Hornpipe with an Irish origin.jef による

As played by West Virginia fiddler, Israel Welch, related to Noah Cline, who gives a fine history of the tune Price Bane Waltz on the Tune of the Week for 8/29/24. It's a pretty little waltz and was easier to play than I anticipated.JanetB による

Named after my third-great uncle, as learned from Uncle Tom Thrush via Tom and Israel Welch.Noah Cline による

Here's a tune from West Virginia with interesting timing. It has a bridge and also ends a half measure early if you repeat it, so you jump right into the water, rather the A part.JanetB による

Key of D and played on a newly constructed open back 5 stringhudie による

From the playing of Bruce Greene via Kentucky fiddler Gusty Wallace. The measure count is very unusual, but it's a neat tune. Bruce Greene has found good crooked tunes, many probably from Kentucky. Check out his Five Miles from Ellum Wood CD.JanetB による

Tune of the Week explores Lost Girl. I've focussed on the Kentucky fiddler John Salyer version, but didn't include the Walter McNew version in the thread yet. In this mp3 you first hear McNew's version, then Salyer's as learned from Adam Hurt's piano playing.JanetB による

Played according to the tab in John Burke's Book of Old Time Fiddle Tunes for Banjo.On YouTube the fiddlers play it on a much faster pace than I do.Kyle Creed による

An Irish "traditional slide", meaning it's kind of like a jig, but it's not. I'm always learning something on the Tune of the Week. :)JanetB による

Quick recording with my Zoom H2n handy recorder. I'm at home with a bad flu, so I'm a little congested. Recorded with my Gold Tone WL-250 in Sawmill tuning (gDGCD).stanley_ による

Quick recording with my Zoom H2n handy recorder. I'm at home with a bad flu, so I'm a little congested. Recorded with my Gold Tone WL-250 in Sawmill tuning (gDGCD).stanley_ による

This arrangement was very heavily inspired by Simon Robinson's version of this song. Recorded with my Zoom H2n field mic at my workplace courtyard (so I had to be relatively quiet) next to a fountain. Tuned down from G-Standard (relative) on my Recording King RKO-3S customized with nylon strings, fiberskyn head, and stuffed with two cotton shirts.…

Using my modified Recording King RKO-3S (with fiberskyn head and nylon strings) tuned relative to G-standard, probably about 3 half-steps down.stanley_ による

Chris Coole made this one as an exercise on "rolls".Chris Coole による

As played by Kentucky fiddler John Salyer, it's good to have yet another one of his unique tunes. The A part is rather plain, but the B part has character. If Sallie Cooper was that kind of person, I think I would have liked her.JanetB による

The lyrics are based on Doc Watson's recording. Recorded on my Gold Tone AC-12a tuned a whole step up from Sawmill (aEADE). Recorded in one take with one microphone. This arrangement is not based heavily on any existing tab.stanley_ による

Saturday, October 21,2023Last Sunday, as I was preparing to sing with the youth at Gwynedd Friends Meeting, I asked the teacher what the lesson was for today. He told me that they were going to learn about Indigenous People's Day. I looked through the list of songs that I'd been singing with them, for the past 30 years or so and thought, that of al…

Described as a fife and drum march during the Revolutionary War and given other similar titles, Murillo's Lesson has evolved over the years. This clawhammer arrangement uses the musical annotation posted on the Traditional Tue Archive.JanetB による

This is Lynchburg Town, loosely based on an arrangement in Wayne Erbsen's "Clawhammer Ignoramus" book. Recorded with a Gold Tone AC-12a tuned to aDADE.stanley_ による

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An Ohio tune to enjoyJanetB による

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From the fiddling of Alabama fiddler James Bryan in 1983, he learned from Mack Blalock, a Georgia fiddler, and the tune is older yet. I tuned to an open C tuning, something only done occasionally, so it changed the fingering from the better-known ways.JanetB による

A tune I wrote and decided should be named after my wife, as a reward for putting up with my banjo playing!gentrixuk による

Arranged from the O'Neill's Music of Ireland source. My son is a farrier and does blacksmithing ALL the time. Sometimes he's merry!JanetB による

Lucy Farr (1911-2003) was Irish, but lived in England. She played the tune in the key of D, but here in jam sessions it's being played in the key of G. Lucy recorded an album at the age of 80!JanetB による

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Reference recording for the tab posted--view my tabs here.dbrooks による

Thanks to Brendan Doyle for uploading the source recording for this week's Tune of the Week, Grey-Haired Dancin' Gal. I gave the tune another try. This version has a more Cajun swing flavor than the one I learned from, and Brendan shared with us the composer's background, so I thought it was worth another try. It's played slowly here and wants to b…

Learned from the fiddling of Mark Tamsula, a fiddler I respect a lot. Grey Haired Dancing Girl, however, is not one Mark learned from the collections of Pennsylvania's Samuel Bayard. The original source of the tune is still a mystery, but a 1990's jam in Maryland was Mark's source.JanetB による

The source recording is from a 1930 recording of Seven Foot Dilly and His Dill Pickles. I learned from a modern recording of the Old Yeller Dog Band because I liked how the fiddle filled in the held notes.JanetB による

Here's a Henry Reed version of Red Fox, recorded in the enormous collection of this West Virginia fiddler by the great Alan Jabbour. I went to gCGCE tuning for ease of playing down the neck.JanetB による

My friend Doug's versiongDGbdpassed via Henry Reed による

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This version of Portsmouth Airs is based on Buddy Thomas' fiddling. He'd visit Jimmy Wheeler, leaving Kentucky to go to the neighboring town of Portsmouth in Ohio.Jimmy Wheeler による

A Tune of the Week written in the late 1800's, considered a ragtime or tin pan alley tune. It's a tough one to play, especially having just learned it today, but it was also an unusual tune to figure out.Kerry Mills による

What I worked out in gEADE tuning for playing clawhammer with piano at a contra dance. (it's for a dancing, so it's fairly long)From a couple of years ago, first dance from long break of Covid. Was a bit rough.banjoak による

Playing around with gDGDE tuning.Also experimenting using BandLab app and some of built in fx and processing for mastering... to demo what it does (it is a bit much)banjoak による

This was an experiment using iPhone and BandLab app for quick multitrack in kitchen.banjoak による

Old Kentucky crooked fiddle tunes are intriguing and Hiram Stamper is an authentic learning resource in my book. Bruce Greene recorded this one and it was tricky to arrange. I got some help listening to George Jackson, the New Zealander old-time player that's a pleasure to hear.JanetB による

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From the playing of an Alabama fiddler, Paisley Hagood. Mostly he plays ABAB, which is kind of a treat after always playing AABBAABB. The high note in the A part gives it an ancient tone feeling for me.JanetB による

It's rare to work on a jig with clawhammer. This is a sweet tune with a real Irish (to my ears) melody. Its minor tones make it a bit bittersweet.JanetB による

Based on the playing of the Leslie Riddle and the Carter Family, the melody resembles White House Blues, an earlier song, and is included in a Tune of the Week featuring the latter. This recording was made when my husband, Kit, and I were performing locally at events focusing on local history. We liked choosing old-time tunes and songs and have a i…

Played on newly constructed parts banjo. Key of Ghudie による

This old standard is played clawhammer style on a banjo I built which features internal-to-the-rim head tensioning, an internal resonator, and a Helix-style laid up rim made from carob wood.Traditional, based on arrangement by Ralph Stanley による

Country bluesWalshyBanjo による

Classic clawhammer tune played on my new Stone Banjo Company Half Fretless banjo.jbest による