In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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コンテンツは The Cannon Canon によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、The Cannon Canon またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
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Manage episode 357610054 series 3338360
コンテンツは The Cannon Canon によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、The Cannon Canon またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
“They don’t make Munks like they used to!” Abbott & Costello, Martin & Lewis, Cheech & Chong...Dreyfuss & Landsberg. That's right, for the next two weeks, The Cannon Canon will be covering the Cannon comedic stylings of Lorin Dreyfuss & David Landsberg! First up, 1986's Detective School Dropouts! A mixed-bag, madcap comedic romp that leaves the Cannon Bros a little lukewarm on the film itself but respecting the hell out of the story behind getting their two movies made to begin with!
In this episode we discuss: The hustle and dream of sketch comedians landing a 2 picture deal with a movie studio, Benny Hill speed-ups, middle-aged men in flimsy tear-away clothing, a plane that shows Ninja III: The Domination as its inflight movie and composer George S. Clinton takes on the Euro-Discoteque nom de plume GEO for this score.
After all, "God knows what they put on their pizza in California!"
OUR PATREON: patreon.com/thecannoncanon
Follow us on the socials:
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Instagram: @thecannoncanon
Please rate and review us!
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Manage episode 357610054 series 3338360
コンテンツは The Cannon Canon によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、The Cannon Canon またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
“They don’t make Munks like they used to!” Abbott & Costello, Martin & Lewis, Cheech & Chong...Dreyfuss & Landsberg. That's right, for the next two weeks, The Cannon Canon will be covering the Cannon comedic stylings of Lorin Dreyfuss & David Landsberg! First up, 1986's Detective School Dropouts! A mixed-bag, madcap comedic romp that leaves the Cannon Bros a little lukewarm on the film itself but respecting the hell out of the story behind getting their two movies made to begin with!
In this episode we discuss: The hustle and dream of sketch comedians landing a 2 picture deal with a movie studio, Benny Hill speed-ups, middle-aged men in flimsy tear-away clothing, a plane that shows Ninja III: The Domination as its inflight movie and composer George S. Clinton takes on the Euro-Discoteque nom de plume GEO for this score.
After all, "God knows what they put on their pizza in California!"
OUR PATREON: patreon.com/thecannoncanon
Follow us on the socials:
Twitter: @thecannoncanon
Instagram: @thecannoncanon
Please rate and review us!
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The Cannon Canonに似ているもの
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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continue reading
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