In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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コンテンツは Chad Lott & Marc Kate, (Chad Lott, and Marc Kate) によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Chad Lott & Marc Kate, (Chad Lott, and Marc Kate) またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作権で保護された作品をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
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Scary Thoughts #94 - Malignant (2021)
Manage episode 304019468 series 1274347
コンテンツは Chad Lott & Marc Kate, (Chad Lott, and Marc Kate) によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Chad Lott & Marc Kate, (Chad Lott, and Marc Kate) またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作権で保護された作品をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
James Wan’s Malignant (2021) is a lot of things. Giallo homage. Action film. 90s horror. But even when it feels familiar, it delivers some genuinely original moments and ideas. We cover the film itself, its references, seeing films in theaters post-COVD, indie fetishism, simple pleasures, and whether or not Wan is the Dave Grohl of horror.
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Manage episode 304019468 series 1274347
コンテンツは Chad Lott & Marc Kate, (Chad Lott, and Marc Kate) によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Chad Lott & Marc Kate, (Chad Lott, and Marc Kate) またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作権で保護された作品をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
James Wan’s Malignant (2021) is a lot of things. Giallo homage. Action film. 90s horror. But even when it feels familiar, it delivers some genuinely original moments and ideas. We cover the film itself, its references, seeing films in theaters post-COVD, indie fetishism, simple pleasures, and whether or not Wan is the Dave Grohl of horror.
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