Eve (1950), Birdman of Alcatraz (1962), and Rear Window (1954).Citizen Dame による

This week, the raunchy ladies are talking raunchy ladies doing raunchy lady things, like failing to go to Vegas, starting female fight clubs, and learning about the importance of female friendships. Spoilers abound for Bridesmaids, Joy Ride, and Bottoms, but we're pretty cool about it.Citizen Dame による

This week the Dames look at historical films and biopics directed by women. Strangely rare and often underpraised, we sit down to talk about three great examples: Julie Taymor's Frida (2002), Ana DuVernay's Selma (2014), and Regina King's One Night in Miami (2020).Citizen Dame による

We get a little excited this week talking about current (and past) Best Picture nominees directed by women. While we're focusing on three films this year (Barbie, Anatomy of a Fall, and Past Lives), we also remind everyone that female directors have been around since the creation of cinema. Come for the trenchant critical commentary, stay for the s…

This week it's Karen's birthday and we're celebrating with a chat about some movies about messed up birthdays! Join us as we dive into Child's Play (1988), The Game (1997), and Happy Death Day (2017).Citizen Dame による

In an episode that's been a long time in coming, the Dames are here to discuss the films of Taika Waititi, about whom we are very normal. In our chat about Boy, Hunt for the Wilderpeople, and Next Dame Wins, we cover uplifting humor, childhood trauma, and why everyone needs to just stop being dicks.Citizen Dame による

This week the Dames dive into Criterion's Interdimensional Romance collection with a look at A Matter of Life and Death (1946), Starman (1984), and we break some hearts with our thoughts about Eternal Sunshine of the Spotless Mind (2004).Citizen Dame による

We're back, and we have a special guest! Karen returns from the Sundance Film Festival with Cortland Jacoby of Punch Drunk Critics in tow. Join us for a discussion of the best parts of the festival this year, why Netflix is snapping up all the films, and how Lauren shouldn't be left alone for so long... You can read all of Karen's Sundance reviews …

Did you the Sundance Film Festival is celebrating it's 40th anniversary? The festival kicks off this week in Park City, Utah, the Criterion Channel has a selection of festival faves, and we are joining the fun with a chat about a few of our own. This week, the Dames discuss Donna Deitch's Desert Hearts (1985), Mira Nair's Mississippi Masala (1991),…

We're back to discuss some of our favorite films (new and old) of 2023, including Barbie, Killers of the Flower Moon, and, uh, Love Birds? Happy New Year! We're looking forward to bringing you a lot more fun stuff in 2024!Citizen Dame による

For our last episode of 2023, we chat about some holiday rom-coms (or not-quite-rom-coms) that give us all the feels: The Shop Around the Corner, The Holiday, and the unfairly maligned Last Christmas. Happy holidays and we'll see you all in 2024!Citizen Dame による

This week, the Dames welcome our very special guest, Shannon McGrew of Creepy Kingdom to chat about holiday horror — or more specifically, movies about the darker side of Christmas magic. Join us as we discuss Rare Exports: A Christmas Tale (2010), Krampus (2015), and Violent Night (2022).Citizen Dame による

This week, the Dames welcome the holiday season with a look at three holiday noir films: The Thin Man (1934), Repeat Performance (1947), and They Live By Night (1948).Citizen Dame による

Just us for the last Noirvember episode of the year! The Dames are talking all things Billy Wilder this week, focusing on Double Indemnity, Sunset Boulevard, and Witness for the Prosecution. Just promise not to tell anyone the ending.Citizen Dame による

This week, the Dames take a look at three noirs directed by women: Ida Lupino's The Hitch-Hiker (1953), Muriel Box's Eyewitness (1956), and Elaine May's Mikey and Nicky (1976).Citizen Dame による

The Dames kick off Noirvember by discussing fast-talking, fast-living dame Barbara Stanwyck in three iconic roles: Baby Face, The Strange Love of Martha Ivers, and Sorry, Wrong Number. No man stands a chance.Citizen Dame による

