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Random Observations on Art, Photography, and the Creative Process. These talks focus on the creative process in fine art photography. LensWork editor Brooks Jensen side-steps techno-talk and artspeak to offer a stimulating mix of ideas, experience, and observations from his 50 years as a fine art photographer, writer, and publisher. Topics include a wide range of subjects from finding subject matter to presenting your work, and building an audience. Included in this RSS Feed are the LensWork ...
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HT2194 - When Losers Aren't Losers The other day I pulled out a box of prints that I last reviewed probably a dozen years ago. I was disappointed there were so many bad photographs that for some reason I had decided were worth printing and keeping. I then showed this collection to a friend who picked out three "losers" they wanted, thereby demonstr…
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HT2193 - The Best Glass You Can Get Your Hands On
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HT2193 - The Best Glass You Can Get Your Hands On The number of camera reviews to be found on YouTube and the internet is mind-boggling. The minute a new camera is announced, the usual suspects are in a panic race to post their observations of the new camera and it's capabilities and shortcomings. Comparatively speaking, lens reviews are almost non…
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LW1444 - Books I Return to Time and Again Here is a short list of books I never seem to tire of and that I make time for re-viewing. Each viewing brings out more subtleties and things I missed in my earlier times with these books. All previous episodes of our weekly podcast are available to members of LensWork Online. 30-day Trial Memberships are o…
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HT2192 - Monochrome Viewfinder As a lifetime black and white photographer, I have to admit that I do not see in black and white. Some photographers have that uncanny skill, but I simply don't. I need help to see in black and white. I used to use the Fred Picker monochrome viewing filter, but now I just set my cameras to monochrome in my viewfinder.…
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HT2191 - No Visible Difference, or Megapixel Agnostic
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HT2191 - No Visible Difference, or Megapixel Agnostic The other day I saw a YouTube reviewer make a comment that they can't see any difference between 44 megapixels and 60 megapixels .I'm working on a small project that will probably include 15 or so images. Curiously enough, about half of these images were shot with a 16 megapixel camera, the othe…
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HT2190 - Sensor Noise in High Frequency Images No one likes noise. The techniques and tools for eliminating noise in a digital photograph abound. But no one ever seems to ask whether or not we really need to eliminate it. I recently discovered a situation in which the noise generated at ISO 12800 was invisible and I felt no need to go after it.…
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HT2189 - Black Point It is so easy in digital processing to set a black point. I've seen with regularity digital gurus set a black point for every image as one of their first steps in processing. Does every image need a black point?Brooks Jensen による
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HT2188 - Repeat the Theme, Not the Image Multi-image projects can be tricky to produce. How do we create a group that holds together as a group without becoming repetitious? Maybe we can see a clue to this conundrum by studying old Ludwig – Beethoven, that is.Brooks Jensen による
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LW1331 - Expanding the Moment - Sequences and Grids
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This RSS Feed to be Deprecated As of January 2023, this RSS feed will be phased out and then retired in mid-February 2023. Please redired your RSS feed to the following URL. http://www.lenswork.com/podcast.xml LW1331 - Expanding the Moment - Sequences and Grids Still photography is wonderful, but the single image is not the only option. Sequences a…
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