Zoe Druick - May 2, 2016

 
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Manage episode 178867670 series 1433961
著作 VISR and VISR Vancouver Institute of Social Research の情報はPlayer FM及びコミュニティによって発見されました。著作権は出版社によって所持されます。そして、番組のオーディオは、その出版社のサーバから直接にストリーミングされます。Player FMで購読ボタンをタップし、更新できて、または他のポッドキャストアプリにフィードのURLを貼り付けます。

“Small Effects from Big Causes: The Dialogic Documentary Practice of Natalie Bookchin”

In her digital video work Mass Ornament (US, 2009), the Testament series (US, 2009), and Now He’s Out in Public and Everyone Can See (US, 2012), Natalie Bookchin gathers clips from vlogs where people perform dances and discuss issues both personal and political, from sexuality to racism and losing their jobs. In this essay, I argue that Bookchin’s work makes an important feminist intervention into discourses that either demonize or lionize social media. Utilizing strategies of seriality, database/narrative and orchestration, Bookchin crafts a set of composite found footage texts that challenge both documentary form that relies on typicality or composites, and i-docs that literalize interactivity. Instead, highlighting the body and the utterance as political “contact zones,” Bookchin uses sonic composition and choreography to challenge restricted notions of political speech, demonstrating the simultaneous insignificance and importance of the everyday. Her work therefore highlights the problematic of communicability that the excess of on-line textual expression presents while at the same time holding out the possibility that—through listening—engaged, dialogic documentary might provide a powerful antidote to the logics of neoliberalism.
Natalie Bookchin's videos:
https://vimeo.com/19364123
https://vimeo.com/19588631
https://vimeo.com/19588547
https://vimeo.com/5403546
https://vimeo.com/38513950

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