The Dames are wrapping up Spooky Movie Season with a chat about haunted houses. This week we dive into The Changeling (1980), Poltergeist (1982), and The Others (2001). We also get a wee bit emotional over the end of Our Flag Means Death season 2.Citizen Dame による

The Dames carry on with Spooky Season and discuss Gothic horror, where the ghosts are metaphors and the horror is for love. Deborah Kerr goes mad in The Innocents, Vincent Price has an unhealthy attachment to his dead wife in The Tomb of Ligeia, and nothing is OK at Crimson Peak.Citizen Dame による

Join us this week as we dive into urban horror and urban legends with The Lost Boys (1987), Candyman (1992), and Urban Legend (1998).Citizen Dame による

This week, the Dames fill a podcast blindspot and talk all about witches, focusing on Haxan, The Witches of Eastwick, and The Witch. These films encompass feminism, patriarchal fears, justifiable homicide, cool curses, and Jack Nicholson's tiny tiny ponytail.Citizen Dame による

This week the Dames are finishing out Back to School Month and welcoming Spooky Movie Season with the perfect combination: high school horror movies. We're talking Massacre at Central High (1976), The Craft (1996), and I Know What You Did Last Summer (1997).Citizen Dame による

We carry on with our back-to-school discussing some movies set in kindergarten, including Kindergarten Cop and Little Monsters. Plus, some more Garbage People we hope we don't have to talk about again: https://www.theguardian.com/culture/2023/sep/16/russell-brand-accused-of-sexual-assault-and-emotional-abuse https://www.vice.com/en/article/pkaqvn/t…

Autumn is in the air and this month is all about school-time movies. This week we're going back to middle school with EIGHTH GRADE (2018), ARE YOU THERE GOD? IT'S ME, MARGARET (2023), and YOU ARE SO NOT INVITED TO MY BAT MITZVAH (2023). Give us a listen and relive the great and dreadful middle school years!…

We're back this week to discuss the back-to-school films of Amy Heckerling! Heckerling is responsible for some generation-defining movies: Fast Times at Ridgemont High, Clueless, and Loser. Plus: Danny Masterson is going to jail for a long, long time.Citizen Dame による

This week we're celebrating 250 episodes with a lively chat about John Woo. With a career spanning five decades, we narrow down our discussion to three movies: Hard Boiled (1992), Face/Off (1997) and Mission: Impossible II (2000). We also have thoughts about Vanity Fair's glorious First Look images from the new season of Our Flag Means Death. https…

The Dames take some time to catch up on all the things we've been watching, including: Dracula Boat! Or: The Last Voyage of the Demeter Diabolique Dial M For Murder What We Do in the Shadows Good Omens 2 Blue Beetle And many more! Come for the trenchant commentary, stay for the correct pronunciation of Demeter.…

We're celebrating Hitch's birthday with Hitchcock remakes that actually work, including one in which he remakes his own movie. Join us for this chat about The Man Who Knew Too Much (1956), Throw Momma from the Train (1987) and The 'Burbs (1989).Citizen Dame による

The Dames talk older films set in the future...that is now the past! It makes sense when you hear it. This week we cover the iconic 2001: A Space Odyssey, the neon-tinted recent past of Back to the Future Part II, and dire environmental predictions in Soylent Green.Citizen Dame による

The Dames go into a (spoiler-y) discussion of Greta Gerwig's 2023 feminist polemic Barbie! Topics include why we love Allan and The Speech that America Ferrera gives. Everyone can listen now, because Barbie is for everyone!Citizen Dame による

The Dames are back with an all new episode. This week we're talking artificial intelligence in movies. Dating back to as early as Metropolis in 1927, A.I. is an oft explored theme in movies. We discuss the cautionary tales of machines run amok (Demon Seed, 1977), corporate greed and exploitation (Johnny Mnemonic, 1995), and the quest to understand …

In celebration of the release of Indiana Jones and the Dial of Destiny, we discuss the only other three Indiana Jones films ever made! Plus: our thoughts on Warner Brothers and the gutting of Turner Classic Movies.Citizen Dame による

