Manage episode 280993394 series 2467764
Edward Docx (novelist/screenwriter/journalist) is a hyper-articulate defence witness for some of Bob’s least understood albums: Street-Legal, Infidels, Empire Burlesque and Together Through Life. “There is no uninteresting Dylan album. He opens his veins and says "This is what it’s like for me now."” How passionate is Ed Docx about Bob Dylan? After recording the podcast, we continued our digital discussion for another hour.
Here’s Ed on Street-Legal: “It’s his Bosworth. After the battle, there’s blood and corpses and death and everything’s gone wrong. But somehow, he picks himself up and starts to sing! I don’t think he ever dared go there again. It was so bleak.” His reaction to accidentally discovering I And I at age 14: “I thought: what great human being has written this down? I couldn’t believe the depth and strength and beauty and layered wonder.” Join us for our longest - and possibly most articulate – episode thus far.
Edward Docx is half Russian on his mother’s side. He was born in the North East and grew up in the North West, went to school in Manchester and then on to Christ’s College, Cambridge, where he read English Literature. He started writing fiction when he was in his teens and completed three unpublished novels before The Calligrapher was published in 2003. His other novels are Self Help (longlisted for the Booker Prize/winner Geoffrey Faber Memorial Prize), The Devil’s Garden and Let Go My Hand. He is associate editor of Prospect Magazine. His journalism appears in most leading European and American newspapers and magazines. In addition, Ed works extensively in television and radio and teaches on the Guardian’s Master Class series on fiction writing.
Recorded 5th October 2020
This show is part of Pantheon Podcasts.