As She Rises brings together local poets and activists from throughout North America to depict the effects of climate change on their home and their people. Each episode carries the listener to a new place through a collection of voices, local recordings and soundscapes. Stories span from the Louisiana Bayou, to the tundras of Alaska to the drying bed of the Colorado River. Centering the voices of native women and women of color, As She Rises personalizes the elusive magnitude of climate cha ...
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コンテンツは HeadStuff Podcasts によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、HeadStuff Podcasts またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作権で保護された作品をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
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175: #175 | Up The Lagan In A Bubble: Line of Duty and the Irish Cop Trope
Manage episode 291151270 series 1929533
コンテンツは HeadStuff Podcasts によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、HeadStuff Podcasts またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作権で保護された作品をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
Jesus, Mary and Joseph and the Wee Donkey.
Everyone is hooked on “Line of Duty” at the moment, the latest reinvention of the cop show genre - and, fittingly, a reinvention of the “Irish cop” trope which is even older than television. But why did this format - a legacy from the era of segregation and McCarthyism - survive when westerns, Elvis movies, and musicals either die off or get resurrected beyond recognition?
More than any other part of the state, policing is understood in the context of police shows. Its shortcomings are explained in the context of the internal conflicts of relatable protagonists while teachers and politicians continue to be antagonists, doctors and lawyers are allowed save the world from the private sector, and nurse/librarian protagonists in mainstream drama are outnumbered by their porno equivalents. The cop show is not going anywhere, absorbing bits of other formats in its path, and the Irish cop is a part of it.
In today’s episode, Darach, Gearóidín and Peadar discuss the evolution of the cop show and the Irish cop trope and consider how Hastings has brought significant chunks of Hiberno-English to a large audience. And as Gearóidín admits to a strange crush, Darach takes a surprising perspective on one of the 20th century’s most notorious criminals.
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Support Motherfocloir on Patreon: https://www.patreon.com/darach
Get Kirsten Shiel art prints here: https://www.inprnt.com/gallery/kirstenshiel/
---
Contact the show:
whatsapp - +353894784713
twitter - @motherfocloir and @theirishfor
email - motherfocloir@headstuff.org
---
Want to record your own podcast?
Check out our studios at https://thepodcaststudios.ie
Or do it online at https://remotely.fm/?coddle
…
continue reading
Everyone is hooked on “Line of Duty” at the moment, the latest reinvention of the cop show genre - and, fittingly, a reinvention of the “Irish cop” trope which is even older than television. But why did this format - a legacy from the era of segregation and McCarthyism - survive when westerns, Elvis movies, and musicals either die off or get resurrected beyond recognition?
More than any other part of the state, policing is understood in the context of police shows. Its shortcomings are explained in the context of the internal conflicts of relatable protagonists while teachers and politicians continue to be antagonists, doctors and lawyers are allowed save the world from the private sector, and nurse/librarian protagonists in mainstream drama are outnumbered by their porno equivalents. The cop show is not going anywhere, absorbing bits of other formats in its path, and the Irish cop is a part of it.
In today’s episode, Darach, Gearóidín and Peadar discuss the evolution of the cop show and the Irish cop trope and consider how Hastings has brought significant chunks of Hiberno-English to a large audience. And as Gearóidín admits to a strange crush, Darach takes a surprising perspective on one of the 20th century’s most notorious criminals.
---
Support Motherfocloir on Patreon: https://www.patreon.com/darach
Get Kirsten Shiel art prints here: https://www.inprnt.com/gallery/kirstenshiel/
---
Contact the show:
whatsapp - +353894784713
twitter - @motherfocloir and @theirishfor
email - motherfocloir@headstuff.org
---
Want to record your own podcast?
Check out our studios at https://thepodcaststudios.ie
Or do it online at https://remotely.fm/?coddle
Learn more about your ad choices. Visit megaphone.fm/adchoices
195 つのエピソード
Manage episode 291151270 series 1929533
コンテンツは HeadStuff Podcasts によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、HeadStuff Podcasts またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作権で保護された作品をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
Jesus, Mary and Joseph and the Wee Donkey.
Everyone is hooked on “Line of Duty” at the moment, the latest reinvention of the cop show genre - and, fittingly, a reinvention of the “Irish cop” trope which is even older than television. But why did this format - a legacy from the era of segregation and McCarthyism - survive when westerns, Elvis movies, and musicals either die off or get resurrected beyond recognition?
More than any other part of the state, policing is understood in the context of police shows. Its shortcomings are explained in the context of the internal conflicts of relatable protagonists while teachers and politicians continue to be antagonists, doctors and lawyers are allowed save the world from the private sector, and nurse/librarian protagonists in mainstream drama are outnumbered by their porno equivalents. The cop show is not going anywhere, absorbing bits of other formats in its path, and the Irish cop is a part of it.
In today’s episode, Darach, Gearóidín and Peadar discuss the evolution of the cop show and the Irish cop trope and consider how Hastings has brought significant chunks of Hiberno-English to a large audience. And as Gearóidín admits to a strange crush, Darach takes a surprising perspective on one of the 20th century’s most notorious criminals.
---
Support Motherfocloir on Patreon: https://www.patreon.com/darach
Get Kirsten Shiel art prints here: https://www.inprnt.com/gallery/kirstenshiel/
---
Contact the show:
whatsapp - +353894784713
twitter - @motherfocloir and @theirishfor
email - motherfocloir@headstuff.org
---
Want to record your own podcast?
Check out our studios at https://thepodcaststudios.ie
Or do it online at https://remotely.fm/?coddle
…
continue reading
Everyone is hooked on “Line of Duty” at the moment, the latest reinvention of the cop show genre - and, fittingly, a reinvention of the “Irish cop” trope which is even older than television. But why did this format - a legacy from the era of segregation and McCarthyism - survive when westerns, Elvis movies, and musicals either die off or get resurrected beyond recognition?
More than any other part of the state, policing is understood in the context of police shows. Its shortcomings are explained in the context of the internal conflicts of relatable protagonists while teachers and politicians continue to be antagonists, doctors and lawyers are allowed save the world from the private sector, and nurse/librarian protagonists in mainstream drama are outnumbered by their porno equivalents. The cop show is not going anywhere, absorbing bits of other formats in its path, and the Irish cop is a part of it.
In today’s episode, Darach, Gearóidín and Peadar discuss the evolution of the cop show and the Irish cop trope and consider how Hastings has brought significant chunks of Hiberno-English to a large audience. And as Gearóidín admits to a strange crush, Darach takes a surprising perspective on one of the 20th century’s most notorious criminals.
---
Support Motherfocloir on Patreon: https://www.patreon.com/darach
Get Kirsten Shiel art prints here: https://www.inprnt.com/gallery/kirstenshiel/
---
Contact the show:
whatsapp - +353894784713
twitter - @motherfocloir and @theirishfor
email - motherfocloir@headstuff.org
---
Want to record your own podcast?
Check out our studios at https://thepodcaststudios.ie
Or do it online at https://remotely.fm/?coddle
Learn more about your ad choices. Visit megaphone.fm/adchoices
195 つのエピソード
すべてのエピソード
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