This week! Join us for a chat about Marilyn Monroe and three very different films from her career: Don't Bother to Knock (1952), Gentlemen Prefer Blondes (1953), and The Misfits (1961).Citizen Dame による

Happy Pride! This episode, we're talking about movies that are, like, really gay. Our discussion encompasses the brilliant comedy The Birdcage, Jamie Babbitt's satire of conversion therapy But I'm a Cheerleader, and Fire Island, Andrew Ahn's joyfully gay adaptation of Pride and Prejudice. The thread on Shelley Duvall is here: https://twitter.com/sh…

For this week's episode, we're commemorating the release of The Boogeyman with a chat about Stephen King adaptations. Specifically, Carrie (1976) and The Shining (1980), with a healthy dose of both versions of IT, and why is Christine (1983) so dumb?Citizen Dame による

We have many things to say about birthday boy Vincent Price, including discussions of his life, career, amazing voice, and a few of our favorite horror movie performances. Plus! We chat about Are You There, God? It's Me, Margaret and women getting to tell their own coming-of-age stories.Citizen Dame による

This week we're talking all about the incredible Anna May Wong, and we specifically dive into two of her notable films: Piccadilly (1929) and Shanghai Express (1932).Citizen Dame による

On the anniversary of Return of the Jedi, The Dames have a whole lot to say about Star Wars, both the film and the original trilogy. Come for the fandom energy, stay for us explaining what a little dork Luke Skywalker is. And, as always, Han shot first.Citizen Dame による

This week we're talking about 100 years of Warner Bros., and taking a closer look at three generations of WB movies: The Public Enemy (1931), Now, Voyager (1942), and Batman Returns (1992).Citizen Dame による

The Dames return to discuss the totally not controversial and complicated subgenre of Erotic Thrillers. Films include Body Heat, The Last Seduction, and Jade, so be sure to watch these first if you don't want them spoiled! Plus: Some updates on the David Choe problem: https://laist.com/news/arts-and-entertainment/beef-stars-defend-david-choe-castin…

Hello! After a few weeks away, the Dames are back! This week we're catching up on all the good stuff that came out while we were off, including CREED III, season 2 of YELLOWJACKETS, the Netflix limited (?) series BEEF, and RENFIELD. We're also chatting about the latest news around Roman Polanski (https://variety.com/2023/film/news/roman-polanski-wi…

The Dames are back to talk about people gettin' sexy in Italy, with discussions of A Room with a View, Much Ado About Nothing (1993), and Only You. Plus! Karen gives us her backstage impressions of this year's Oscars!Citizen Dame による

This week's episode is all about Academy Award winner Michelle Yeoh! We talk about her career, with YES, MADAM!, SUPER COP, and CROUCHING TIGER, HIDDEN DRAGON, and take a look at all of the work that led to her historic Oscar nomination and win.Citizen Dame による

Happy International Women's Day! The Dames discuss female screenwriters, sexism, and the Oscars, focusing on The Piano, Sense and Sensibility, and Women Talking. Plus! Karen gives us her thoughts on a bear that does cocaine.Citizen Dame による

This week, we are celebrating the birthdays of two very important dames, our own Karen Peterson, and most especially Elizabeth Taylor. Join us as we chat about Father of the Bride (1950), A Place in the Sun (1951), and of course, Cat on a Hot Tin Roof (1958). Plus we spend a few minutes talking about the very non-Liz Taylor movie, M3GAN.…

The Dames have an in-depth discussion about screwball comedy, sexual politics, and if snakes are necessary, focusing on It Happened One Night, His Girl Friday, and The Lady Eve. Plus: Phil Lord doesn't understand context: https://twitter.com/philiplord/status/1626391261749055490?t=OIu4aQ54pmZaoK7TWx1O0w&s=19 Andrea Riseborough has thoughts on her O…

This week, the Dames welcome special guest Cortland Jacoby as we talk about the romantic action comedies of Sandra Bullock, namely SPEED, MISS CONGENIALITY, and THE LOST CITY. Plus we have a fun chat about Rian Johnson's POKER FACE on Peacock and THE LAST OF US on HBO Max.Citizen Dame による